From high up in the glacier-carved mountains of Northern Spain, towards the Atlantic Ocean in the cities of Porto and V.N.Gaia in Northern Portugal. A journey through a river and through sound.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Exploration of the ordinary lives led by women of different classes—a college professor, an unmarried woman, and a seasoned drama artist. They unveil the societal intricacies woven into their social backgrounds, with typical evening talks besides them. Gripping tales of yore immersed in the metaphorical embrace of their surroundings, their familial shelters are emblematic of resilience and protection, where profound truths lie hidden within the depths of the commonplace.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.
WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.
On July 25th, 2020, Ridley Scott and Academy Award winner Kevin Macdonald invite you to be part of Life in a Day—a historic, global documentary capturing a single day on Earth. Videos from around the world are woven into a feature film.
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
The animated corpse of Moscow goes on after its inhabitants left. Filled with weeps and whispers of the mourning ghosts, torn apart with phone calls from distant countries and unfamiliar sounds, emotionally devastated and deserted, the city attempts to reconcile with its own voice.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
On the island of La Gomera, children imagine stories while they examine archeological remains. An ethno-fictional journey in which past and present coalesce, creating resonances between the volcanic landscape and Silbo, the whistled language of the island.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
My debut short film - as I approached adulthood, I created this as a means of reflection towards adolescence and life. A poetic documentary about looking away from the past and being present in the beauty of life.
In a small commercial harbour in the south of France, two Moroccan sailors are watching over ferries that were abandoned by ship-owners. Young Syrians make a stopover to load their cattle, African traders prepare a convoy of second-hand vehicles. Men, machines, and animals transit through this space open onto the sea.
Carried by an immersive sound environment that plunges us in the reality and the perceptions of these resilient and inspiring people, this film questions our own blindness face to violence and suffering of our time — despite the overabundance of images that reach us — and highlights the urgency of lending an ear to hear these stories.