Kaija Saariaho: Innocence(2021)

Scooby-Doo! and the Robots(en)

3 robot-themed episodes from various Scooby-Doo series. First stop is Cyber Gulch, where the Mystery, Inc. gang must solve the riddle of the man-a-trons or get terminated in Go West, Young Scoob. En route to Florida, Freddy runs into a real Monster Truck at a championship stock car race in Gentlemen, Start Your Monsters. Buckle up for a roller-coaster ride of fun and fear in Foul Play in Funland when the gang discovers a fully operated amusement park...with nobody in it! Will they find the phantom in the Hall of Mirrors? Stay tuned for more escapades with Scooby-Doo - and watch out for those robots!

Scooby-Doo! and the Safari Creatures(en)

The gang flies off to Africa for a video animal safari titled 'So Goodi!,' only to learn that - zoinks! - the creatures are actually shape-shifting jungle demons! In Homeward Hound, a "fiercely fanged" cat creature petrifies the competing pooches at a dog show, including the visiting Scooby-Doo! Finally, a giant Wakumi bird is stealing sculptures that are scheduled to be housed in a museum in New Mexico, Old Monster. There's never a dull moment when Scooby-Doo enters the scene!

Scooby-Doo! and the Sea Monsters(en)

The scares start in Hawaii, where Scooby-Doo and Shaggy are scarfing down the surf-and-turf menu until a giant serpent tries to swallow them faster than you can say She Sees Sea Monsters by the Seashore. In Uncle Scooby and Antarctica, a friendly penguin invites the Mystery, Inc. crew to visit his polar home, which happens to be haunted by an ice ghost! Then, the gang meets music group Smash Mouth while visiting Australia's Great Barrier Reef to watch Shaggy and Scooby compete in a sand castle contest in Reef Grief! Just when they think it's safe to go back in the water... it isn't.

Runner(it)

Scooby-Doo! and the Samurai Sword(en)

The Mystery Inc. gang takes a trip to Japan and finds themselves circling Asia and the Pacific in a treasure hunt, racing against the vengeful Black Samurai and his Ninja warriors to find the legendary Sword of Fate, an ancientblade fabled to possess extraordinary supernaturalpowers.

What's New, Scooby-Doo? Vol. 5: Sports Spooktacular(en)

The 5th volume of episodes from the hit TV series What's New Scooby-Doo, with four action-packed sports adventures. The Unnatural serves up a full plate of ballpark pranks and ferocious fastballs from Ghost Cab Gray, who wants to stop the current homerun king from breaking his record. The gang tries to stop a giant sand worm from wreaking havoc on the Enduro Slam 5000 offroad race in The Fast and the Wormious. A weird ghost monster called the Titantic Twist turns Daphne and Velma into Wrestle Maniacs. For a grand-slam finale the hockey mystery Diamonds Are A Ghoul's Best Friend introduces the chilling Frozen Fiend. When the gang dons sticks and pads, will they perform a hat trick...or get frozen stiff?

Dans la peau de Jean-Claude Van Damme(fr)

If you want to find out how it is being Jean-Claude Van Damme.

¡Yerba sangrienta!(es)

An undercover cop and slick con-man form an alliance against a evil and vicious drug lord who takes advantage and uses the poor people of a small village with his equally evil henchmen.

Retando A La Muerte(es)

Twilight Dancers(tl)

Current most popular performer at a gay club in the Philippines (though it’s patronized by an awful lot of ogling straight women), Dwight (Tyron Perez) has a crush on a collegiate girl and an eye on better prospects working abroad. But he unwisely gets involved with boytoy-hungry Madame Loca (Cherry Pie Pichache), a ruthless, corrupt businesswoman. Her disillusioned ex-dancer bodyguard Bert (Lauren Novero) tries in vain to warn Dwight. Meanwhile, past-prime-at-28 Alfred (Allen Dizon) struggles to find legit work to support his wife and child.

