Grace Leonard, a typical woman of the New York stage, beautiful but old in sin, seduces William Craig, who becomes a thief in order to shower luxuries upon her. He is sentenced to prison and emerges five years later as a sad-faced, gray-haired man, entirely cured of his mad passion for La Valencia. But she sees him and her old passion is stirred, meaning nothing to her that since his release from prison, he has fallen in love and married a good woman who knows nothing of his past. When William is not swayed by her fascinations, Grace threatens to expose his past life.
William Craig
June Meredith
Frederick Meredith
Monty Wallace
Stage Actress
Grace Leonard, a typical woman of the New York stage, beautiful but old in sin, seduces William Craig, who becomes a thief in order to shower luxuries upon her. He is sentenced to prison and emerges five years later as a sad-faced, gray-haired man, entirely cured of his mad passion for La Valencia. But she sees him and her old passion is stirred, meaning nothing to her that since his release from prison, he has fallen in love and married a good woman who knows nothing of his past. When William is not swayed by her fascinations, Grace threatens to expose his past life.
1915-10-18
1
After her drunken husband Tom brings home three cabaret women, Lucretia can no longer bear the abuse and turns to Arctic explorer Frank, who has long loved her and promised to come back to her whenever she needs his help.
Sally, a girl of the tenements, is being raised by three bachelor foster-fathers, a pawnbroker, an organ-grinder and a peddler, and is very happy preparing their meals and keeping the house, while the old men bask in the attention she gives them. However, this happy home is broken up when Sally wealthy aunt appears on the scene and takes Sally back to her luxurious penthouse in order to give her the advantages of money and social position. But Sally's heart is back across the river with her plumber sweetheart, Jimmie Adams.
A story of Vienna following World War I, in which the butchers became millionaires and the aristocrats became beggars, told against a background of mother-love and sacrifice.
Young Edmond Durand (Conrad Nagel) has been reared under the autocratic influence of his aunt (Marcia Manon), who directs a large silk mill in southern France. He revolts against a stifling career planned for him and leaves home with Marcelle, a Gypsy girl (Renée Adorée). They roam the countryside with a Gypsy caravan in romantic bliss; they are inadvertently separated but at the outbreak of war are reunited. When peace is restored, the lovers find happiness together.
Press agent "Inky" Ames, in a quandary to publicize showgirl Anitra St. Clair, convinces her to paint a birthmark on her shoulder and pose as millionaire mine owner Theodore True's long-lost daughter.
Jack Wade is the son of a wealthy father who runs a successful ship-building company. He uses his athletic prowess to defeat the villainous competitors who are out to financially ruin his father.
Unrequited love rules the day as both wealthy Judith Sylvester and her invalid aunt pine for men who got away, but happiness lays ahead for one while hopeful dreams sustain the other.
Helen Ross spends her time reading novels. She has made up her mind to marry only a young man whom she can save from something or other, or one who can rescue her in some romantic way.
The film is about a desert-bound member of the French Foreign Legion who exposes a betrayer to the Legion and is then sent on a mission among the Arabs to conclude the signing of a crucial peace treaty.
Young Nowheres is a 1929 American drama film directed by Frank Lloyd and starring Richard Barthelmess, Marian Nixon and Bert Roach.
Berenice Arnold spends her time trying to keep her family happy. This is easier said than done -- her brother, Jimmy, is a gambler and he steals 80 dollars that his father was responsible for. Berenice sets out to get the money back, but winds up causing a scandal because of her association with Trix Ulner, a gambler and thief.
An ambitious tenement girl forced into a life of crime has a change of heart when her victim tries to kill himself.
Romance and Arabella is a 1919 American silent romantic comedy film directed by Walter Edwards and starring Constance Talmadge, Harrison Ford, and Monte Blue.
Jan Bokak is a self-educated steelworker who finds himself in the middle of a romantic triangle. Two different girls -- wealthy socialite Claire Pitt and blue-collar worker Mary Berwick -- simultaneously fall for Bokak. It later develops that Claire and Mary are actually sisters, the first of a series of surprising plot twists leading to Bokak being accused of a murder he didn't commit.
A 1928 silent film crime drama produced by Famous Players-Lasky and distributed by Paramount Pictures, directed by Josef von Sternberg from an original screen story and starring George Bancroft and Evelyn Brent.
A reporter and a detective team up to solve the murder of a nightclub singer who had been involved in a divorce scandal.
In a small town in Virginia, Faith Corey, daughter of a socially prominent family, meets and falls in love with Jerry Malone, a prizefighter, though her straitlaced mother wants her to marry Siegfried, a spellbinding "missionary reformer." Though Grandma Corey promotes the romance with the prizefighter, Mike, the fighter's hardboiled, wisecracking manager, tries to keep them apart; following a quarrel, Faith reconciles herself to marrying Siegfried, but when he invites a group of "weak sisters" to a revival meeting, he is disgraced when one accuses him of her downfall. Finally, with Mike's advice, Jerry wins back Faith and they are united with the family's blessings.
Theda Bara plays the social-climbing Olga Dolan, who becomes the Duchess of Rutledge by means of deception and sheer ruthlessness. Sadly, Bara, who had more or less single-handedly begun the "vamp" craze with the prototype of the genre, A Fool There Was, went out with little more than a whisper. She left films after the ironically titled The Lure of Ambition, and was lured back only twice, in: The Unchastened Woman (1925), a poverty row concoction which had few takers, and Madame Mystery (1926)
Steve Cline returns to the U.S. after earning his fortune in South America. He reads in the paper that his brother Tom was arrested for safecracking. Tom escapes and runs to the home of Sadie McCall, whose father Reever heads a forgery ring. Steve rushes to meet his brother, but Tom is killed in a police raid. Reever gets away and Steve falls for Sadie, but Steve takes the blame for the murder and faces death by hanging. Reported by some to be Gary Cooper's first film as an extra. However this is not confirmed in any way.