Ko-Ko and Fitz emerge from an inkwell into the sultan's harem.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
A confirmed bachelor learns that he will inherit his late uncle's fortune only if he marries, which he does reluctantly. Shortly afterward he returns to his bachelor lifestyle but realizes he can't get his wife's face out of his thoughts.
Albertina is a celebrated dancer whose fame is widespread. However, she has overtaxed her strength, is forbidden to appear in public and is obliged to seek quiet and rest. She retires to her Aunt Mary's home, a beautiful and restful country place, where she secures the much-needed seclusion and comfort. Next door to Aunt Mary there lives a very handsome fellow who has often admired Aunt Mary's niece and to tell the truth she admires him. Growing restless under the enforced retirement, Albertina strolls down to the lake where the water-lilies grow. She pulls a number of them into a garland which she holds bewitchingly above her head. They give her an inspiration and involuntarily she pirouettes, bends and swerves her lithe and willowy form like a nymph of ethereal sweetness. The young man who lives next door is rowing upon the lake; He see Albertina dancing on the velvety field of grass, is charmed by her, and rushes toward her.
After a long journey through the stars a space archaeologist and an outcast rabbi are about to find the lost and mythical Earth… or at least what's left of it.
Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Sun Scream tells the comedic tale of a down-on-his-luck vampire named 'Pippin', and his last-ditch efforts to sell at least one bottle of sunscreen before facing the wrath of his ferocious boss 'Cy the Cyclops'. Luckily for Pippin, the truck of an extremely sunburned farmer breaks down in front of his stall on the hottest day of the year. However, 'Billy' ain't no bumblin' yokel, and Pippin will have to do everything in his power to prove his product will protect anyone, even a vampire, from the sun's deadly rays.
A short film created for Spanish TV touching on the subject of Catalonia's struggle for independence, interspersed with symbolic images.
Barney Bear sets out to capture the world's smallest horse.
A young man meets a young woman under a bridge by a railroad. They shelter from the rain and exchange a kiss. The man grows sullen and leaves. The film starts with him and ends with her. It’s a straightforward anecdote told in traditional ways, the likes of which he’d forsake forever; that is, it uses actors, a soundtrack with music and post-dubbed sound effects, a photographer who frames everything professionally and a coherent edited narrative.
Popeye's snoring is keeping his resident mouse awake. The mouse fights back.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.
Climate change seems like a problem of a far distant future. We just go on with business as usual. But climate change, just like the loss of biodiversity and the current pandemic, is a consequence of how we treat nature. Corona is a wake-up call that has disrupted all of our lives. All attention goes towards solving the current problem: controlling the SARS-CoV-2 virus. But prevention is better than cure. To do this, we have to look at how infectious diseases emerge and spread. World-renowned artist Steve Cutts created an animated film for the Nicolaas G. Pierson Foundation, in which he not only visualizes the factors that cause pandemics, but also points at the urgent measures that are needed to reduce the risk of future pandemics.