Sex in Chains(de)

A young man is convicted of manslaughter and sentenced to a term in prison. There he forms a close relationship with his cellmate. Upon his release his wife is concerned as to how prison has changed the man she married.

Lisinski(hr)

Biography of Vatroslav Lisinski, 19th century Croatian composer and the author of the first Croatian opera.

Italy Bares: Secondo Tempo(es)

Scooby-Doo! Mecha Mutt Menace(en)

Mecha Mutt, a revolutionary remote-controlled lunar rover resembling a large canine, goes rogue at Houston's Annual Science Expo. Scooby-Doo! Mecha Mutt Menace is the fourth in a series of direct-to-video short films.

Scooby-Doo! Music of the Vampire(en)

Scooby and the gang have their first musical mystery in “Scooby Doo: Music of the Vampire.” It begins when they take a sing-a-long road trip into bayou country to attend the “Vampire-Palooza Festival” – an outdoor fair dedicated to all things Draculian. At first it looks as if they’re in for some fun and lots of Southern snacks, but events soon turn scary when a real live vampire comes to life, bursts from his coffin and threatens all the townsfolk. On top of that, this baritone blood sucker seems intent on taking Daphne as his vampire bride! Could the vampire be a descendant of a famous vampire hunter who is trying to sell his book? Or perhaps he’s the local politician, who has been trying to make his name in the press by attacking the vampires as downright unwholesome. The answers are to be found in a final song-filled showdown in the swamp in which our heroes unmask one of their most macabre monsters yet.

Ghost Rider 2 Goes Wild(en)

Experience high speed chases and unbelievable motorcycle mastery. Ghost Rider returns for more incredible high speed antics on the streets and freeways of Stockholm Sweden. With real police chases, crazy stunts, and close calls that make even the most experienced riders flinch. He even rides a snowmobile with no tracks down a snow-less street at high speed. A radical motorcycle video that gets your adrenaline pumping and satisfies your need for speed.If you haven't seen Ghost Rider in action before then make sure you also pick up Ghost Rider - The Final Ride. You will be in awe of the speed and technique of this motorcycle master.

1(en)

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

Life in Flight(en)

A successful New York architect with a beautiful wife and an adoring young son is forced to reevaluate his outwardly idyllic life after a chance meeting with an urban designer reveals the cracks in the foundation of his paradise.

Verdi: Attila(it)

First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.

Wagner: Tannhäuser(en)

Anew production of Tannhäuser, which was premiered on 26 July 2019 and presented the Bayreuth debut of conductor Valery Gergiev, as well as the house debut of young soprano star Lise Davidsen. Tobias Kratzer’s staging presented Tannhäuser as a wildly contemporary parable of art and freedom which was praised as “novel” and “wrenching” (New York Times) and received exceptional press acclaim. hey were joined by mezzo soprano Elena Zhidkova’s Venus (“scene stealing”, according to Opera Today), baritone Markus Eiche’s Wolfram and Stephen Milling’s Landgraf.

The Narcissistic Fish(en)

A phone call during a busy shift in the restaurant kitchen of The Narcissistic Fish sparks a war between the owner Angus and his brother Kai. As they argue over their dead father, talented and underpaid chef Belle has a revelation of her own. Join Scottish Opera’s Emerging Artists (Charlie Drummond, Mark Nathan and Arthur Bruce) for a visceral exploration of the clash between class, gender and workplace pressure in 21st century Scotland, in this brand new digital opera with music by Samuel Bordoli, libretto by acclaimed Scottish writer Jenni Fagan and directed by in-house film-maker Antonia Bain.

The Metropolitan Opera: Otello(en)

In Verdi’s retelling of Shakespeare’s towering tragedy, Renée Fleming gives a captivating performance as the innocent Desdemona, a role long considered one of her calling cards. Johan Botha as the title hero delivers an imposing portrayal of a proud warrior brought down by jealousy, and Falk Struckmann is thrilling as the villainous Iago. James Morris sings Lodovico. Elijah Moshinsky’s production is conducted by Semyon Bychkov.

