As Sombras Cantantes(2021)

Down by the Old Mill Stream(en)

It's apple time, and all the strange little Fleischer bugs waste no time getting the apples to ferment so that they can immediately get drunk.

Reducing Creme(en)

Willie Whooper, doused in reducing creme, shrinks to the size of a mouse and is chased by a cat throughout a house. Finally Willie returns to normal size and angrily covers the cat in reducing creme. The cat now shrinks to mouse size, and gets a black eye from the mouse he habitually torments.

A Grand Day Out(en)

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

The Wrong Trousers(en)

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

A Close Shave(en)

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

And Then the Bear(fr)

When a boy’s close bond with his mother is imperiled one night by the arrival of a mysterious stranger, matters of nature and nurture collide.

Song Shopping(en)

Fleischer Studios 'Screen Song' with Ethel Merman singing the songs.

Farmer Al Falfa's Ape Girl(en)

The Farmer is abducted by a capering Jungle Goddess. As pre-Code as a Terrytoon ever got. Most animation is by Frank Moser; with him are Art Babbitt, Jerry Shields, Bill Tytla and others.

The King Dreams the King(en)

An ancient king takes so long to build his palace it becomes his mausoleum. He recalls days of his life both cold and hot – unquenchable longing for power, insatiable desire tout court.

Mamman och den vilda bebin(sv)

A mother has to take care of her wild baby.

The Battle for Miggershausen(de)

This technically quite well-made cartoon from pre-war Nazi Germany is a commercial (or propaganda piece) for Volksempfänger ("people's receiver"), inexpensive radios. First we see agricultural statistics: the far-away village of Miggershausen is quite below standards in milk and egg production. An anthropomorphic radio undertakes the long voyage by express train, steam train, hay carriage to Miggershausen to advertise its services. It is not well received. Then, it collects and leads an army of radios to try again. They flood all the farmhouses and seem to be more convincing that way - at day, they spread agricultural knowledge to bring milk and egg production up to standards; later, they just play music and illustrate how various people enjoy various kinds of music.

Les animals(fr)

Bisclavret(fr)

IN.E.R.T.I.A. Gear(en)

Set in the future, a special forces team are sent to investigate an inactive alien vessel, in order to retrieve vital information.

Primos(xx)

Primos is a story of binaries, leaded by fantastic apes. A tale of two visions of one place. Matter and spirit come together to transform the nature of these apes.

Indiana Jones and the Temple of Doom(en)

After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees – and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.

Rockin' Rhino(en)

Dancing is so much fun! But if you have to dance all by yourself it's only half the fun. So the little rhino needs to come up with an idea to make everyone dance with it.

Hisser(en)

The story told in Hisser was inspired by a true occurrence. In 2013, a young man in Florida was literally "swallowed up by the earth" when a cesspool suddenly opened up under his bedroom. The film's main setting is a bedroom by night. From the way it was shot, the viewer has the feeling of peering into an abandoned life-size dollhouse. Other sequences show close-up views of a young man lying on a bed with a tormented look on his face or cowering in a corner. The scene is accompanied by an exaggeratedly romantic song whose refrain – "It took me so long to get my feet back off the ground" – alludes to the loss of a loved one and a sense of abysmal loneliness. The song's emotionality contrasts starkly with the artificiality of the scene. The boundary between reproduction and reality grows fluid, and the virtuality – which the artist has carried to a near- perfect extreme – begins to crumble in view of the protagonist's physical and emotional frailty.

Passage(fr)

Camera obscura(fr)