Filmed throughout Ukraine just months before the full-scale Russian invasion, this vérité visual ethnography explores the overlaps of memory, hope, progress, and nostalgia at the scale of everyday life.
As the U.S. planned to withdraw troops from Afghanistan in September 2021, Canadian-Afghan filmmaker and journalist Brishkay Ahmed was filming IN THE RUMBLING BELLY OF MOTHERLAND. Revealing the ongoing dangers for women reporters, and the extraordinary risks they take, this brave film provides an in-depth look into Zan TV, Kabul’s female-led news agency. A professional journalist herself, Ahmed documents both the harrowing and inspiring work of young, female journalists over the course of the two-year lead up to the Taliban takeover of Afghanistan. Following parallel news stories as they unfold – two sets of national elections as well as ongoing U.S.-Taliban peace talks – the film reveals the daily hurdles Afghan female reporters and media staff face, underscoring the existential current events that threaten both Zan TV as a media outlet and the livelihoods of the women at its heart.
Sean Penn and Aaron Kaufman’s documentary, shot just before and after Russian invasion of Ukraine on 24th February 2022, and featuring several interviews with Ukraine President Volodymyr Zelensky.
Building on Forensic Architecture’s previous investigation into herbicidal warfare and its effects on Palestinian farmers along the eastern perimeter of the occupied Gaza Strip, this investigation marks Land Day in Palestine by examining the systematic targeting of orchards and greenhouses by Israeli forces since October 2023. Our analysis reveals that this destruction is a widespread and deliberate act of ecocide that has exacerbated the ongoing catastrophic famine in Gaza and is part of a wider pattern of deliberately depriving Palestinians of critical resources for survival.
This Rain Will Never Stop takes the audience on a powerful, visually arresting journey through humanity’s endless cycle of war and peace. The film follows 20-year-old Andriy Suleyman as he tries to secure a sustainable future while navigating the human toll of armed conflict. From the Syrian civil war to strife in Ukraine, Andriy’s existence is framed by the seemingly eternal flow of life and death.
A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.
Three months of revolution. From indignant protest to national unity. From pots on their heads to batons and body armor. From the euphoria of victory to the mourning of the fallen Heavenly Hundred. Revolution as an explosion of revived dignity, as the euphoria of freedom, as the pain of awareness at the cost, as the birth of the modern history of Ukraine. This year we have decided not to have an opening film, because all our attention is focused on the changes taking place in our country today. We have asked the directors who filmed the Ukrainian protests to share their best shots with us. The episodes of these upcoming films about the Euromaidan were formed in a kaleidoscope of revolution, which needs no comment. We offer you a chronicle of the Ukrainian protest. Experience the three months of fighting with us, feel and see the revolution through our eyes.
In April 1918, a disease of unknown origin swept across the five continents. In 18 months, millions of lives that had not been taken by the war were swept away by a virus that would cause the worst pandemic in history: the Spanish flu.
In a candid and unflinching portrait of Palestinian prisoners, Shimon Dotan takes viewers inside the highest security prisons in Israel where thousands of Palestinians fill these detention facilities.
Angela Su’s fictional artist Rosie Leavers is the last remaining person to upload her consciousness to a video game. Contemplating during a pandemic year which also saw people’s resistance movements in many parts of the world, the work pinpoints the uncanny affinities between gaming and warfare strategies. They have mutually informed the infrastructure of both worlds since time immemorial when diplomatic conflicts played out on the battlefield of the 64 squares of a chess board to flight simulation technologies which were adapted to shape gaming experiences as we know it now. When the conflict is between the state and its people, she speculates that gaming strategies empower civilians in resistance movements to counter imperialism through its own operative logic. But once we upload our consciousness, are we able to return to the sensibilities and political motivation that inspired the revolution to begin with?
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Yousef Srouji’s childhood in Palestine wasn’t something that he and his parents spoke of as a family, so when he found a box of his mother’s home videos from the early 2000s, an especially perilous and tumultuous period in the West Bank, the tapes became a means for remembering and comprehending a painful past. The stories she captured illuminate the nature of life in a war zone, and familial bonds that cannot be broken. – Bedatri Choudhury (DocNYC)
Lisa, student and artist, who is 17, is so in love with Kyiv, but because of the war she was forced to leave this city and emigrate to Western Europe. Together with this creative person, we tried to create the image of Kyiv as it appears to us today. Drawing is the best way to reflect the images and feelings of memories. I wanted Lisa to turn her “Lights of Kyiv” into a painting. I wanted to turn on “The Lights of Kyiv”.
This is a once in a generation event that needs to be examined without the usual spin that is delivered by the controlled media. While the video will be interpreted one way or the other, it is one that supports the voice of reason and of peace rather than jingoistic war drums and the cacophony of white noise.
When Russian armed forces invaded Ukraine, Moldovans raced to the borders to assist refugees, offering warm food, rides, and shelter. At the same time, a group of Moldovan filmmakers formed an ad-hoc film collective to document the unwavering efforts of volunteers and the fate of refugees through multifaceted lenses. Despite these acts of solidarity, a segment of the population's Soviet nostalgia fuels a growing fear that the country could be drawn into the war.
A short documentary about how "Fulton" the Ukrainian Football Club came together.
Stories about young Ukrainian dancers and their hasty flight to the Netherlands. You see their new life as refugees. The former conservatory in The Hague is a shelter for them where they collect their lives and find refuge in their profession: dance. The formation of a new ballet company, The United Ukrainian Ballet, is an important foothold in winning back their lives. They find comfort in each other and close friendships develop. In addition, there is the great love for ballet, for the dancers the best way to express themselves.