Outlaw Motorcycles(1966)

The Outcasts(en)

Roaring through the streets in dirty denims and leather, The Outcasts present a menacing appearance to the respectable folk of East Anglia. Theirs is an alternative world of wild parties, arrest and sudden death. This film shows a group most people would cross the street to avoid. It's a life which borders on the edge of society and the law, but one which is governed by strict rules and traditions. There are two faces to The Outcasts. One exists in the pounding of heavy metal music and the exhaust fumes of powerful customised motorbikes. The other lies in the day-to-day grind, where even Outcasts have livings to earn, children to feed and bills to pay.

Hostel Returns(ne)

This film is a sequel to 2013 film Hostel and is based on the hostel life of civil engineering students.

Cursed Psychic Video XXX 12(ja)

The 12th psychic documentary gathered and presented by the staff of "The Curse Video". A couple taking panoramic photos at the beach after the Bon Festival. Such a terrible incident happened to them...

The Mysterious Dr. Fu Manchu(en)

A Chinese doctor vows revenge against the allied troops who killed his wife and child during the Boxer Rebellion.

Duck Flies Coop(en)

Hotel Magnezit(hu)

Documentary about a hostel for workers. An old worker suspected of stealing a motor gets fired from the factory and must leave the hostel.

The Loser, the Hero(zh)

A boy's disappointing scores on the college entrance exam bring shame down on his family.

Meu Corpo é Mais(pt)

Monkey Warriors(en)

Hindu legend tells of white warrior monkeys fighting to rescue the god Hanuman from evil demons. Centuries later in Jodhpur, India, the Hanuman langurs are fighting still. Comprised of 20 or more females and their young, and governed by a ‘Warlord, ‘ 29 langur ‘gangs’ have carved up the city between them. Warlords reign for three or four years before they’re overthrown. When a new Warlord comes to power he will purge the gang of young males, creating a society of ‘Lost Boys’ whose only chance is to violently displace another Warlord. Natural selection is harsh indeed, but what better way to build a culture of warriors?

Bílá oblaka(cs)

Kunstkamera(cs)

The castle of Horní Staňkov. Camera enters the castle park. Approaching Kunstkamera, it stops at the emblem of Ouroboros above the entrance. The door opens, letting the camera in, to reveal the magical square with astrological figures of Virgo and Libra, combined with Dog and Lion from Chinese zodiac. A painting of Rudolf II as Vertumnus, more Arcimboldos. The camera continues to the main hall. A huge stone fireplace with ceramic statues. African fetishes, ritual masks, Bis poles and masks from Papua New Guinea, spiritualists´ drawings, surrealistic photographs, and paintings etc. In this way, the whole Kunstkamera collection will be filmed. Time to time, as if by mistake, an object will appear in the shot, reminding of the fact that the place is inhabited.

Crime Over London(en)

With the police on their tail, a gang of New York criminals decided to relocate to London where they plan a major robbery on a department store.

Dani Lary : Le magicien de l'impossible !(fr)

Bedouin Sand(he)

Nine-year-old Roy likes a bottle of colored sand. A bedouin in Sinai tries to sell it to him.

Comedy Times Three(de)

El Nuevo Chaka(es)

Sorry, Not Sorry(en)

A couple's oneupmanship reaches unbelievable heights after a man eats his wife's plums.

Dirty Money: Cartel Bank(en)

For decades, HSBC, one of the world's largest banks, laundered hundreds of millions of dollars for Mexican drug cartels. Senator Elizabeth Warren, dogged journalists and prosecutors try to hold the bankers to account.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

More Things That Aren't Here Anymore(en)

Another nostalgic look at Southern California's past, particularly things and places in and around Los Angeles which no longer exist.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

No Father, No Mother(pt)

Three young people circulate in different mobility categories. The newly emancipated city goes through its everyday experiences.

