The Comeback Special documents The The's triumphant Royal Albert Hall Concert on 5th June 2018. The Royal Albert Hall concert was the first of a trio of London shows during The Comeback Special tour—the others taking place at Brixton Academy and The Troxy—all of which sold out within minutes of going on sale. Performing live for the first time in 16 years with a headline appearance at Denmark’s Heartland Festival a few days before the Royal Albert Hall concert, the rejuvenated The The, which featured previous members James Eller on bass, DC Collard on keyboards and Earl Harvin on drums and new member Barrie Cadogan on guitar alongside Matt Johnson, would go on to play sold-out shows and make festival headline appearances across the globe throughout 2018.
Himself, Lead Guitar
Himself, Bass
Himself, Keyboards
Himself, Drums
"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.
A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.
Star follows the path of Tito and Jay, two brothers living in the Montreal neighborhood of Park Extension. Accompanying these young people in their daily life marked by complicity and intimidation, Star tackles themes dear to teenagers: identity and friendship.
Star is a young graffiti writer, the best in his city, Paris. His reputation attracts him as much into art galleries than in the police precincts. Accused of vandalism, he faces jail. Despite the threat, he decides to go to Rome with his crew in search of the meaning of his art.
On a fishing boat at sea, a 60-year old man has been raising a girl since she was a child. It is agreed that they will get married on her 17th birthday. They live a quiet and secluded life, renting the boat to day fishermen and practicing strange divination rites. Their life changes when a teenage student comes aboard.
Dev Kumar Verma comes from a middle-class family and must find employment to support his dad and mom. Dev, however, has set his mind upon becoming a music sensation like Elvis Presley. He loses his job because of this, and refuses to work until and unless he gets a job to his liking, much to the dismay of his parents and his brother, Shiv Kumar. Dev does get employment at Charlie's Disco, where he meets with Maya and falls in love with her. When Charlie's Disco's competitor, Rana, finds out about Dev, he wants to hire Dev, but Dev decides to continue to work with Charlie's Disco, as a result Dev and Charlie get a beating by Rana's men, and Dev is unable to sing. After recuperating, Dev is devastated to find out that Maya and Shiv Kumar are in love with each other. What impact will this have on Dev and his brother on one hand, and what of his career in music?
Star follows the path of Tito and Jay, two brothers living in the Montreal neighborhood of Park Extension. Accompanying these young people in their daily life marked by complicity and intimidation, Star tackles themes dear to teenagers: identity and friendship.
Seven years after the defeat of the spiral king, Simon and the Dai-Gurren brigade must set out to the vastness of space to defeat a new threat and save the universe.
"We" is a visual essay on the state of being connected – a metaphorical study of interpersonal relationships and social constraints. Personal experiences and current social contexts are portrayed through a series of abstract analogies reflecting the essence of our everyday social interactions.
In the second film of the Lone Wolf and Cub series, Ogami Itto battles a group of female ninja in the employ of the Yagyu clan and must assassinate a traitor who plans to sell his clan's secrets to the Shogunate.
Moscowin Kavery (English: Moscow's Kaveri ) is a 2010 Tamil romantic drama film written and directed by cinematographer Ravi Varman, making his directorial debut, besides handling the cinematography. The film, which has lyrics written by Vairamuthu and music scored by Thaman, stars Rahul Ravindran and Samantha in the lead roles with Harshvardhan, Santhanam and Seeman essaying supporting roles. Releasing on 27 August 2010, after nearly three years of production, the film was ultimately panned by critics.
When a helpful family invites two lost couples in for a good ol' down-home massacre, the prom night teens find themselves all dressed up... with no place to escape.
RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.
When a handful of settlers survive an Apache attack on their wagon train they must put their lives into the hands of Comanche Todd, a white man who has lived with the Comanches most of his life and is wanted for the murder of three men.
Narrowly escaping death, outlaw Johnny Madrid goes on the run with the hangman's sensuous daughter Esmeralda by his side.
In 2010, SEKAI NO OWARI suddenly appeared in the music scene and quickly became a band that symbolized the new generation with its unconventional musicality, original lyrics, and unique characters of the four members. The four people, who have been engaged in bold and surprising activities that are completely unconventional in the past Japanese band scene, have finally embarked on the world of cinema.
Anderson Bruford Wakeman Howe live performance documentary
Originally produced for television, this short film as an off-the-wall road movie starring the Beatles and a couple dozen friends on a psychedelic bus tour.
Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.
On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.
