An autobiographical, partly animated, documentary about a filmmaker striving for a better future as a survivor of childhood sexual assault.
Himself
Since all over the world the dead have risen, it seems like the end of the world. Billions of glassy gazing zombies roam about limply, decomposed as they are, and regain a little liveliness only to run after the last survivors who have the misfortune to come out of their lair. In Paris, three losers realize that ultimately all this does not change much in their lives. Deciding to take their destiny into their own hands, they open a pizza delivery and home video business. After a difficult start, their success grew as soon as they promoted themselves by stapling leaflets on the faces of the dead. But then one morning, they discover that it has just opened, right in front of their shop, a Captain Pizza HD franchise: the world's largest chain of delivery of pizzas and HD movies on USB key... Curse! Will our heroes triumph over this unfair competition?!
The language in which lullabies were sung to me kills. And I am with it. And the lullabies fall silent. An inner monologue between two languages and identities. Between the black and white of the pinscreen ‘L’Alpine’.
An absent-minded traveler arrives at a Spanish beach where chaos is about to break out. (Followed by Mad in Xpain, 2020.)
Animation that illustrates five of Augusto Monterroso's fables.
An outcast duckling's search for a family to accept him leads to constant rejection before learning his true identity as a swan.
Run Wrake's iconic meathead character - first established in 1994's "Jukebox" bobs his head to PIL through the streets of NYC.
Denys Colomb de Daunant (1922 - 2006) is a writer, poet, photographer and filmmaker known for being the author and co-writer of the film Crin-Blanc (1952) directed by Albert Lamorisse. Highly symbolic character of the Camargue, aristocrat and dandy, he was also a manager and hotelier. He would lead the immemorial life of an animal herder if he did not have another passion: images. The photographic apparatus and the camera are like sensitive antennas that he spreads over his world and which seek the truth beyond appearances. Since Crin Blanc his photographs have appeared in illustrated books on five continents. Among his many films, Corrida Interdite (in competition at the 1959 Cannes Film Festival) and Le Rêve des Chevaux Sauvages (Golden Bear at the Berlin Film Festival) are global short film successes. The animals, the images... a single passion: that of a free life in one of the rare countries where you can still live freely: the Camargue.
Directed and animated by Run Wrake, a one minute illustration of Paul Merton's words on Sudoku commissioned by the BBC for the Radio 4 website.
Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.
A gay man reminisces about his deceased lover, a victim of AIDS.
In 1946 ethnographic researcher Rouch had attempted to film a "Bangaoui," a hippopotamus hunt along the river Niger, but the results were unsatisfactory.Five years later, he returns and makes the extra effort to get it right this time.
There is no place like home, there is no place like hell. The first in Rosto AD's Thee Wreckers Tetralogy.
An entertaining look at Clint Eastwood's storied career as a Western icon and filmmaker, featuring interviews with Clint Eastwood, Morgan Freeman, Kevin Costner, Frank Darabont, John Lee Hancock and many more.
Amateur taxidermist, Walter Potter, became an unlikely success by putting his creatures in human positions and scenarios, referred to as anthropomorphic taxidermy. Potter's Museum, filled with his creations and collection of oddities and curiosities dazzled millions for over a hundred years until the collection's unfortunate separation in 2003. While largely about the man and his creations, the film also takes a look at the obsessive nature of collecting, as well as the controversial history of stuffing dead animals.
Fourth short film in Stefan Nadelman's look at the time his father spent at The Terminal Bar in NYC. This time Nadelman shows the pictures he took of the garbage can directly outside which serves as yet another portal into the streets at that time.
Man Ray shoots from a window on 31 bis rue Campagne-Première, in the heart of Montparnasse, where he rented a ground-floor studio.