Nastupte, prosím!(1960)

The Seattle-Tacoma Interurban Railway(en)

This rich, historical documentary captures the story of the high-speed, electric transit system that sparked the growth and development of Puget Sound's twin cities during the first quarter of the 20th century.

No Measure of Health(en)

No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”

Remember to check out(nl)

Short journey by tram in a big city where an older woman and a hasty man are bound together by circumstances. He is not pleased with it. Or is he?

Passchendaele(en)

Sergeant Michael Dunne fights in the 10th Battalion, AKA The "Fighting Tenth" with the 1st Canadian Division and participated in all major Canadian battles of the war, and set the record for highest number of individual bravery awards for a single battle

The End of Suburbia: Oil Depletion and the Collapse of the American Dream(en)

Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years Suburbia, and all it promises, has become the American Dream. But as we enter the 21st century, serious questions are beginning to emerge...

Madame Tutli-Putli(xx)

Madame Tutli-Putli boards the Night Train, weighed down with all her earthly possessions and the ghosts of her past. She travels alone, facing both the kindness and menace of strangers. As day descends into dark, she finds herself caught up in a desperate metaphysical adventure.

Inside Grand Central(en)

In the heart of New York City stands Grand Central Terminal. Explore the magnificent secrets of this iconic landmark as we take you inside the heart, soul and amazing engineering of this superstructure. From railroad cars to rush hours, we unlock the colorful tales of its past, present and future.

Here Come the Waves(en)

Show business twin sisters Rosemary and Susie, one serious and the other a scatterbrain, join the WAVES and both fall in love with crooner Johnny Cabot.

Assault of the Party Nerds(en)

Ritchie Spencer and his friends have a problem. They are the only four members of their fraternity, and they are all graduating. They must find a way to bring in more members before they leave, and dodge their way around the rival jock fraternity.

Enlisted Obaid(ar)

A social comedy play that sheds light on conscription in Kuwait at the time of the presentation of the play, through the slaves of the fugitive from recruitment, who is arrested and introduced to conscription, and we see what the recruit is exposed to during his presence in the camp.

Disposition(en)

A woman stalked by depression makes some extreme decisions.

Radostná práce(cs)

Dans les coulisses du métro de Paris(fr)

Women in Industry(en)

The Ministry of Labour exhorts women to return to industry – the post-war production drive depends on them.

The End Of The Line: Rochester's Subway(en)

"The End of the Line - Rochester's Subway" tells the little-known story of the rail line that operated in a former section of the Erie Canal from 1927 until its abandonment in 1956. Produced in 1994 by filmmakers Fredrick Armstrong and James P. Harte, the forty-five minute documentary recounts the tale of an American city's bumpy ride through the Twentieth Century, from the perspective of a little engine that could, but didn't. The film has since been rereleased (2005) and now contains the main feature with special portions that were added as part of the rereleased version. These include a look at the only surviving subway car from the lines and a Phantom tun through the tunnels in their abandoned state, among others, for a total of 90 minutes of unique and well preserved historical information.

Profile(en)

Looking to investigate recruitment techniques of ISIS to lure women into Syria, a journalist creates a Facebook profile of a Muslim convert. When an ISIS recruiter contacts her online character, she experiences the process first hand.

A Fighting Season(en)

On the brink of the 2007 U.S. troop surge, two Army Recruiters face the daunting pressures of recruitment while their own deployment is on the line. Sgt. Harris (Lew Temple) has been stationed in the recruiting office long enough for it to feel like home. On the other side of the world, a roadside bomb rips through a Humvee, and after recovering from the attack, Sgt. Mason (Clayne Crawford) gets reassigned and winds up in Harris's office. Mason wants to go back to the front lines, but he finds out that the war isn't confined to the battlefield.

Christmas Church Parade(en)

Recruits of Lord Kitchener's 'New Army' parade on Christmas morning.

90 Day Wondering(en)

Ralph Phillips is overjoyed when he runs out of Fort Itude, because he's a civilian again. Things, however, don't go well for him when he gets home, and two pixies named Pete and Re-Pete convince him to stay in civilian life or go back to the army. At the end, Ralph chooses to go back to the army

Soviet Bus Stops(en)

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.