"When in Rome" is a live DVD by the legendary British rock band Genesis, capturing their performance at Circus Maximus in Rome, Italy, on July 14, 2007, during their highly acclaimed "Turn It On Again Tour." This tour marked the reunion of the band's classic lineup of Phil Collins, Tony Banks, and Mike Rutherford. The decision to make the Rome concert free was a heartfelt gesture of gratitude from Genesis to their Italian fans, who had been loyal supporters since the band's early days in the 1970s. This extraordinary event drew an estimated audience of over 500,000 people, not only from Italy but from all over Europe, making it one of the largest concerts in terms of audience size ever recorded.
On May 31, 2003, Trey Anastasio played the second of two sold-out shows at San Francisco’s Warfield Theatre. On that night, Carlos Santana dropped by to say hello to Trey, ended up joining the ten-piece band on stage halfway through the first set, and continued to play with the group for the remainder of the night. The results were electric, suffused with spontaneous energy and exuberant interplay between the two guitarists.
In this documentary film, the final day in the short life of the guitar god Jimi Hendrix is reconstructed using theories swirling around a CIA hit list, Mafia debt, and police surveillance.
A pioneer in the world of rock-'n'-roll guitar, Chuck Berry has created a legacy that spans decades. Berry performs some of his greatest hits and all-time favorites in this concert video that was filmed on September 13, 1969 at 'Toronto Rock'n'Roll Revival.' The Concert includes the songs "Rock and Roll Music," "Long Live Rock and Roll," "Johnny B. Goode," "Promised Land," "Carol," "Hoochie Koochie Man," "Maybellene," "Too Much Monkey Business," "Reelin' and Rockin'," "Sweet Little Sixteen" and "In the Wee, Wee Hours."
The history of New York City's Apollo Theater in Harlem is given the full treatment.
Join drummer Martin Atkins and his industrial rock band Pigface for this document of their epic 2005 tour of the United States. Visits backstage and interviews with the band meld with the concert footage to create the ultimate Pigface experience. Witness rehearsals, life on the road, collaboration with Nocturne and Sheep on Drugs and the challenges of setting up and tearing down the stage as the band hits venues from New York to San Diego.
Larry Pierce is a family man and factory worker who lives in Middletown, Indiana with his wife Sandy. Outside of his regular nine-to-five job, Pierce has also been writing and recording raunchy country albums since 1994. After being forced to retire from his job after thirty-one years, the 53-year-old Pierce hooks up with the rock group -itis and performs his first concert in front of a live audience.
Filmed at their Royal Albert Hall debut gig in September 2000, Bond Live is a slick showcase for four classically trained, ex-session musicians and their fusion of string quartet and rock music. Whatever the hype (four beautiful women wearing scanty tops and dancing with violins while backed by a five-piece rock combo and a small, rarely seen string section), it has nothing to do with making classical music cool and everything to do with sex. In "Duel," first and second violins Haylie Ecker and Eos trade licks "guitar-hero" style, and most of the tracks are new instrumentals written for the album Born, though "The 1812" does manage to reduce Tchaikovsky's overture to a five-minute dance number. With rock-show lighting, synthesizers, dance beats, and a finale involving the "James Bond Theme" followed by a Rio-style fiesta for the closing "Victory--Carnival Mix," this is camp, melodramatic, sexy fun.
Set I: The Music Never Stopped > Easy Answers > The Music Never Stopped, Row Jimmy, Friend of the Devil, Cumberland Blues, Cassidy > Mississippi Half-Step Set II: St. Stephen > William Tell Bridge > The Eleven > He's Gone > New Speedway Boogie > Drums > Space > I Need a Miracle > Death Don't Have No Mercy, Good Lovin Encore: Black Muddy River
Set I: Good Times, Shakedown Street, Bertha, Minglewood Blues, It Hurts Me Too, Tennessee Jed, Bird Song Set II: Jack Straw, Sugaree, China Cat Sunflower > I Know You Rider, Drums > Space > Throwing Stones > Days Between, One More Saturday Night, Not Fade Away Encore: U.S. Blues
Set I: Althea, Uncle John's Band > He's Gone, Brown-Eyed Women, Little Red Rooster, Jack Straw, One More Saturday Night Set II: China Cat Sunflower > I Know You Rider, Estimated Prophet > Eyes of the World > Drums > Space > Milestones > Days Between > Help on the Way > Slipknot! > Franklin's Tower Encore: Brokedown Palace, Touch of Grey
Alejandro Escovedo’s music ranges over an emotional depth that embraces all forms of genre and presentation in search of the healing truth of honesty. His earlier days in the punk band, The Nuns has inspired an ongoing rootsy edge, making his songwriting unpredictable, from hard edged rock to ballad-like emotional expressions. In this episode, Alejandro reveals the man behind the music with his backing band, The Sensitive Boys.