Rossini Sigismondo(it)

Early Rossini has a youthful, buoyant vibrancy about it, even in the dark swirls of drammi per musica like Sigismondo. The work, centered on a mad king and his delusions, was rarely played after its premiere in 1814. This performance marked the first from the critical new edition at the 2010 Rossini Opera Festival in Pesaro and was hailed as a "perfect symbiosis of music and stage work" resulting in "truly brilliant theatre." Complete with a cast of sought-after Rossini singers, this is not to be missed.

Donizetti: La Fille du Régiment(fr)

In January 2007, superstar soprano Natalie Dessay, joined on stage by acclaimed tenor Juan Diego Florez dazzled British audiences in Laurent Pelly's new production of Donizetti's "LA FILLE DU REGIMENT". The perfectly staged & cast production became the operatic event of the year, receiving rave press reviews & rapturous audience ovations.

Falstaff(en)

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

Portrait of a Knight(en)

Portrait of a Knight is a musical romance about the way in which historic ideals inform contemporary urban life. Rachel is a young archivist living and working in Wellington, New Zealand. Feeling alone and disconnected from life, she projects her romantic fantasies onto the paintings she loves, until one day her song brings Reginald - a Knight of the Realm - to life. His carefree innocence and zest for life begin to open Rachel up to the beauty around her, but the fates have a way of making trouble when miracles occur...

Moonstruck(en)

37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.

Cavalli: Eliogabalo(it)

Systematically overturning accepted morals, Elagabalus dresses men as women, and names women to the Senate, favours sinning servants and humiliates generals. Baroque and carnivalesque, Eliogabalo is not, however, an opera that advocates a return to order. Leonardo García Alarcón, a finder of baroque gems, and Thomas Jolly are careful not to transform Eliogabalo into a sublime icon who would abase virtue. On the contrary, the conductor and young director, who are presenting their first production for the Paris Opera, accept the character’s contradictions and ambiguities

Offenbach: The Tales of Hoffmann(fr)

This adaptation of three tales by E.T.A. Hoffmann, with a sprinkling of Goethe’s Faust, portrays the German poet as both narrator and hero recounting his love affairs with Olympia, Antonia and Giuletta. Robert Carsen’s spectacular production highlights the melancholy genius of a man marked by life, with a coherence and dramatic sense remarkable for a work that leaves numerous questions unanswered. Under the baton of Philippe Jordan, Stéphanie d’Oustrac, Ermonela Jaho, Kate Aldrich, Yann Beuron and Ramón Vargas and Stefano Secco in the main role, interpret the legendary airs of this work whose brilliant mystery will continue to dazzle opera houses for countless years to come.

Gluck: Iphigénie en Tauride(fr)

In order to fulfil the oracle’s prediction, Iphigénie must kill any stranger landing on the shores of Tauride. Alas, it is Oreste, Iphigénie’s own brother, who appears, having murdered their mother Clytemnestra in order to avenge the death of their father Agamemnon: such is the accursed lineage of the Atrides, condemned for generations to inflict death after death… Will this chain of hereditary bloodletting be perpetuated by Iphigénie? In Krzysztof Warlikowski’s stunning first production for the Paris Opera, the characters in the twilight of their existence are still haunted by their past.

Bizet: Carmen(fr)

With a devilish sway of the hips and a hint of Andalusian flair, Carmen, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest. Composed to a libretto by Meilhac and Halévy based on Prosper Mérimée’s novella, the opera exploded the boundaries between tragedy and comedy with a modernity that caused a scandal at the time. Can we kill the one we love with love? The fiery beauty of Bizet’s music, where one unforgettable aria follows another, has worked year in, year out to make it the world’s most performed opera.

