Theda Bara does her usual vamp turn in this picture, but this time she's a vamp who turns out to have a heart of gold. Her character, Blanchette DuMonde, is known as "the wickedest woman in Paris," and because of this sordid reputation, she is not allowed to serve as a nurse during World War I. So she becomes an Apache dancer instead.
Chabin
Theda Bara does her usual vamp turn in this picture, but this time she's a vamp who turns out to have a heart of gold. Her character, Blanchette DuMonde, is known as "the wickedest woman in Paris," and because of this sordid reputation, she is not allowed to serve as a nurse during World War I. So she becomes an Apache dancer instead.
1919-01-12
0
To the Light! This is the toast the lovers drink. But in their hearts they know they are drinking to darkness and sin.
Leslie MacLeod (Kathryn Adams) comes to England from the U.S. so that she can settle financial affairs with Lord Glenayr (Jack Holt), whom she has never met. She encounters Duke Lanzana (Fred Malatesta), who sees her as a way to pay off his mounting debts. He captures her and then heads to a nearby cape to steal a buried treasure that actually should belong to the MacLeods.
"My heart is ice, my passion consuming fire. Let men beware," exclaimed Theda Bara (via an inter-title, of course) in this "Vamp" melodrama based on Grabriele D'Annunzio's 1898 story La Gioconda.
Florid melodrama of misunderstandings, betrayal and desperation as Theda schemes to keep the title secret.
This picture is based on the same story that became D.W. Griffith's Orphans of the Storm in 1921. This version, made by the Fox Studios, stars famous "vamp" actress Theda Bara in the role that Lillian Gish later made famous
This was Theda Bara's third starring film, and the first which she carried all on her own, with no other name actors in the cast. Based on the Alexander Dumas story, The Clemenceau Case involves Iza, a vampire-wife (Bara), whose wicked ways scandalize her husband, Pierre (William E. Shay).
The daughter of a Mexican aristocrat endures the travails of the Mexican revolution.
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.
Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Léaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.
A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.
After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.
In this detective picture, Janet marries Raoul Newell but leaves him when she finds out he is a thief. However, when he comes to her and asks her to help retrieve some papers stolen from him by Mr. and Mrs. Giles, she agrees and goes to work for the couple as a maid. But in reality, Raoul is after the couple's jewels.
Eloise spends a morning speaking to her school professor on the topics of love, and other guns. An affair in Paris isn't all that it's cracked put to be.
After his girlfriend Georgia is murdered by European mobsters, Sam flees to Paris to hide out. Years later, he sees a woman in a Hollywood film who he's certain is Georgia. In L.A. to investigate, he encounters Kat who impulsively decides to help him on his quest. But when Sam meets the mystery actress face to face his life spins out of control.
An actress with a wild reputation finally settles down to a sedate and pleasant marriage. One of her former lovers, an architect, arrives to disrupt her happiness by renewing their affair. She humiliates this suitor in public with her rejection, and he seeks revenge, revenge that catapults her into tragedy.
A story of Vienna following World War I, in which the butchers became millionaires and the aristocrats became beggars, told against a background of mother-love and sacrifice.
In 1980 the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.
Successful writer/director Bernard Rougerie is at a creative dead end and decides to isolate himself from his wife in order to complete the script for his next film. Bernard moves into an apartment building whose tenants are in the midst of a revolt against their abusive landlord. Reluctant at first, he joins their cause and then becomes involved in an affair with young, unemployed resident Anne.
Lucas, a wealthy, 43 year-old divorced businessman, is irresistibly attracted to Elsa, a 38 year old renowned sculptor from whom he has commissioned a piece to decorate the reception at his office.
Today and Tomorrow (Hungarian: Ma és holnap) is a 1912 film directed by Michael Curtiz and starring Gyula Abonyi and Jenőné Veszprémy.