Mulher
2019-02-05
0
Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.
Julie is convened in the office of the Headmaster because her daughter hit a classmate. An unacceptable behaviour! But Julie does not see it that way and will put words on the unacceptable.
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
Northern Mexico - 1997. Ulises, a detective tired of the violence that his work and country present, narrates in detail his last case before retiring: The disappearance of Lucía Pardo.
Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.
Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.
A wife is sick and tired of her husband's infidelities, so she leaves home and goes back to grad-school. There she meets many self-confident women who help her find her own voice.
One year after the death of Simone de Beauvoir (14 april 1986) Delphine Seyrig pays homage by visiting her grave. which she finds still covered with flowers and letters from all over the world.
Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.
Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.
In 1918, the U.S. Army Signal Corps sent 223 women to France as telephone operators to help win the Great War. They swore Army oaths, wore uniforms, held rank, and were subject to military justice. By war's end, they had connected over 26 million calls and were recognized by General John J. Pershing for their service. When they returned home, the U.S. government told them they were never soldiers. For 60 years, they fought their own government for recognition. In 1977, with the help of Sen. Barry Goldwater and Congresswoman Lindy Boggs, they won. Unfortunately, only a handful were still alive.
Tuku is all set to get married. But being a bride is not a child’s play, for she doesn’t know how to make tea. Or to knit a sweater even. Will she be able to knit a sweater? Because if she does, she might get hitched.
A fictionalised documentary that tells the story of María Lejárraga, writer and pioneer of feminism in Spain during the 1920s, whose work was produced under the name of her husband, the theatre impresario Gergorio Marinez Sierra. Lejárraga was the most prolific Spanish female playwright of all time. She is the author of works such as "Cancion de cuna", as well as a member of parliament for the Second Republic and founder of pioneering projects for women's rights and freedoms.
In the 1950s, Patria, Minerva, and María Teresa Mirabal - who were known by their codename "The Butterflies" - created an underground resistance movement against Rafael Trujillo, dictator of the Dominican Republic. On November 25, 1960, Trujillo had all three sisters assassinated. The assassinations turned the Mirabal sisters into national heroines and symbols of feminist resistance. The documentary interweaves interviews with over forty witnesses to the story, including the Mirabal family friends, colleagues, co-revolutionaries, teachers, and most importantly, their surviving sister, Dedé, along with dramatic reenactments and archival footage.
A unique cinema tour de force from Cinema eVerite', 'Flesh Is Heir To' is a psychological thriller delving into the feminine psyche and societal sexuality standards. The film is written and directed by critically acclaimed off-off Broadway writer/producer and filmmaker Dale A. Johnson.
Caravagyo is a duo of Portuguese-Brazilian DJs, Beatriz Valleriani and Kamila Ferreira. By creating an alternative and safe space with a strong feminist and queer message, they combine global and local sounds to connect a community who identifies and expresses itself through this music genre.
Loosely based on Charles Dicken’s book “A Tale of Two Cities”, Working Class tells the tale of underground street artists Mike Giant and Mike Maxwell and their decade long friendship that started with a tattoo. The story is told through the cities they call home by, cutting back and forth between the neighborhoods of San Francisco and San Diego, as the artists talk about their life philosophies and the work they create.
In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.