Francesconi: Trompe-la-Mort(fr)

An impressive masked figure, Trompe‑la‑mort reveals his true character through his impalpable latent energy and a plot abounding in tragic twists of fate. An ambivalent character, both regal in bearing and warmly protective, cruel and yet loving, rapacious and indomitable even in the face of madness, this ’Machiavelli among miscreants’ destined to become chief of police, uses his conquests to advance relentlessly in the pursuit of his aims whilst keeping his hand closely hidden. Guy Cassiers, working for the first time with the Paris Opera, portrays a three-tiered society where some rise and others fall.

Rimsky-Korsakov: The Snow Maiden(ru)

Snegurochka was born in times of old in Tsar Berendey’s mythical kingdom, the fruit of the union between Spring the Beauty and Grandfather Frost. Protected by her parents from the jealousy of the Sun god Yarilo who has vowed to warm her heart when she gets older and falls in love, Snegurochka the snow maiden is entrusted to the wood sprite…Aida Garifullina sings the role of Snegurochka whilst the production and musical direction have been left in the capable hands of two other Russian artists: the young conductor Mikhail Tatarnikov and director Dmitri Tcherniakov.

Berg: Wozzeck(de)

Separated and fragmented, the scenes combine in a series of tableaux to tell the story of Wozzeck, an ordinary soldier whose only solace is the love of his companion Marie. However, the latter’s fidelity is not unfailing and Wozzeck is haunted by torment. His officers and comrades in arms do little to improve the situation. The omnipresent tension in this profoundly romantic work unifies the fifteen scenes with their complex tonalities alternating between Verist notes and the force of ritualised actions. Christoph Marthaler’s production provides an atmosphere of contemporaneity strongly accentuated by the choice of a single set, where the men’s despair is submerged in Berg’s dearly sought-after sobriety.

Tchaikovsky: Eugene Onegin(ru)

Inspired by Pushkin's masterpiece of Russian literature, Tchaikovsky’s opera provides a sublime portrait – both ironic and sympathetic – of a character embittered by society life, rejecting love out of vanity, killing his friend the poet Lenski out of pride and spending the rest of his days in abject despair. A repertoire classic, Willy Decker’s streamlined production makes the Paris Opera echo once more to the strains of Russian romantic music. Edward Gardner conducts an exceptional cast including Peter Mattei in the title role and Anna Netrebko as Tatiana.

From the House of the Dead(cs)

Condensing the life stories – memories of prison in Silesia – related by Dostoyevsky in his work The House of the Dead, Leoš Janáček composed an opera filled with burning desire and longing. Contagious savagery, cruelty and brutality are exacerbated by the confines of the prison. However, within its concrete walls emerge both tenderness and cruelty at the sight of an injured bird; a multitude of stories and highly personal monologues. With this production, first performed at the Wiener Festwochen in 2007, the Paris Opera pays tribute to Patrice Chéreau.

Puccini: La Bohème(it)

No one better described the half-starved, struggling artists than Murger in his Scènes de la Vie de Bohème: artists ready to burn a manuscript to try to keep warm yet,in an era of triumphant bourgeois materialism, dreaming of another existence. Taking up these scenes of Bohemian life, Puccini offers us a heart-breaking love story and some of the most beautiful music in the history of opera in the story of the poet Rodolfo and fragile Mimi. The staging of this new production has been entrusted to Claus Guth who sets the drama in a future devoid of hope in which love and art become the sole means of transcendence.

Handel: Jephtha(en)

When Jephthah, a biblical parable adapted from the Book of Judges, begins, the people of Israel are under the yoke of neighbouring nations which pillage and oppress them. Jephthah, destined to become their saviour, has grown up in the desert until becoming a powerful military leader. On leaving for battle, he swears to the god Jehovah that he will sacrifice the first person he meets on his way home. Alas, as he returns victorious, it is Iphis, his only daughter, who comes to meet him… Claus Guth directs this oratorio in which grief‑stricken voices interweave as they confront an apocalyptic situation.