Po boku mužů(1952)

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Dear Ms.: A Revolution in Print(en)

Three filmmakers dive deep into the storied and complex legacy of Ms. magazine through the lens of some of its most iconic covers, featuring never-before-seen archival footage and engaging interviews with the powerful women who shaped the magazine at its inception over fifty years ago

The Indomitable(de)

The story of women's struggle against sexual discrimination and for inclusion in the democratic process in (West) Germany after WW II.

Money for Bread(de)

Women from Turkey and Mecklenburg are working together side-by-side at a fish-processing factory in Lübeck. As they work, they share stories about their lives, including their sorrows, griefs, hopes, and dreams, while expressing their longing for home and feelings of being lost in a foreign place.

The Taste of Salt(fr)

At Ngay Ngay, a village in northern Senegal, there are real natural evaporative basins in which depending on the year large or small quantities of sea salt dry out. Located 15 kilometres from Saint-Louis, the village is living around a complex community organisation: men divide the salt fields into plots, and women are those who harvest. In the end, the men receive a share of the crop, while women are those who took great pains over the harvesting.

DRIVER(en)

DRIVER is a soulful exploration of resolute female long-haul truck drivers pursuing validation for their hard-earned work as they navigate the oppressive forces in their industry. Employing an intimate lens, Nesa Azimi’s first feature brings the audience into a community of solidarity and self-determination.

Bangla Surf Girls(bn)

Three working-class teenage girls in a port city in Bangladesh escape daily hardships and stifling family lives by riding waves on their surfboards and grabbing hold of the fleeting and thrilling sense of freedom that brings.

Long Haulers(en)

Through experimentation, direct observational filmmaking, and performative play, filmmaker Amy Reid rides and films with women truckers who have fled domestic violence, the stigmas of being formerly incarcerated, and mental health issues. The three subjects -- Sandi, Lori, and Tracy -- each share how they started trucking and what keeps them trucking.

The Last Laugh(hi)

Two men are in dialogue with each other. It's implied dialogue, an attempt to give structure to what lies beneath the surface, yet always brewing and active. Of course, there are women all around.

Des femmes au salon - Aux sources de l'émancipation féminine(fr)

Focusing on five of them, this documentary pays tribute to the wealthy women who, under the Ancien Régime, promoted scholars and artists, and paved the way for female emancipation through their intellectual independence.

Divas(fr)

Women, Maasai and rangers - The lionesses of Kenya(fr)

Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination

Burn, Baby, Burn! - Wie Aerobic die Welt zum Schwitzen brachte(de)

The saga of fitness, which exploded in the 1980s and contributed, in its own way, to liberating women's bodies.

To Be a Bruja(es)

Amanda Montejo is a trans woman, make up artist, Guadalupana and a witch. This documentary portrait explores different facets of her spirituality and fragments of her past, revealing the duality of her being.

Maritime Kvinner(no)

In this film, Hanne Krogh meets some of the women of the sea. From the Viking woman to the world's first and only submarine captain who is Norwegian.

Gulabi Gang(hi)

In Bundelkhand, India, a revolution is in the making among the poorest of the poor, as the fiery women of the Gulabi Gang empower themselves and take up the fight against gender violence, caste oppression and widespread corruption.

Projekt A - A Journey to Anarchist Projects in Europe(de)

PROJEKT A is a documentary that resists the common clichés about anarchism to instead show anarchist ideas of a society in which no one shall have the power to control knowledge, natural resources, land, soil or other people. After inspiring over 25,000 German cinema-goers, this award-winning documentary about anarchism and anarchist projects in Europe is now available on VoD! “Projekt A stirs up the audience and is grippingly shot, getting close to the kinds of tenacious people who are so vital to change in our society.” (kinokino) “…a cinematic portrait, not of anarchy, but of anarchists. A story, not of possibilities, necessities or even failure, but a depiction of achievements, initiative, action, ideas, as well as success.” (kino-zeit.de) Audience Award Filmfest Munich

Mais qu'est ce qu'elles veulent ?(en)

In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"

Beyond Ratings(hi)

Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.

TDS, derrière l'écran des Travailleuses Du Sexe(fr)

"TDS, derrière l'écran des travailleuses du sexe" is a deep dive into the lives of Betty, Anaïs, Noochka, Manon, and Barty. They have all ventured into the world of selling sexual content online. What pushes someone to take the step of signing up on these platforms? What are their motivations? What are the consequences on their personal lives? Why do some choose to stick with it for years, while others decide to stop for good?