1968-01-01
0
A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.
A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.
A professional recording of the official play. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.
a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)
An ultra-realistic depiction of life in a Marine Corps brig (or jail) at a camp in Japan in 1957. Marine prisoners are awakened and put through work details for the course of a single day, submitting in the course of it to extremely harsh and shocking physical and mental degradation and abuse.
Jérôme Bel's show features the memories of spectators at the Avignon Festival.
Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.
The body of a Real Housewife is an apparatus, an assembly of parts—hair, lips, dress, falsies, mic pack, cell phone, wine stem, camera, restaurant, brand, identity. This body is maintained and degraded, intoxicated and cleansed, in seasons and cycles, systems of supply and denial. The self needs a medium. Who cares who you are when you’re alone anymore?
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.
Shinichi Tominaga is a prosecutor, newly appointed to the special investigation division for the Tokyo district prosecutors' office. He is currently busy with a case involving suspicious donations to powerful politician Yohei Tachibana. Shinichi then receives a mysterious message from his friend Samon Kondo. His friend is in charge of space development at The The Ministry of Education, Culture, Sports, Science and Technology. The message talks about a scandal related to space development. Samon soon goes missing after sending the message. Shinichi begins to see a connection between the two cases.
A son struggles with his father’s violent tendencies while his late mother attempts to help him.
Last night Kate met John. But when she wakes up, he's gone and she's locked in his flat. When she calls him at work, he apologises and promises to come straight back. But an accidental find in a drawer turns her anticipation into horror.
Vicki is upset, she has been dumped by her boyfriend just when she thought her life was going somewhere but she will find comfort in the kindness of a stranger with a bag of jelly babies who believes 'a lot of life's troubles can melt away if you sit back and chew on a jelly baby'.
Jean is preparing to leave her home that she shared with her late husband Brian who was taken from her in a tragic accident. She recounts the pivotal moments in their life together and the loss she feels now that he's gone. When someone you love becomes a memory, the memory becomes a treasure.
After the death of her daughter and a turn to substance abuse, Raine must confront her grief and determine if she can repair the bond with her son before it’s too late.
A gypsy girl whose mother committed suicide after being seduced and abandoned by a rich man finds herself twenty years later being wooed by the same man.
Lupin is the lover of Joan of the Apaches. She is attracted by Paul de Gafilet, nobleman and sculptor. She visits him in his studio and resolves to abandon her underworld career for his sake. Lupin vows revenge but is frustrated by Joan. The latter's affection for Paul turns to rage when she sees him embracing another woman. Joan joins with her confederates to steal some jewels from a statue of the Madonna in a church. She learns that the woman she is jealous of is Paul's sister, attempts to halt the robbery but fails. Paul is injured by the thieves and Joan held captive.