The Ripple Effect is a powerful documentary primarily centred around St Kilda legend and proud Noongar Nicky Winmar's generation-defining stand against racism at Victoria Park in 1993.
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Eleven college students from different backgrounds participate in a retreat to discuss their experiences of race and racial prejudice. The circle is facilitated by Lee Mun Wah.
THE SAINTS FROM 1897 TO 2003 St Kilda – the name alone brings to mind the very passion of the game. This is a club that has tasted just a brief touch of heaven and more than its fair share of hell. From the glory of that famous 1966 premiership through to years in turmoil, Heaven and Hell traces the story of one of the AFL’s great football clubs. On field heroes, off field battles. The great players like Baldock, Stewart, Ditterich, Smith, Barker, Lockett and Harvey playing against a backdrop of political tension. Originally released in 1997, this is an updated version produced for DVD. It now contains Harvey’s Brownlows, the 1997 finals campaign and the coaching crisis that saw Stan Alves, Tim Watson and Malcolm Blight leave the club.
At Western Australia’s first Indigenous-run police station, two officers learn language and culture to help them police one of the most remote beats in the world.
Ian Stahlhut's 1992 documentary of Judy Garland's 1964 Australian Tour.
A compelling portrait of an extraordinary figure, Aboriginal WWI soldier Douglas Grant, featuring acclaimed Indigenous actor Balang Tom E. Lewis (in his final performance). Grant (c.1885-1951) was extraordinarily famous in his day, an intellectual, a journalist, a soldier, a reader of Shakespeare and a bagpipe player who could put on a fine Scottish accent. His life story connects Archduke Franz Ferdinand, Adolf Hitler, and Henry Lawson among other famous figures as he moved from Australia to Europe, UK and back. Lewis’s thoughtful and often playful reflections on Grant’s life, along with guest appearances from Max Cullen and Archie Roach, connect to the larger story of Australia’s tragic colonial history and its troubled relationship with First Australians.
American Santa delves into the seldom-seen world of Black Santas in America, presenting a narrative that is as heartwarming as it is eye-opening. At the heart of this documentary is the exploration of the complex duality these Santas experience – the joy and magic they bring to families during the holiday season, contrasted sharply with the racism they face in their roles. Through a series of intimate interviews and candid moments, the film paints a vivid picture of these men who embody the spirit of Santa Claus, capturing their laughter and warmth, as well as their resilience in the face of prejudice.
China’s President Xi Jinping is a force to be reckoned with. As leader of the Communist colossus, he commands the world’s attention, but who is China’s strongman and what is his agenda?
The Queensland country town of Warwick was shocked when a flock of sheep was brutally massacred on a local property. They were even more shocked when they discovered the killings were, in fact, a sacrificial offering to Satan. For the first time, John Burdoe, the teenager who started this satanic cult, tells how he planned and executed the bloody ceremony. He also tells how he came close to stabbing one of his followers, a young man who later died in mysterious circumstances.
In 1945, at the age of seven, a young Joe Eggmolesse was diagnosed with Leprosy. He was immediately removed from his family and home and transported under police escort over a thousand kilometres to be confined on an island for the treatment of the disease. For the next ten years, a leprosarium for Aboriginal people became his home. A lush tropical idyll off the north east coast of Australia, Fantome Island was the home to a close knit community of indigenous 'lepers' who made the most of their existence as people living on the fringes of the marginalised. Now as a 73 year old Joe reflects on his indelible Fantome years. His incredible, poignant story offers a profound insight into one of Australia's hidden histories.
A resilient crop-farmer endeavours to preserve his land, legacy and way of life in the face of Australia’s ongoing ‘big dry’.
A new songline for 21st century Australia - a fresh look at the Cook legend from a First Nations' perspective - the songline tells of connection to country, resistance and survival and features the cheeky, acerbic and heartfelt showman - Steven Oliver and a host of outstanding, political Indigenous singer/songwriters.
In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.
Taking us through Bangarra Dance Theatre’s spectacular growth, we follow the story of how three young Aboriginal brothers — Stephen, David and Russell Page — turned the newly born dance group into a First Nations cultural powerhouse.
In the context of Australia's cold war a 'hidden history' of Melbourne's Realist film movement (1945-1959) is explored through the first person account of a filmmaker of another generation, speaking to the 'indy-media' movement of the present day.
A documentary focused on Melbourne's music scene around the year 2006. Features bands such as HTRK, The Stabs, Cosmic Psychos, Rod Cooper, and Love of Diagrams.
Anne Hamilton-Byrne was beautiful, charismatic and delusional. She was also incredibly dangerous. Convinced she was the reincarnation of Jesus Christ, Hamilton-Byrne headed an apocalyptic sect called The Family, which was prominent in Melbourne from the 1960s through to the 1990s. With her husband Bill, she acquired numerous children – some through adoption scams, some born to cult members – and raised them as her own. Isolated from the outside world, the children were dressed in matching outfits, had identical dyed blonde hair, and were allegedly beaten, starved and injected with LSD. Taught that Hamilton-Byrne was both their mother and the messiah, the children were eventually rescued during a police raid in 1987, but their trauma had only just begun.
In Brussels, Belgium, the Royal Museum of Central Africa is undertaking a radical renovation, both physical and ethical, to show with sincerity, crudeness and open-mindedness the reality of the atrocities perpetrated against the inhabitants of the Belgian colonies in Africa, still haunted and traumatized by the ghost of King Leopold II of Belgium, a racist and genocidal tyrant.
Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?