Survey documentary that collects various oral testimonies about the life of the Seris, a small ethnic group in the state of Sonora, Mexico.
Survey documentary that collects various oral testimonies about the life of the Seris, a small ethnic group in the state of Sonora, Mexico.
1974-06-27
8
Betty is visited by a strange salesman the day she is going away on a trip. He stays in the house as a series of bizarre events occur with his arrival.
The essence and inspiration of the album Empires was the beatitudes and it was always an aspiration to film where Jesus preached the Sermon on the Mount – and to present the songs in a live format. Filmed in Jerusalem and surrounding areas, this is a unique take on many of the songs from United’s most recent release, Empires. With breathtaking imagery and impacting visuals and audio, this live project is one of the most unique to come out of Hillsong.
Heinrich George plays Henner who lives with his wife and child on a tugboat, going on the river to Berlin. There he meets the attractive Gescha (Betty Amann), and a story of love, betrayal and sadness ensues.
A beatnik painter, a singer, a young doctor whose practice hasn't taken off, a rich boy slumming, and miscellaneous others all bounce off the walls in a very youth-culture oriented apartment house. Things get pretty frenzied.
A young Seminole woman reeling from a recent divorce returns to her home in the Florida Everglades and encounters a terrifying entity, leading her to reconnect with her past and heritage to defeat it.
As Manny has second thoughts about getting married, he is visited by an unexpected guest.
Over the course of a day in a California hospice, three terminally ill patients are observed with their families reflecting on life and death.
Faced with the risk of collision with the Earth, space agencies are refining their observations on the course of asteroids in our galaxy. A documented state of the art of the current programs.
Documentary about the poet, writer and playwright Hilda Hilst, considered by critics as one of the most important voices of the Portuguese language of the twentieth century. Through the use of personal sound and image files, interviews, meetings and fictional interventions, we will seek the memory and the presence of Hilda Hilst in her daily life at Casa do Sol, the farm where she lived in Campinas.
In the year 2034, Professor Yang Junkang invented the T-chip. Human beings implanted with the T-chip, no longer develop diseases. After the medical chip conglomerate Universal Corporation monopolized the patented T-chip technology, the chip transplantation technology was extended to the general public, making human beings begin to rely on the T-chip. Ten years later, a mysterious mercenary group attacked the headquarters of the Universal Group and extremely cruelly killed most of the people in the headquarters except Yang Junkang's granddaughter Yang Xiaoqing, and implanted a never-before-seen chip virus into the central console. In an instant all the new humans who have been transplanted with T-chips are paralysed and their lives are in danger.
Elusive narration, read by the filmmaker's maternal grandmother, encounters dreams and wishes.
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
Edison short about a happy couple about to be married, but the guy's carelessness at their workplace leads to tragedy.
Working as a cleaning lady, studying at university and maintaining a relationship with her high school sweetheart, John, is all Eugenia does to achieve her goal of entering medical school despite her undocumented status. When her sister gets arrested for a routine traffic ticket, she turns to John for help, but she finds that John's response is surprisingly aloof. As she struggles to prevent her sister's deportation and tries to salvage her romance with her boyfriend, Eugenia realizes that her position in America is more tenuous than she ever imagined.
Dawn of the Capricorn, made by Ahmad Faroughi Kadjar (Qajar) in 1964, is a strange composition that looks at the stagnated situation of a country suspended between the old world and the modern era. Nevertheless, while its aim is clear, the message is vague and up to interpretation. Wherever it casts its eye, Faroughi’s camera tries to register this somehow cynical dichotomy. It begins in a theater house in the old city of Isfahan that has staged Shakespeare’s Othello. There is no attentive audience and the players are detached and exhausted. A young man from amongst the audience begins a long journey into the web of narrow alleys of Isfahan and ends up in the main mosque of the city where he meets a young girl. Despite the initial chaotic situations, from its halfway point, the film begins to render a silent observation of a night that will end at the break of dawn.