Un Ballo in Maschera (Verdi) - Arena di Verona(2014)

Royal Opera House: Il Trovatore(it)

The first revival of David Bösch’s new production for The Royal Opera, with two casts including Maria Agresta, Lianna Haroutounian and Anita Rachvelishvili.

Marty Feldman: Six Degrees of Separation(en)

A documentary about the legendary and influential comedian, actor and writer, who went out from the BBC to conquer Hollywood, but sadly the system quickly withdrew its support when they couldn't contain his talents. This portrait is spiked with many comments from people who knew Feldman privately or had dealt with him professionally. His early death sadly rendered him all but forgotten by the public. The compilation consists of interviews, some film clips and photos as well as various audio clips from him.

The Last One of the Six(fr)

Paris, France. Commissaire Wens is put in charge of the investigation into the murder of one of six friends who, in the past, made a very profitable promise.

FILM(en)

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Harrie Jekkers: Met een Goudvis naar Zee(nl)

The second solo program by the Dutch cabaret artist Harrie Jekkers. Jekkers tells and sings about growing up and about his uncle Jan.

Circle(en)

This short film follows a man lost in the woods driven by his fear of the unknown.

Grow!(en)

Panda(fr)

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

Ultraman Hayata: The Lost Films(en)

This DVD set have all The Ultraman pre-release lost films, recorded in 8mm, and release officialy in 2005 with a photobook.

Strange Object(en)

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

The United Monster Talent Agency(en)

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

The Boy Cried Murder(en)

A young lad with a penchant for spinning elaborate yarns gets himself in deep trouble when he tries to tell people that he really did witness a terrible murder. Unfortunately no one believes him--except the killer. This multi-national drama/thriller, set within a resort community on the Adriatic Sea is a remake of the 1949 film The Window. A screen adaptation of a Cornell Woolrich story of the same name.

R-Rated Idol Seung-ha's Sex Scandal(ko)

When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo(fr)

American Guinea Pig: Sacrifice(en)

A young man suffering from significant childhood trauma believes there are portals to the darkness around him that can be accessed through extreme self-mutilation. He locks himself in his home and proceeds to perform acts to summon the Goddess Ishtar to help him cross over to the other side.

The Idiot(fr)

Nastassia Philippovna finds herself juggling the affections of four men over the course of a single evening. One is her benefactor, the bourgeois Totsky. Another is the opportunistic Ganya, whom Totsky has promised 75,000 rubles if he will marry Nastassia. Rogozhin offers Nastassia 100,000 rubles for her hand. And the “idiot,” Prince Myshkin, loves Nastassia madly and vows to “save” her.

Highly Dangerous(en)

A US newsman and a British entomologist spy on germ-warfare research in a mythical country.

Sisters of the Trees(hi)

Tree planting in Rajasthan, India, has become a symbol of freedom in the middle of the desert. Families in this community have abandoned the belief that the birth of a girl is a curse.

GCW Fight Club 2022 Night 2(en)

Fight Club was a two-day professional wrestling pay-per-view (PPV) event promoted by Game Changer Wrestling (GCW) that was held on October 8 and 9, 2022. Both nights of the event were held in Atlantic City, New Jersey; night 1 of the event took place at the Garden Pier at the Showboat while night 2 was held inside Showboat Hotel itself. The event aired on PPV via the FITE TV service.

The Power of Movement(en)

Radiation oncologist and choreographer Dr. Niraj Mehta seeks to heal cancer through movement.

Monteverdi - L'Incoronazione Di Poppea(en)

This is a finely tuned opera with music by the Italian composer, Claudio Monteverdi, libretto by G. E. Busenello, and the fine voices of contralto Maria Ewing, baritone Dennis Bailey, and several other sub-leads is not to be missed and will be fully enjoyed. No lead tenor here and none needed. No soprano here as a lead and none needed. One of the joys of my watching and listening outside the opera hall. The story line is strong and the tale well carried out.

