The Story of an Encounter is a documentary that captures the unexpected encounter between México and Cirque du Soleil creators in the mist of the creation of LUZIA, Cirque du Soleil next big top show. It is a cultural and intimate story of the meeting of creative minds seen through personal interactions and relationship building of the show creators. Filmed in Mexico City, Tijuana, Oaxaca and Montréal, this series features: Daniele Finzi Pasca (Co-author and Director of LUZIA), Patricia Ruel (Direction of Creation), Simon Carpentier (Composer), Eugenio Caballero (Set and Props Designer) as well as Majo Cornejo and Rodrigo de la Mora (Musicians).
Self
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Who’s up for a sensual, seductive trip with some of the hottest Latin men that have ever graced the Silver Screen? ‘Mexican Men’ collects five of the most accomplished gay shorts from one of the homes of groundbreaking queer cinema. From short encounters, emerging love stories and deeply touching connections, these short films are sure to stir the heart... and body. Includes: Atmosphere [Atmósfera] (2010); To Live [Vivir] (2003); Tremulous [Trémulo] (2015); Wandering Clouds [Nubes flotantes] (2014); Young Man on the Bar Masturbating with Rage and Nerve [Muchacho en la barra se masturba con rabia y osadía] (2015).
Grazing the Sky is a compelling look at the lives of trapeze artists and other circus performers. The film was shot for over two years covering 11 countries, including the Americas, Europe and the Near East. It follows the nomadic lives of circus performers. The audience follows 10 protagonists as they try to reach perfection and meet their lofty goals. The documentary sheds light on the contemporary circus world, and focuses on performers who devote themselves to the greatest show on earth.
1950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.
Research and dissemination documentary-film about contemporary art in which more than 30 staff members of museums and galleries, visual and sound artists, collectors, art critics and curators share their knowledge and give an account of their experiences and anecdotes.
Sentinels of Silence is a 1971 short documentary film on ancient Mexican civilizations. The film was directed and written by Mexican filmmaker Robert Amram, and is notable for being the first and only short film to win two Academy Awards.
A guy named Peter learns several facts about plastic's impact on the environment.
The neon sign ‘Circus’ illuminates the wide street of Naples’ suburbs: four circus families were abandoned by the institutions, and now they’re awaiting the pandemic will disappear, like a magic show. The circus has stopped, but their lives go on.
"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."
In this documentary film a team of researchers examine the social contexts that influenced the emergence and permanence of heavy metal music in Chile, Argentina, Mexico and Peru. Colonialism, dictatorships, terrorism and neoliberal exploitation serve as points of reference for how heavy metal in the region has been directly linked to each country's social and political context.
Footage from the premiere of Charlie Chaplin's 1928 film 'The Circus'.
This documentary is about the Italian small family circus, based on the old street theatre of the Commedia dell'Arte. Since World War II, they have diminished in number and today hardly exist anymore. They simply can't compete with modern times entertainment, symbolized by television. The film portrays and follows the Colombaioni family, six brothers and two sisters, their children and grand children. Most of them work in their own small circus(father, mother, children). Two of the brothers, Carlo and Alberto left the circus and now have a theatre show, based on their improvisation skills that they learned in the circus. The family is known by their collaboration with Frederico Fellini and Dario Fo. They appeared in many a Fellini movie -o.a. La Strada, Le Notti di Cabiria and I Clown.
A young girl has already seen everything there is to see and her world has lost all meaning. Her anger shatters her world and she finds herself in the universe of QUIDAM, where she is joined by a playful companion, as well as another mysterious character who attempts to seduce her with the marvelous, the unsettling and the terrifying.
Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.
From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.
Corteo, which means "cortege" in Italian, is a joyous procession, a festive parade imagined by a clown. The show brings together the passion of the actor with the grace and power of the acrobat to plunge the audience into a theatrical world of fun, comedy and spontaneity situated in a mysterious space between heaven and earth.
Icarus is the main character of Varekai, who falls to the ground, breaking his legs as he does. He is suddenly in a strange, new world full of creatures he has never seen before. Parachuted into the shadows of a magical forest, a kaleidoscopic world populated by fantastical creatures, this young man sets off on an adventure both absurd and extraordinary.