Going to the doctor to make a diagnosis or to have a treatment is a common thing in the outside world. But for every prisoner it is a very difficult or impossible path. Lander Garro, the director, turns to those who have lived the experience of being ill in prison to better understand its consequences. It uses a language that goes beyond political discourse, exploring the helplessness of prisoners whose right to health is limited from an emotional point of view, through cinematographic tools. 'Tipularen sehaska kanta' ('Nana de la cebolla' - 'Lullaby of the onion') more than a political film is an artistic film, narrated in the first person and from the entrails. Based on the poem 'Nana de la cebolla' by the Spanish poet Miguel Hernández, who died in prison in 1942, the film makes a historical analogy: if it didn't make sense to die in prison in 1936, does it make sense today?
What is possible when we have guaranteed money to meet our basic needs? No requirements. No stipulations. No paybacks. We look to the village of Busibi to discover what’s possible when we give money directly to people. No strings attached. The answer lies in the residents’ personal stories. Their successes and tribulations illustrate the impact of one of the most daring projects in contemporary development cooperation. Their life stories unexpectedly prove to be all too familiar. They make us laugh. They move us. Blending in together, they create a colorful and poetic reality portrait, illustrating the big consequences of a small sum of money …
On a winter night in 2002, a couple in their early 20s is breaking up atop a bridge, when the woman falls down. Is it a suicide or accidental death? The man asks a friend to call an ambulance, but the woman dies. The man and his friend are imprisoned for murder when an eyewitness reverses her original statement and says that she saw the two men throwing the woman from the bridge. After more than a decade, director Shih Yu-Lun collaborates with the ‘Taiwan Innocence Project’, a private organization that helps innocent people who have been unjustly convicted, to re-investigate the case.
The story of four pioneering lesbian politicians and the battles they fought to pass a wide range of anti-discrimination laws.
a documentary from Amnesty International Indonesia and Watch Doc
With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.
For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment, just like animals in zoos; a shameful, outrageous and savage treatment of people who were considered subhuman.
Four stories set between the 60s and the 70s in Italy. Four personal female adventures crossing the path of Italian history, the struggle for women rights, the liberation of the body, in a country without memory.
Survivor Abduweli flees a Chinese Uyghur internment camp to Norway. Now, heading to Germany to confront a past torturer, his daughter’s panic attack forces a choice: exposing Uyghur genocide for the world, or shielding his family from painful memories.
Award-winning documentary, Sitting Bull: A Stone in My Heart, makes extensive use of Sitting Bull’s own words, giving the viewer an intimate portrait of one of America’s legendary figures in all his complexities as a leader of the great Sioux Nation: warrior, spiritual leader and skilled diplomat. Sitting Bull’s words, as portrayed by Adam Fortunate Eagle, dominate this story. Augmented by a narrator’s historical perspective, over six-hundred historical photographs and images, and a compelling original music score, the film brings to life the little-known human side of Sitting Bull as well as the story of a great man’s struggle to maintain his people’s way of life against an ever-expanding westward movement of white settlers. It is a powerful cinematic journey into the life and spirit of a legendary figure of whom people have often heard but don’t really know.
Benjamin Woolley presents the gripping story of Nicholas Culpeper, the 17th century radical pharmacist who took on the establishment in order to bring medicine to the masses. Culpeper lived during one of the most tumultuous periods in British history. When the country was ravaged by famine and civil war, he took part in the revolution that culminated in the execution of King Charles I. But it is Culpeper's achievements in health care that made him famous. By practicing (often illegally) as a herbalist and publishing the first English-language texts explaining how to treat common ailments, he helped to break the monopoly of a medical establishment that had abandoned the poor and needy. His book The English Physician became the most successful non-religious English book of all time, remaining in print continuously for more than 350 years.
Asil is a young Syrian refugee awaiting documents in Turkey while processing the trauma of losing her home and family. Her story gives voice to a charming gigantic puppet named Amal, who represents millions of migrant and displaced children in a walk from the Syrian border in Turkey all the way across Europe. Escorted and animated by a group of puppeteers who are themselves refugees, Amal’s epic journey is one of compassion and discovery.
For more than forty years, Belela Herrera has dedicated her life to saving that of others. The politically persecuted, those displaced by civil wars, and the world's refugees are her concern and vocation. Her story is also that of a woman who defined herself and twisted the destiny reserved for girls of her social class: marrying to a man from high society, having a large family and a comfortable and elegant existence . And it is also the story of a female legacy that is part and consequence of the invisible resistance of thousands of women.
Growing up in times of conflict - 13-year old Palestinian girls Wafaa and Raneen from two different Westbank villages are faced with the option of going on a one-day trip to the beach in Israel. Although they live only a few kilometers away, they have both never been to the sea. Israeli peace activists organize a day at the beach in Tel Aviv for Palestinian women and children, to let them exchange the view on the Wall against the horizon. One summer morning, Wafaa is preparing for the journey and imagining pretty people in Israel, while Raneen is playing freedom fighter with her friends. Her village is in constant conflict with the Israeli soldiers and for her and her parents it is out of the question to spend a beach day with the "others". Is the day by the sea a one-day utopia? Or a possible future?
Chasing Asylum tells the story of Australia's cruel, inhumane treatment of asylum seekers and refugees, examining the human, political, financial and moral impact of current and previous policy.