The Boys of Bensonhurst, Brooklyn is a story of fathers and sons in three generations, their life choices and the consequences that follow. Grandfather, an ex-mobster, father, an ex-gangsta wannabe - now a turban wearing Sikh, and a hot tempered boy who lives across the ocean with his mom. After noticing her son's lack on interest towards his father, mother and son travel to New York to face the situation. After blaming her ex-husband for years she finally discovers the hidden reason why he is incapable of being present in their son's everyday life.
Self
Self
Self
Self (as Sensei McGinty)
Self
Self
The Boys of Bensonhurst, Brooklyn is a story of fathers and sons in three generations, their life choices and the consequences that follow. Grandfather, an ex-mobster, father, an ex-gangsta wannabe - now a turban wearing Sikh, and a hot tempered boy who lives across the ocean with his mom. After noticing her son's lack on interest towards his father, mother and son travel to New York to face the situation. After blaming her ex-husband for years she finally discovers the hidden reason why he is incapable of being present in their son's everyday life.
2014-09-05
6
The Big Crunch is a video installation that presents images to the viewer that communicate the presence of humans on earth, evolution and human intelligence. All images are carefully composited according to the divine proportions. We see images poetically and metaphorically representing the beginning of mathematical innovations to the projected end of the world, the big crunch. Our observations and our learning shape the universe into being, time is a creation of our minds, laws are generated by our thoughts and conclusions.
In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.
An unlucky Birthday boy must fight for his life against a masked psychopath.
HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.
Vasek, 8 years old boy is desperate to find a new "father" for his mother.
Jun Hau Timi is a romantic tale of unexpected love in the heart of London. Samir, a dashing and fitness-conscious man from Nepal, is searching for the perfect partner. Shristi, a young and beautiful woman from India, is exploring life in the United Kingdom. One day, Samir decides to visit Tower Bridge in London. As he stands admiring the iconic landmark, he notices Shristi walking nearby. Captivated by her beauty, he approaches her and introduces himself. Shristi warmly responds, and the two strike up an instant connection. Eager to share the city's charm, Shristi takes Samir on a tour of London's landmarks, including London Bridge and other picturesque spots. Their friendship deepens as they spend more time together, and a spark of love begins to grow. The story conveys a simple yet profound message: love can happen anytime, anywhere, with someone who feels like destiny
Two unsuspecting thieves break into the wrong house and must face a sinister home owner.
David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
After all the trouble in the first film, Tino and Jane have more fun adventures. Still tasting bitter failure, they see a light at the end of the tunnel with uncle Olavinho’s unexpected inheritance. However, the will carries an unusual request: the rich uncle wants his ashes to be scattered throughout the Grand Canyon. The couple takes the opportunity of the trip to fulfill this wish and decides to go to Las Vegas and end up getting into comical situations. Big time spender Tino will fall into the greatest temptations and indulge in the casinos of the gambling city.
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
Two girls with the same name but very different personalities share an apartment in this sequel to Nana. The rising fame of Nana Osaki's band, the Black Stones, is beginning to take a toll on the best friends' relationship. Meanwhile, Nana Komatsu struggles to make sense of her love triangle with Black Stones' guitarist Nobu and rival group Trapnest's bassist Takumi.