In 2019, this short film documentaries the daily of severals subway artists in the stations of Rio de Janeiro
Instrumentista
Instrumentista e Vocalista
Instrumentista e Vocalista
Rapper
Instrumentista e Vocalista
Instrumentista e Vocalista
Menina do Vagão
Menina do Vagão
Menina do Vagão
Instrumentista
In 2019, this short film documentaries the daily of severals subway artists in the stations of Rio de Janeiro
2019-03-15
0
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical diagonal framing, Gallagher underscores the passage from order to chaos within the event. The sparseness of this centering and he patience required of the viewer heightens the literally explosive climaxes of the film, and transforms the everyday violence of the events into moments of convulsive beauty. – Jim Shedden, Michael Zryd, The Independent Eye
Humble Quest: In Rare Form, is a short film with seven reimagined tracks off Morris's third studio album "Humble Quest".
The documentary deals with the topic of body positivity and shows how different we can be depending on the environment.
A story about the relationship between a grandma and her granddaughter, despite the physical difficulties.
This documentary shows Jane Elliott's blue-eyed/brown-eyed experiment set in a college environment with students from diverse racial and ethnic environments.
Rare interview of Sergio Martino and Edwige Fenech (with Luciano Martino, Ernesto Gastaldi & George Hilton) discussing their film The Strange Vice of Mrs. Wardh
A group of military men uses explosives to de-root trees.
Julia is spending her summer alone by the sea. She's trying to meet new people through Tinder.
Several species of dragonflies are shown in their natural habitat.
The film shows the spatial distribution and the behaviour of the Mediterranean demoiselle Calopteryx haemorrhoidalis on typical reproduction waters. The great importance of suitable perches becomes obvious. These perches, e. g. single rush stems, are used by immature, hunting individuals as well as by reproductive males that are controlling territories from these sites. The latter chase all other individuals, the result being a spatial segregation between immature and reproductive specimens during the day. Typical behaviour, such as threatening, courting, copulation, and oviposition is shown in different film speeds.
Using gland regions on their heads, warthogs mark poles and other objects for self-orientation. Males often mark during the mating season. The male also sprays urine when searching for and inspecting sleeping cavities.
During his adventure in Mexico, Sergei Eisenstein made footage of a Mexican "Death Day" celebration for inclusion in his "Que Viva Mexico!" film project. When the 200,000-plus feet of film he eventually exposed in Mexico was first attempted to be made into a feature film, "Thunder Over Mexico", the producers excluded the Death Day material for subsequent compilation as an independent short subject. Silent with music track and explanatory English intertitles.
Every day they have to fight to exist. Immigrants and Afro-descendants in Brazil - one of the most racist countries in the world - move to overcome the struggle of existence and have a better place with respect and rights. But how to guarantee one's identity if racism is such a perfect crime that the culprit always ends up being the victim of a victim?
Women in China is a timely two-part documentary on the conditions of women in today's economically -oriented Chinese society. By visiting four diverse parts of China, it provides a representative view of the opportunities and living conditions of Chinese women today.
1972 in Haute-Savoie (France) : the Bertrand's farm, with a hundred dairy cows owned by three bachelor brothers, is filmed for the first time. In 1997, they were the subject of Gilles Perret's first movie, as they let their farm to their nephew Patrick and his wife Hélène. Nowadays, 25 years later, Gilles Perret take another look at this farm, managed by Hélène who will step down. Through their words, an intimate, social and economic history of the rural world.