Documentary film Heavy Heart arose as a part of ethnomusicological research Silalo panori / Cold water (2014 – 2017) of ancient Roma songs. These songs are usually connected with memories and experiences of their interprets. Documentary in a mosaic-like way traces the way of the original Roma music transport to the next generation or also how it ceases to exist under the influence of social changes.
Documentary film Heavy Heart arose as a part of ethnomusicological research Silalo panori / Cold water (2014 – 2017) of ancient Roma songs. These songs are usually connected with memories and experiences of their interprets. Documentary in a mosaic-like way traces the way of the original Roma music transport to the next generation or also how it ceases to exist under the influence of social changes.
2017-10-05
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The tragic story of an American music virtuoso who found in 1970s Iran the love and acceptance he never received back home, and who was punished by his country upon his return after the Iranian revolution.
The sound of centuries-old Adhan in Turkey, the sound of centuries-old church bells and the polyphonic music of Europe echo in our memory. Our traditions and our future determine our present. In the present tense, the sounds of the war's sirens are mixed with the sound of Adhan and church bells. How can people hear themselves? How can humans exist?
British musician and writer David Toop leads viewers through a tour of his voluminous record collection, reflecting on perception, the limits of music and the connections between seemingly disparate performers. This unusual documentary from filmmakers Guy Marc Hinant and Dominique Lohlé also captures Toop's progression from engagement to near exhaustion as he methodically combs through tens of thousands of records.
Ukrainian musicians of all genres, from metal to opera, transform their passion for music into devotion to their country in this moving documentary. Beginning on the very first day of the Russian invasion, Soldiers of Song documents how the lives of its cast of Ukrainian musicians have irrevocably changed and how they use their musical talents to support themselves and their communities. Using shocking footage from the frontlines, this film reminds us not only of the ongoing tragedies that continue to happen during this war, but also of the resilience of Ukraine and its cultural forces. Here music functions not only to lift the spirits of the soldiers, but also as a cultural export to raise awareness of the war, a tool for raising humanitarian and military funds, and a valuable cultural artifact for everyday Ukrainians to rally around and protect. The musician’s commitment to their craft reminds us of the real power art has and the impact of beauty under catastrophic circumstances.
This classic documentary features the story and sounds of the talking master drums of the Ashanti. Filmed in Ghana and narrated by Mantle Hood
Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.
In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years – until they are chased out and forced to adapt to life in the big city.
A documentary about the traditional music of the 'Are'are people of the Solomon Islands.
A Roma beggar on his knees raises many extreme emotions: guilt, rage, sympathy and frustration. Most people just walk on by, but there is always someone willing to help. In this film, the director follows the confrontations between the Roma beggars from Romania and Finnish people, and is forced to question, over and over again, her own ideas about helping.
The young director Tomas Vynikal arrives at the Roma ghetto in search of humanity. With an authentic approach, he finds true friendship, but also human corruption. Everything is kept in the dark when the city of Prerov sells the ghetto together with its inhabitants to a private company for the purpose of new housing construction. This company will only go so far to demolish part of the houses and end up insolvent. The work is also a picture of current social problems in the Czech Republic, where human dwellings are meaninglessly devastated. These inhabitants receive new rental flats from the state, thus another ghetto is being created and society is moving in a catch 22 circle. The film contains time spent from September 2010 to September 2020.
The TV biopic maps the fate of Roma writer Elena Lackova in an intimately personal way. As viewers, thanks to the author's authentic voiceover and preserved archive footage, we delve into her memories of the Holocaust and the communist dictatorship in the context of the play Burning Gypsy Camp. We uncover the circumstances of growing up in a gypsy settlement, her first literary achievements, and her struggle to combine her personal and professional life. We also get to know her life story through her great-granddaughter and actress Alžbeta Ferencova, known as Zea or the serial Iveta (dir. Jan Hřebejk, 2022). The parallel between the life of the writer and that of her great-granddaughter, who also embarked on an artistic career and broke down stereotypes about the role of Roma women in society, creates a timely and transferable story. A crucial motif of the poetic film is also the unprecedented emancipation of the writer for the time.
Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.
Sha//ge, a very young woman about to have her first child, falls ill, probably with malaria. /Ti!kay, a relative and healer, enters a mild trance, without the stimulus of dancing, in an attempt to cure her. Sha//ge lives but the baby is stillborn.
The film explores the taboo subject of homosexuality within the Roma community through the personal story of a Roma activist who happens to be gay. Though his job has earned him respect among his peers, by coming out his status is in jeopardy. However, the desire to share his complex story prompted him to write a screenplay based on his life. Partly a documentary about his autobiographical script, the film switches between documentary and narrative storytelling. Owing to its distinctive style, the film offers a glimpse into the protagonist's world as he faces triple discrimination: as a Roma, as a gay man, and as a gay man in the Roma community.
The protagonist of Dajori (mother in Romani) is forty-five-year-old Marie Hučková, who lives with her husband in Varnsdorf. After her younger sister Iveta ends up on the streets with her nine children, she decides to take her own fate and theirs firmly into her own hands and attempts to break out of the vicious circle of poverty that characterises their hometown. This sensitive film, which captures three years of a newly formed family's life together, follows the small joys and daily challenges of caring for others and asks whether a mother's love can overcome the dysfunctional system in which socially excluded localities find themselves.
Muzafer Bislim comes up with some of his most insightful songs while sitting on the floor, recording lyrics into a cassette recorder bought at a flea market. A poet and songwriter who collaborates with the biggest names in Romani music, the 54-year old lives a life of modest means with his family in Shutka, Macedonia. Stored in the corner of his one-room house is a tottering, ceiling-high stack of handwritten, 25,000-word, multi-dialect dictionary of the oldest and most obscure words in the Romani language, which he has painstakingly collected over 35 years. When he's invited to the International Biennial of Poets held in Paris, he sees the trip as an opportunity to have his dictionary published. A testament to the endurance of a people who have been scattered across Europe, the dictionary is not only a work of art but also a rare link to a divided past.
The dance house movement, which (illegally) brought folk music from the minority Hungarian Gypsies and peasants of Transylvania - now part of Romania - to Budapest, and its effect on views of the value of traditional culture.
Otherness in otherness. What does it mean to be different in a community that is itself excluded from society? The documentary follows the fate of Roma who have become a minority in a minority society. Roma gays and transvestite search for their living space and dream of working abroad. A legless father of five longs for a wheelchair. A Roma grandmother sacrifices her life for the health of her beloved grandson. Will Emil, a Roma man who has found faith in God, be able to save his son from alcohol? Four stories from the poorest Roma settlements in Slovakia aim to break down prejudices between the Roma community and the white majority.