Tall Poppy: A Skater's Story(2021)

Jewel's Catch One(en)

With four strikes against her (black, female, poor and a lesbian), our trailblazer, Jewel Thais-Williams, helped changed laws, save lives and influence communities across Los Angeles, California as she opened her legendary nightclub's door for 42 years.

First Edition(en)

First Edition is a 1977 American short documentary film about the Baltimore Sun directed by Helen Whitney. It was nominated for an Academy Award for Best Documentary Short.

Forest of the Dancing Spirits(sv)

“In the beginning, women lived apart, unaware of the existence of men. Until one day, when the first woman, Toli, who was brave and adventurous traveled deep into the forest. Toli discovered solitary creatures with big muscles who knew how to climb trees and harvest wild honey. When Toli tasted their honey, she thought they should all live together….” That is how one of the creation stories of the Aka people from the tropical rainforest of the Congo Basin goes. Akaya, Kengole, Dibota and their friends and family are hunters-gatherers (and also great story-tellers) who guide us through their world. They explain their origins, myths, and the very spiritual meaning of life.

Margaret Mee and the Moonflower(pt)

Margaret Mee and the Moonflower is a documentary about the life and work of the botanical illustrator, Margaret Mee, a pioneer and a visionary, one of the most important artists of the twentieth century. Through her diaries, interviews and narratives, the film reveals a tireless advocate for the preservation of Brazilian flora, whose love of nature and whose art provide a constant reminder of the need to preserve our environment.

A Life Without Pain(en)

The film explores the daily lives of three children with Congenital insensitivity to pain, a rare genetic disorder shared by just a hundred people in the world. Three-year-old Gabby from Minnesota, 7-year-old Miriam from Norway and 10-year-old Jamilah from Germany have to be carefully guarded by their parents so they don't suffer serious, life-altering injuries.

Hats Off to Hollywood(en)

Picking up the story first presented in I Don’t Know (1970), Hats Off to Hollywood (1972) brazenly and brilliantly mixes documentary reality with fully staged recreations/reimaginings of episodes in the lives of Jennifer and Dana, a loving, bickering couple who challenge the notion of homonormativity. Drugs, poverty, disease, bigotry and prostitution all figure into this disarmingly candid and often hilarious film, a remarkable work that is the apotheosis of director Spheeris’ early work, and a luminous signpost leading directly to The Decline of Western Civilization (1979-1997). Preserved by the Academy Film Archive in 2012.

Our War(it)

Since 2013 more than 30,000 fighters from all over the world have joined the troops of the self-proclaimed Islamic State (Daesh) in Syria. Fighting against them as part of the YPO (Popular Protection Command) in Rojava—in the north of Syria and prevalently Kurdish—are some hundreds of Westerners. This is the story of three of them: a former American marine, an Italian anti capitalist activist, and a Swedish bodyguard.

One Day Pina Asked...(fr)

Chantal Akerman followed famous Choreographer Pina Bausch and her company of dancers, The Tanzteater Wuppertal, for five weeks while they were on tour in Germany, Italy and France. Her objective was to capture Pina Bausch's unparalleled art not only on stage by behind the scenes.

Then the Times, They Changed(fi)

Known as one of Finland’s most prominent rock institutions, Tavastia club celebrated half a century of being in the business, whilst withstanding the challenges of a global pandemic. In this rockumentary, director Antti Kuivalainen takes us through the history of Tavastia, as the club which brought rock ‘n’ roll to Finland.

Skyscraper(en)

Nominated for an Academy Award, this live-action short film playfully chronicles the construction of the Tishman Building at 666 Fifth Avenue in New York City.

Rafael Cancel Miranda: I'm Not Sorry for What I Did(es)

Explores the trajectory of the young nationalist from the time of his incarceration, at 23 years of age, as a result of the attack on the United States Congress.

Women Behind the Camera(en)

Reveals the courageous lives of pioneer camerawomen from Hollywood to Bollywood, from war zones to children’s laughter, in a way that has never been seen before. Based on a book by Alexis Krasilovsky, the film tells the stories of camerawomen surviving the odds in Afghanistan, Australia, Canada, China, France, Germany, India, Iran, Mexico, the U.S. and other countries, as well as exploring their individual visions.

Who We Were(da)

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

411VM: Issue 65(en)

411VM presents "Double Trouble"

On Paradise Road(en)

Filmed at Benning's home in Val Verde during the first month of the pandemic, the film is a portrait of that time.

Forecast(en)

Forecast Video 2005 Featuring Paul Rodriguez Also Starring: Nick McLouth, Mike-Mo Capaldi, Jason Wakuzawa, Mike Barker & Ronson Lambert

Masks(pt)

The film sought to portray a relatively unknown and isolated rural world and, through a highly politicized discourse, affirmed the genuineness of “folk culture.” Representative of the new documentary film movement that developed in Portugal after the revolution, the movie encouraged the local retrieval of the Caretos tradition. A ritual that seemed to be doomed by the conjoined impact of emigration, the colonial war and the crisis of agriculture was thus brought back to life. - Paulo Raposo

69 - Praça da Luz(pt)

Prostitutes of old age make their living in Praça da Luz, in São Paulo. Unusual and surprising accounts of five women who reveal in detail their experiences in all these years of profession.