2020-06-26
8
In the virtual age, that of the Internet and of social networks, everything is possible, mixing good with evil. Being able to manage the complexity of long-term relationships with the possibilities of the virtual world allows un-limited possibilities for couples who strive to maintain passion and perpetual-al fire. But in every world, even the virtual ones, rules must always be kept. Otherwise, your actions may come back and hit you like a boomerang. And when Boomerang hits you, it hurts, even if it's virtual. Attorney Shachar Tritop, name partner at a leading legal firm, decides to harness the power social networks and create a virtual lover for his wife Yael.
A group of students are preparing works for an art exhibition, they belittle a myth that "Any inanimate object that resembles a living thing, is not just a dead-object"
In a couple, dominates the one that loves less. Julia (Rose Avalon), 17 years old, has a blind in one eye cat and an enormous dependence from his uncle David (Alberto Jiménez), veterinarian, of the one who is deeply fallen in love. Julia makes what is impossible for remaining the greatest possible time beside his uncle David. But David has one very attractive girlfriend, Sara (Belén Fabra). The best friend of Julia is Aparisi (Pau Roca). He's more than a good friend, he loves her in secret. The blind in one eye cat escapes and Julia, beside Aparisi and his uncle David, starts a search through the terrace roofs of the neighborhood that lasts several days.
Through a structuralist and simultaneously ambiguous form, the image's reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image's gloaming, it reveals its true eye: reality's pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown.
Danny Breznitz, late 40s, a detective in the Tel Aviv Police, is hospitalized following a near-fatal car accident. His relationship with his sexy mistress, Eva, early 30s, is falling apart, and his obsession with her is pushing Eva even further away. Living in the same apartment with Ruthie, his wife, are the only remains of their childless marriage. Following convalescence, Breznitz is handed an insignificant case by his hostile superior which he considers beneath him. But when an unknown body is found in the woods, and nobody cares, Dani finds a cause he can believe in. He makes a tour-de-force of Israel's "low- life" – an Arab intellectual who wants to admit to a murder he has not committed, a prostitute turned hairdresser, a pimp who poses as a born-again Jew, a homosexual artist who was excommunicated by his parents. The journey becomes an obsession that threatens to kill him but Breznitz wouldn't stop until he reveals the shocking truth...
Insane Fight Club is back. This year the boys are taking their unique form of entertainment to England as they stage fight nights in Birmingham, Leeds, Liverpool and Newcastle.
A young man revisits his past in search of the girl of his dreams. He finds her - and her psychopath boyfriend.
This was an unfinished collaboration with Stan Brakhage. This film was actually screened publicly at least a few times, including at Pacific Film Archive (11/15/1994, described as a premiere), MoMA (5/3/1999, also described as a premiere – probably a revision), and First Person Cinema, CU Boulder (4/24/2000). TBD, but it’s likely that Solomon probably screened a workprint or even spliced original of the film in these instances (as he had done with The Lateness of the Hour), and then withdrew the film to work on further. It was never ultimately completed or re-released.
She is a former air hostess; he is a fair-haired St Petersburg-born politician with a secret past and a thorough knowledge of German. Despite the familiar-sounding characters, the film’s makers claim that its hero is not Russian President Vladimir Putin, but a fictional Russian politician named Alexander Platov.
Two women from different walks of life meet during their senior year of college. After they graduate, they must decide if their paths are too different, or if love will always bring them back together.
When numerous schools in São Paulo were slated to be closed in 2015 as a result of the worsening socio-political crisis, students occupied more than a thousand public buildings in an unprecedented act of self-empowerment. Filmmaker Eliza Capai shows the development of the many-voiced protests, using news excerpts, self-conducted interviews and recordings made with activists’ own cell phone cameras. From the first demonstrations in 2013 and continuing all the way to the election of the extreme right-wing presidential Jair Bolsonaro in 2018, Capai’s highly political work becomes more and more relevant with each passing day.
A man wrestles with his personal demons and obsession with a writer's life.
"While film always seems to aim for humanism and anthropomorphism, I endeavoured in my film to represent only a language with three dimensional letters." Saga is an extension of the plurality of the means of experimentation used by Jean-François Bory to capture the dynamic inside the text, directly related to the spatialisation of letters theorised by Pierre Garnier. lts corresponding object book masterfully resumes the cinematographic dimension in the progression of the writing and uses a visual narration.
In a small provincial town, just before the New Year, something went wrong. A young doctor falls in love with a Moscow singer who has come on tour and for her sake enters into a fight with the local bohemian youth... A grocery store saleswoman accidentally kills a customer and, together with her ex-boyfriend, tries to get rid of the body... A fish supervision worker at a New Year's feast is forced to play the role of his deceased twin brother ... But, no matter what, the heroes of these stories will do everything to find their new happiness under the chimes.