An intimate portrait of an inter-generational family as they bid farewell to the common ground that binds them together.
Herself
Himself
Himself
Herself
Himself
An intimate portrait of an inter-generational family as they bid farewell to the common ground that binds them together.
2021-07-03
0
In Hong Kong of 1962, Mrs. Chan and Mr. Chow, a journalist, move into neighbouring apartments on the same day. Their encounters are formal and polite—until a discovery about their respective spouses creates an intimate bond between them.
This behind the scenes documentary showcases a Singapore-based collective who practice the art of card flourishing. To date, Virtuoso (a.k.a. The Virts) have managed to gather an international following of more than 37,000 people. But how far can a Singapore Brand go in an international scene that is dominated by big personalities like David Blaine? This film examines how these innovative performer entrepreneurs are managing to harness the possibilities of the Internet to extend their reach beyond the shores of Singapore, and develop new business models to share their passion for their craft. Other aspects explored includes the science behind the art of cardistry as well as the cultural associations attached to cards in Asia.
When an office full of Chicago real estate salesmen is given the news that all but the top two will be fired at the end of the week, the atmosphere begins to heat up. Shelley Levene, who has a sick daughter, does everything in his power to get better leads from his boss, John Williamson, but to no avail. When his coworker Dave Moss comes up with a plan to steal the leads, things get complicated for the tough-talking salesmen.
After a woman shoots a man to death, a damning letter she wrote raises suspicions.
Keen young Raymold Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose financial holdings start to suggest something shady. Indeed Peck is involved in any number of dubious or downright criminal activities. He is also devious, a womaniser, and a clever manipulator, and he starts to turn his attention on Avila.
A single dad looks to give up drinking and his bartender job in order to impress his son and find work as a magician.
Ah-gau (Keung Chung-ping) leaves his wife Sou Jing, and son in Macau for Nanyang to join his cousin (Patrick Tse Yin) in search of employment. A series of events propel Ah-gau into high society and he falls in love with a tycoon’s daughter, Ming-zyu, (Patsy Kar Ling). Abandoned by Ah-gau, Sou Jing suffers in utter poverty and journeys to Singapore in search of her husband.
After a family patriarch's passing, mother and son set off on different paths to cope with the loss. While the mother finds solace in religion and prayers, the son expresses himself through art. Unbeknownst to them, they are set on a collision course with one another, with life-altering consequences.
Singapore GaGa is a 55-minute paean to the quirkiness of the Singaporean aural landscape. It reveals Singapore's past and present with a delight and humour that makes it a necessary film for all Singaporeans. We hear buskers, street vendors, school cheerleaders sing hymns to themselves and to their communities. From these vocabularies (including Arabic, Latin, Hainanese), a sense of what it might mean to be a modern Singaporean emerges. This is Singapore's first documentary to have a cinema release. With English and Chinese subtitles.
Wet Season revolves around the life of Ling, a schoolteacher who deals with infertility while having to take care of her infirm father-in-law at home. One of Ling's students, Kok Wei Lun, develops a crush on her during remedial Chinese classes. The two become closer as Wei Lun embraces Ling's extra tutoring.
When Singapore surrendered to the Japanese in 1942, the Allied POWs, mostly British but including a few Americans, were incarcerated in Changi prison. Among the American prisoners is Cpl. King, a wheeler-dealer who has managed to establish a pretty good life for himself in the camp. King soon forms a friendship with an upper-class British officer who is fascinated with King's enthusiastic approach to life.
The film offers exclusive and intimate insights into how and why the classically trained artist risked rejection to revolutionize the traditional Chinese ink art form in Singapore.
Zhao Di takes over her family farm with the help of Ah Long after the 1969 floods. After the government started reclaiming land for development in 1977, licensed owners like Zhao Di are compensated but her brother accuses her of having an affair with Ah Long to get the money for himself. Meanwhile, Osman does not approve of his son playing in a rock band as he fears the negative influence, causing his son to run away from home. As for Ah Hee and Rani, they decide to get married but their traditional parents are against it.
In this sun soaked adventure for the entire family, a group of five orphaned children form their own makeshift family while attempting to operate outside the rules of society. Though they must sometimes steal to survive, their loyalty to one another means that they will always have a brother or sister to count on.
Class Acts is a feature-length documentary tracing the genesis of Singapore's creative scene in the '90s through intimate conversations with its pioneering personalities. These are the stories of individuals who started creating with nothing, who push Singapore’s creative standards even today. The ones who went on to inspire a new generation of musicians, designers, and street artists.
Newly edited version of Luigi Cozzi's 1997 documentary "Il mondo di Dario Argento 3: Il museo degli orrori di Dario Argento" focusing on the museum-part of the "Profondo Rosso" shop.
In Singapore, a private detective and the British authorities are on the trail of a crime syndicate that kidnaps a nuclear physicist with the aim of selling him to the highest bidder.
Fast, frenetic, and furious best describe the story of five teenage boys all but abandoned by the system, estranged from any parents, and discarded by life in general. They build a world of there own in which gangs, drugs, fighting, body piercing, self-harm, and even suicide are considered commonplace. The film highlights their harrowing place in time and this small world; where brotherhood is valued above all else. Impressively acted by actual street kids, the movie highlights a gritty side of modern-day Singaporean life.
A jaded Office Lady’s perspective on life is thwarted when she runs into her ex, an Ah Beng giving out free hugs to strangers.
Fatima lives with her mother, working with her as a seamstress. Disappointed by her mother’s gambling addiction, she decides to work as a singer at a nightclub. There, Fatima meets Abdullah, a businessman whose wife, Endon, constantly mocks and humiliates him. Abdullah soon falls in love with Fatima and they begin an affair. However, Abdullah’s colleague is also smitten with her, and when Endon finds out about her husband’s relationship, she plots with his colleague to expose the affair. It is the first Malay film helmed by a Singaporean Malay under the Malay Film Productions, Shaw Brothers. Made in 1952, the musical drama witnesses an abusive relationship that results in an extra marital affair.