Cesta za snem a bezvědomím(cs)

Searching for Halifax NP711(en)

On February 21, 1945, the Royal Canadian Air Force Halifax bomber NP711 with a crew of seven men took off from the Linton-on-Ouse air base in England for a bombing raid over Worms, Germany. The bomber never made it to its target. The Halifax was struck by anti-aircraft fire and crashed into a mountainside near Leistadt, Germany. All crew members were killed. The crash was so horrific that the wreckage was strewn over 1,000 meters. Seventy-seven years later the wreckage was recovered and the site was deemed a gravesite for the perished crew. This documentary film examines the last days of the seven-member crew and the recovery of the wreckage of Halifax NP711.

Mario Barth: Under The Skin(en)

Devil in the Room(en)

Have you ever woken in the night unable to move, certain that you are not alone? This is an experimental documentary examining what happens when dreams leak into waking life. It is about what is real, what is not, and if it even matters.

Le Grand Méliès(fr)

A biographical film about cinematic illusionist Georges Méliès featuring Méliès’s widow, Jeanne d’Alcy, as herself, and their son André as his own father.

The Eagles of Carthage(fr)

February 14, 2004, Radès Olympic Stadium, Tunis. The whole nation stands behind The Eagles of Carthage in the Africa Cup Final against Morocco. After many defeats they are just one step away from glory. Fifteen years after the match, Tunisians still recall the emotion of a day that deeply affected the History of the country.

Night and Fog(fr)

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Roll-on Roll-off, lift-on lift off(nl)

Documentary short film about the Antwerp harbour.

Neil Young and Crazy Horse: The Complex Sessions(en)

This half-hour documentary by acclaimed director Jonathan Demme ("The Silence of the Lambs") captures singer-songwriter Neil Young and his hard-rocking backing band Crazy Horse "live" in the studio playing a set of four songs. These sessions took place at the Complex Recording Studios in Los Angeles on October 3, 1994, just one day after Young's critically-lauded Bridge School Benefit concert. Earlier that year, Young and his band had recorded the studio album "Sleeps with Angels" at the Complex studios and came back to film a series of music videos. Jonathan Demme was there to document the recording session, which began at 6:30 pm on a Monday evening and concluded at 4:30 am the next day. "The Complex Sessions" is the result of these sessions. Set List: 1. My Heart (3:08), 2. Prime of Life (4:44), 3. Change Your Mind (14:56), 4. Piece of Crap (3:08).

Las cosas simples(es)

The History of White People in America(en)

In the decades after Bacon's Rebellion, an African man and an English woman - husband and wife - sing of their fate, their future as law by law, edict by edict, their family, their marriage, their love made illegal.

Alphane(fr)

Dive into an epic journey with Simon Lorenzi, a climber who made history by opening the world’s second 9a boulder. After overcoming various injuries, Simon returns to the limelight to take on a new and equally ambitious challenge.

Free Child(en)

From leaving Egypt 10 years ago, to almost dying a month ago in a car accident. This film is about the journey in between and the massive role the internet played in the life of prominent Youtuber and Yes Theory co-founder Ammar Kandil.

The First Interview(en)

In the world's first media interview, shot in Paris in August 1886, the great photographer Nadar interviews the famous scientist and sceptic Chevreul on his 100th birthday. In their own words - originally recorded in shorthand - they discuss photography, colour theory, Moliere, the scientific method, the crazy ideas of balloonists, and - of course - how to live for 100 years. These two legends of the 19th century have a lively and interesting conversation. One was born before the French revolution; the other was destined to see the marvels of the aeroplane and the movies.

Nannies(pt)

Nannies combines autobiographical elements with a reflection on the presence of nannies in Brazil. With a subjective narration, the film incorporates photographs, domestic footage and newspaper adds from the 20th century, as well as contemporary images of nannies and children, building a personal narrative about the presence of nannies in the daily lives of many Brazilian families. A situation where the affection is genuine, but does not dissolve violence and racism.