Abby Hopkins, the eldest of a small-town newspaper-owner's five daughters, is urged by her family to marry the wealthy, twice-widowed J.B. Hanks. Abby leaves Hank on the night of the wedding and goes to New York, where she supports herself as a waitress and shares an apartment with a co-worker. At the restaurant, Abby meets J. Booth Hunter, a heavy-drinking "ham" actor, and tries to convince him to give up liquor. Hanks shows up one day and during a battle with his estranged wife, Hunter comes to Abby's rescue. Abby finally gets a divorce from Hanks, Hunter conquers his drinking habit, and Abby marries him.
Matthew Hopkins
J.B. Hanks
Ruth Sterner
Abby Hopkins, the eldest of a small-town newspaper-owner's five daughters, is urged by her family to marry the wealthy, twice-widowed J.B. Hanks. Abby leaves Hank on the night of the wedding and goes to New York, where she supports herself as a waitress and shares an apartment with a co-worker. At the restaurant, Abby meets J. Booth Hunter, a heavy-drinking "ham" actor, and tries to convince him to give up liquor. Hanks shows up one day and during a battle with his estranged wife, Hunter comes to Abby's rescue. Abby finally gets a divorce from Hanks, Hunter conquers his drinking habit, and Abby marries him.
1919-06-30
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Leslie MacLeod (Kathryn Adams) comes to England from the U.S. so that she can settle financial affairs with Lord Glenayr (Jack Holt), whom she has never met. She encounters Duke Lanzana (Fred Malatesta), who sees her as a way to pay off his mounting debts. He captures her and then heads to a nearby cape to steal a buried treasure that actually should belong to the MacLeods.
"My heart is ice, my passion consuming fire. Let men beware," exclaimed Theda Bara (via an inter-title, of course) in this "Vamp" melodrama based on Grabriele D'Annunzio's 1898 story La Gioconda.
Florid melodrama of misunderstandings, betrayal and desperation as Theda schemes to keep the title secret.
This picture is based on the same story that became D.W. Griffith's Orphans of the Storm in 1921. This version, made by the Fox Studios, stars famous "vamp" actress Theda Bara in the role that Lillian Gish later made famous
This was Theda Bara's third starring film, and the first which she carried all on her own, with no other name actors in the cast. Based on the Alexander Dumas story, The Clemenceau Case involves Iza, a vampire-wife (Bara), whose wicked ways scandalize her husband, Pierre (William E. Shay).
The daughter of a Mexican aristocrat endures the travails of the Mexican revolution.
In a small town in Indiana in the 1890s, the domineering and ambitious Mrs. Biddle arranges a marriage between her spoiled daughter Thelma and the town's prize catch, harvester David Langston, who is wedded to the soil. David is friends with orphan Ruth Jameson and, although she is in love with him, he eventually gives in to the machinations of Mrs. Biddle and consents to marry Thelma. Meanwhile, technological advances come to town, including its first gasoline buggy, galvanic battery, and metal bathtub fitted with running water. When Mrs. Biddle tries to convince David to give up the farming life and join her husband in real estate, Mr. Biddle, hen-pecked and dissatisfied with city life, warns David against selling his farm.
In this detective picture, Janet marries Raoul Newell but leaves him when she finds out he is a thief. However, when he comes to her and asks her to help retrieve some papers stolen from him by Mr. and Mrs. Giles, she agrees and goes to work for the couple as a maid. But in reality, Raoul is after the couple's jewels.
Miss Satterly, the new schoolteacher, is loved by all the cowboys of the "Flying U" ranch. Weary is shy and only makes the acquaintance of the pretty schoolteacher by main force on the part of his cowboy companions.
An actress with a wild reputation finally settles down to a sedate and pleasant marriage. One of her former lovers, an architect, arrives to disrupt her happiness by renewing their affair. She humiliates this suitor in public with her rejection, and he seeks revenge, revenge that catapults her into tragedy.
A story of Vienna following World War I, in which the butchers became millionaires and the aristocrats became beggars, told against a background of mother-love and sacrifice.
Today and Tomorrow (Hungarian: Ma és holnap) is a 1912 film directed by Michael Curtiz and starring Gyula Abonyi and Jenőné Veszprémy.
The great cowboy star takes over the reigns of a stranded production crew, offering the audience a rare insight into the filming of a typical comedy-Western.
Two men in love with the same girl race to save her when she is trapped aboard a ship on fire in storm-swept seas.
Jack Wade is the son of a wealthy father who runs a successful ship-building company. He uses his athletic prowess to defeat the villainous competitors who are out to financially ruin his father.
Claire Martin, niece of the wealthy Mrs. Taylor, suffers from loss of memory. Under the effect of this, Claire acts as an entirely different person. She wanders through the woods seeking shelter and food, and finally reaches a cabin temporarily occupied by a New York sportsman, who is fishing and hunting in the woods.
When Timothy Atkinson arrives in a rough Western town to become the telegraph operator, the locals peg him as a tenderfoot.