The Barber of Seville(it)

23-year-old Gioachino Rossini completed his masterpiece IL BARBIERE DI SIVIGLIA incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. The opera, characterized by youthful energy and bold wit, has all the ingredients for comic chaos: an imprisoned young woman, her lecherous guardian and a young noble suitor. Skilfully plotting behind the scenes is Figaro, an irrepressible and inventive character in whom many have seen a resemblance to the young Rossini himself. The score fizzes with musical brilliance, from Figaro’s famous entrance aria to the frenzy of the Act I finale. This recording sees Joyce DiDonato (Rosina) bring literal meaning to the old theatrical motto Break a leg! She did just that in an earlier show but was determined to finish her commitment and was re-staged into the production to allow for the additional challenges that come when a leading lady in a lively physical role must wheel around the other performers...

Rossini: La Cenerentola(it)

"Irresistible" (Opera News) rising-star mezzo Elina Garanca triumphs as Rossini's Cinderella in this delightful Metropolitan Opera production. "As close to pure joy as you will find in a big-time opera house" (New Yorker), conquering audiences and critics alike, "Garanca has a gorgeous voice that she uses with exceptional skill, melting tenderness; but when the part calls for coloratura fireworks, she unleashes a flawless technique and ringing high notes of impressive power" (Associated Press). Filmed in High Definition Widescreen.

Bellini: Norma(it)

This new production of Norma, directed by Grammy Award-nominated opera, theatre and film director Kevin Newbury (winner of the Irish Times Theatre Award 2010) and starring Sondra Radvanovsky as a "powerful, elegant" Norma (New York Times) and Gregory Kunde as Pollione, is "something very special. The word 'historic' is used perhaps a little too often but tonight there really is no other adjective to describe the sensational performances offered to us by Sondra Radvanovsky and Gregory Kunde."

The Right to Live(en)

A man with a broken back dies after his wife has an affair with his brother.

Händel / Mozart: Der Messias(de)

Known as a creator of astonishing images, stage director and visual artist Robert Wilson delivers a magnificent production of Mozart’s adaption of Handel’s Messias. Mozart was commissioned by Gottfried van Swieten to modernise the score fifty years after Handel’s popular composition (1742), mainly by arranging the wind parts and partially re-composing them. With Marc Minkowski a conductor has been engaged who understands perfectly how to combine baroque style with the tonal possibilities of an orchestra of the classical period like the Musiciens du Louvre. The excellent soloist quartet with Elena Tsallagova, Wiebke Lehmkuhl, Richard Croft and José Coca Loza merges perfectly into Wilson’s enormous flood of images.

Lohengrin(en)

A short experimental film shot on Super 8, inspired by the music of Richard Wagner.

Viva Vivaldi(it)

Viva Vivaldi! is a concert by the Italian mezzo-soprano Cecilia Bartoli interspersing arias from the 20 surviving operas of Vivaldi with two concertos. Given with the early music ensemble Il Giardino Armonico before a very appreciative audience in the Théâtre des Champs-Élysées, the performance is part of Bartoli's exploration of the Venetian composer's opera music which also includes The Vivaldi Album. There is a startling dynamic energy, which contrasts powerfully with the more restrained interpretations by singers such as Emma Kirkby. Bartoli's natural Italian and the live atmosphere of Maria Grazia d'Alessio's oboe gives her interpretation of the quietly haunting and melodically rich "Non ti Lusinghi la Crudeltade" from Tito Manlio a particular piquancy. The Flautino Concerto is a most attractive interlude, while the more famous Lute/Violin Concerto beguiles with its exquisite lyricism.

Cecilia & Bryn at Glyndebourne(en)

The celebrated mezzo-soprano Cecilia Bartoli joins Bryn Terfel for a recital of arias and duets recorded at Glyndebourne Opera House in 1999. The programme features favourite pieces from Mozart, Rossini and Donizetti, with the London Philharmonic Orchestra conducted by Myung-Whun Chung.

Alceste(en)

John Eliot Gardiner conducts Gluck’s 1776 French version of “Alceste” at the Théâtre du Châtelet in Paris. Soprano Anne Sofie von Otter takes the title role of Alceste, Queen of Thessaly, who offers to die at the hands of the gods in place of her husband, Admète (Paul Groves), so that the people will not lose their king. Alceste is then saved from the underworld by Hercule (Dietrich Henschel).

