Playboy went back into the film vault to bring you the hottest girl-girl action we’ve ever recorded. It’s all girls, just girls and only girls in the wildest scenes of women seducing women. For pure satisfaction mix a bucket of soapy sponges, a couple garden hoses, and eight insatiable beauties in wet bikinis. Join 1995 Playmate of the Year Julie Lynn Cialini, Miss September 1993 Carrie Westcott, and their gorgeous girl-friends as they share with you – and each other – their most sizzling and seductive moments. It’s 100% pure indulgence. This two tape set features a slew of girls on Tape 1 and Carrie Westcott and Julie Cialini on Tape 2
Playboy went back into the film vault to bring you the hottest girl-girl action we’ve ever recorded. It’s all girls, just girls and only girls in the wildest scenes of women seducing women. For pure satisfaction mix a bucket of soapy sponges, a couple garden hoses, and eight insatiable beauties in wet bikinis. Join 1995 Playmate of the Year Julie Lynn Cialini, Miss September 1993 Carrie Westcott, and their gorgeous girl-friends as they share with you – and each other – their most sizzling and seductive moments. It’s 100% pure indulgence. This two tape set features a slew of girls on Tape 1 and Carrie Westcott and Julie Cialini on Tape 2
2000-01-01
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This exploitation classic purports to expose the secrets of the 1960s lesbian underworld.
For the last quarter century, Houston native Arden Eversmeyer journeyed across the country to record hundreds of oral "herstories" with a mostly invisible population that is rapidly disappearing. Old Lesbians honors Arden's legacy by animating the resilient, joyful voices she preserved in the Old Lesbian Oral Herstory Project, from first crush to first love, from the closet to coming out, and finally from loss to connection.
1962. A crystalline voice becomes a planetary tube. A Belgian nun jostles Elvis and the Beatles on the world charts. Her name: Sister Smile. A popstar with the trajectory of a comet who understands her success no more than the double meaning of her words… The harder the fall will be. Even God does not protect sharks' appetites or pretenses of success! Who killed the little voice of God? Here is the tragic story of an innocent voice, of an extraordinary fate, almost of a curse ...
Women (many of them lesbian) artists, writers, photographers, designers, and adventurers settled in Paris between the wars. They embraced France, some developed an ex-pat culture, and most cherished a way of life quite different than the one left behind.
Since the 1970s, lesbians from around the world have been drawn to the island of Lesvos, the birthplace of the ancient Greek poet Sappho. When they find paradise in a local village and carve out their own queer lesbian community, tensions simmer with the local residents. With both groups claiming ownership of lesbian identity, filmmaker Tzeli Hadjidimitriou—a native and lesbian herself—is caught in the middle and chronicles 40+ years of love, community, conflict, and what it means to feel accepted.
Amid shifting times, two women kept their decades-long love a secret. But coming out later in life comes with its own set of challenges.
Released in 1796 posthumously, The Nun, a novel that Diderot did not dream of publishing during his lifetime, as he knew it to be revolutionary, caused the same explosion in the 19th century France as in that of the 1960s, when Jacques Rivette decided to adapt it, with Anna Karina in the title role. “This film is banned and it will remain so!” said the General de Gaulle. Exploration of an indictment of incredible modernity which, through the tragedy of the young Suzanne, locked up in the convent against her will, denounces the inequity of a society denying women all moral, political and sexual freedom.
With a fist full of credit cards, a lucky run at the horse track, and a title that called to mind a certain French film star, Franco Stevens launched the best-selling lesbian lifestyle magazine ever published, connecting her community in an unprecedented way. AHEAD OF THE CURVE is a new feature documentary about the extraordinary woman who started Curve magazine, and by doing so helped accelerate the political and social evolution of the nation.
The story of the life, loves and work of US writer Patricia Highsmith (1921-95), told through her unpublished diaries, her own voice and that of those who knew her, both family and close friends.
The Lesbian Bar Project: FLINTA documents the complex and triumphant stories of the FLINTA communities in Cologne & Berlin; a reflection of where the queer community is headed internationally. Despite Lesbian Bars disappearing in Germany, there’s a growing FLINTA movement that epitomizes the evolution of queer culture. Featuring Boize Bar owner Payman Neziri, comedian Ricarda Hofmann, human rights activist Anbid Zaman, politician Tessa Ganserer, and party collectives Bebex and Girlstown.
This feature-length documentary explores a wide range of lesbian, bisexual, and heterosexual women’s erotic fantasies and sexual practices. It reveals the conflicts and complexities of female sexuality as well as the joys and triumphs of self-discovery and personal empowerment.
Ten women in Canada talk about being lesbian in the 1940s, 1950s, and 1960s: discovering the pulp fiction of the day about women in love, their own first affairs, the pain of breaking up, frequenting gay bars, facing police raids, men's responses, and the etiquette of butch and femme roles. Interspersed among the interviews and archival footage are four dramatized chapters from a pulp novel, "Forbidden Love".
Gay women living in the Deep South of the United States share stories of the bigotry, sexism, intimidation, and racism that confronts them in a part of the country known for its culture of Christian conservatism.
A mystery to men, but second nature to women, there's an intimate bond that exists between girlfriends. Now Playboy uncovers these private moments.
A heady, energised mash-up of animation, unseen archive footage and interviews, Rebel Dykes provides an intimate insight into the politically charged, artistically radical subculture in 1980s London, and the individuals who helped shape and change their world. Bringing together BDSM nightclubs, inclusive, sex-positive feminism, DIY zine culture, post-punk musicians and artists, squatters, activists and sex workers, these rebel dykes went out onto the streets to make their voices heard. [Feature length version of 2016 short of the same name.]
The true story of the students of Brigham Young University's queer underground, as they lit the school's iconic "Y" in rainbow colors. But, A Long Way From Heaven does a lot more than tell the story of the Rainbow Y. It outlines the history of queer treatment at BYU - the good (where it exists), the bad, and the very, very ugly. The film combines new, original footage with a huge variety of historical images, videos, newspaper articles, and other mixed media from every conceivable source to tell the story of BYU's queer students, and the bravery and risks they constantly take to make their voices heard.
First there was ‘Picnic at Hanging Rock’, then ‘My Brilliant Career’, and now best of all ‘The Getting of Wisdom’. It is incomparably moving and powerful.
Interviews and performance footage are used to provide an overview of the women's music scene.
Del Martin and Phyllis Lyon have been partners in love and political struggle for fifty years. With incisive interviews, rare archival images and warmhearted humor, Joan Biren's 2003 film reveals their inspiring public work, as well as their charming private relationship. When they courageously launched the Daughters of Bilitis in 1955, it became the first public organization for lesbians in America. Today, these tireless activists are educating both the LGBT and aging movements on the needs of older lesbians.
A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.