Shapes and Gestures(1977)

Bambi Meets Godzilla(en)

Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.

FOREIGN AFFAIRS(en)

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

Celery Stalks at Midnight(en)

Early 'visual music' film by John Whitney. Preserved by the Academy Film Archive in 1999.

La dissolution du paysage(xx)

Dam$els of Luxury(en)

Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.

No. 11: Mirror Animations(en)

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

Study No. 4(de)

Experimental short film by Oskar Fischinger

The Story of Hansel and Gretel(en)

Stop-motion puppetry version of the classic fairy tale. Preserved by the Academy Film Archive in 2004.

sfumato(en)

Derived from an installation, an asymmetrical orchestration of "motion paintings" pushing the limits of abstraction in the digital age.

Nursery Rhyme Review(en)

A compilation of four Mother Goose stories "photographed in three-dimensional animation" and unified by a prologue and an epilogue with Mother Goose herself magically setting up a projector to show the films. The familiar nursery rhymes are "Little Miss Muffet," "Old Mother Hubbard," "The Queen of Hearts," and "Humpty Dumpty." Preserved by the Academy Film Archive in 2004.

Five Film Exercises: Film 1(xx)

Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film. Preserved by the Academy Film Archive in 2004.

The Story of King Midas(en)

A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.

A Christmas Gift(en)

On Christmas Eve, a lonely young boy, shut out from the shiny world of presents and holiday parties, peers into a candlelit window, where a gray-haired lady sits sadly at a bare table. Taking the last bit of bread and cheese from his pocket and adding wine, they share this meager Christmas dinner together. Preserved by the Academy Film Archive in 2012.

Study No. 6(xx)

The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr. Preserved by the Academy Film Archive in 2001.

Phases(en)

A walking figure emerges from a changing, circular cycle; his inner self emerges and precipitats a series of violent struggles with himself, adapting various animal forms along the way. Preserved by the Academy Film Archive.

Seepage(en)

"Marlborough" and "The Arab", lounging on the pool terrace, are alienated characters in some future time, living in a world where art work comes to life, phones continuously ring, televisions hum all night, and smog seeps into their brains. Preserved by the Academy Film Archive.

Study No. 8(de)

An experimental short from Oskar Fischinger

Vestige(en)

A room-scale VR creative documentary that uses multi-narrative and volumetric live capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love, Erik. Within an empty void, fragments of past memories appear of their life together.

Tube Tales(en)

An animated parody of television commercials and the television audience. Preserved by the Academy Film Archive.

A Doonesbury Special(en)

Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.