Tamerlano(en)

Handel's 1724 opera Tamerlano followed the success of his previous year's Giulio Cesare with another colourful historical costume drama. This time the setting is the court of "Timur the Tartar", who has just defeated the Turkish Sultan Bajazet at the battle of Angora. There are, naturally enough, romantic complications when both Tamerlano and his ally, the Greek Prince Andronico, fall in love with Bajazet's daughter Asteria. She, however, has plans to revenge her father's defeat. This production was directed by Jonathan Miller and staged in the intimate surroundings of the Goethe Theatre of Bad Lauchstadt as part of the 2001 Halle Handel Festival.

Don Giovanni(it)

Live performance from Cologne Opera. Conlon conducts a skittishly dynamic performance of Don Giovanni. He relies on Thomas Allen’s tough Don to give the work much of its dark menace and on Holle’s terrifying Commendatore to provide the moral outrage – his job is to keep things moving, and he does. The exteriors – blank city spaces reminiscent of the paintings of Giorgio De Chirico – and moodily claustrophobic interiors mirror effectively the anguish of the orphaned Anna and the abandoned Elvira; this is a performance in which the two women victims of the Don function effectively as correctives to his libertine charm. Andrea Rost as Zerlina brings real delicacy to her role, reminding us that “La ci darem la mano” is a duet about her flirtation with Don Giovanni and not just a famous stand-alone moment. This is an admirable presentation of a fine performance.

Death(en)

An operatic film adaptation of the poem by Paul Laurence Dunbar of the same name.

Lumee's Dream(en)

Lumee, one of the two main characters (of the opera p r i s m), sings this aria while smoking outside a nightclub in the second act, providing a window into her selfish fantasies. Not a recorded section of the opera, but a companion piece meant to depict the character's imagined realities.

The Fiery Angel(it)

Sergey Prokofiev's operatic tragedy The Fiery Angel was never performed in the composers lifetime the musics brittle energy, drama and eloquent lyrical tenderness would re-emerge in his Third Symphony. The narrative focuses relentlessly on Renata, who is haunted by an angel who turns out to be the devil. Director Emma Dante describes the opera as an explosive mix of fantastical realism and endless confusion of nightmares, madness, sexual impulses and cultural clashes, and this Teatro dellOpera di Roma production was acclaimed as a presentation of Prokofievs masterpiece which sparkles in all its grotesque glory (operawire.com)

Bedřich Smetana: Hubička(cs)

Prodaná nevěsta(cs)

The most popular Czech comic opera, with a libretto by Karel Sabina, marking the 200th anniversary of the birth of Bedřich Smetana, in the current production of the National Theater in Prague. For more than 150 years, The Bartered Bride has dominated Czech opera. No one else, not even Smetana himself, has managed to surpass its popularity, which over the years has become part of our national DNA, so to speak. At the time of its creation in the 1860s, however, The Bartered Bride was actually quite a bold experiment – Bedřich Smetana and librettist Karel Sabina masterfully mocked all those who imagined "national opera" as an idyllic picture of the Czech countryside, where national virtues reign supreme.

Rigoletto(it)

A musical drama based on Giuseppe Verdi's opera Rigoletto.

Mozart: Così Fan Tutte (Zurich Opera House)(it)

A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt. Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle "The School for Lovers", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.

John Adams: Nixon in China(de)

Besides the landing on the moon by the Apollo 11 mission in 1969, Richard Nixon’s meeting with China’s leader Mao Zedong in February 1972 then represented one of the biggest media spectacles in history. Nixon himself established the reference between the two events: “We came in peace for all mankind” not only marked the lunar module Eagle’s landing spot – Nixon also spoke of it into the microphones just before his departure to China. It was not John Adam’s aim to create a superficial or even a caricaturing representation of Nixon’s visit when composing his opera. He attempted to create a “heroic opera” about the construction of modern myths by using archetypical characters and situations. Director Marco Štorman stages Adams’ minimal music opera as a deconstruction review about the power of images, the politics of staging and the staging of politics.