Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.
This story told in analog -super 8- tells how one girl meets another at the bus stop. It all begins simply with an exchange of glances that develops a romantic situation that is too idyllic. How does a person go from being a stranger to being the center of your attention?
This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
Years before she saw a man being swallowed by a wave, inside a swimming pool. With this event, time ceased to be linear, and in a split second her family disappeared, leaving only behind the traces of their presence. Through the window´s reflex she realises her face has changed - the face is longer and the hair; she has memories inside her head, that she doesn´t recognize. In another time, she returns to that place to try to confirm her memory.
Experiencing extreme sleep deprivation for months, a young man tape-records his memories for preservation against sinister, clandestine watchers.
Ex-Boy Scout Frankie Dobbs checks into an AirBnB to find a mystery behind its doors-- an anonymous stalker following the property's host, Rowan Emery. But, is this stalker situation as easy to crack as it seems?
An advertisement for Tad Nightingale's "Family Annihilator Shotgun", which aired on WNN during the winter of 1997.
During a walk through the forest, a woman reflects on life and memories.
A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.
A compilation of non-narrative, mischievous, fictional tableaux vivants featuring two young women on a dreamlike, summer-like quest for self-discovery, written in the glittery language of music videos, fashion shoots, and meandering streams of consciousness, set to a nostalgic mood track that evokes universal, bittersweet sentiments.
Elijah Stammler recounts the night of his twentieth birthday.
A snappy animated diversion turns simple graphic symbols into colorful arrows of resistance. In the field of the rudimentary predecessor of the Internet, the author uses the tried and tested tactic of détournement in order to overcome the limitations of narrowly defined frameworks and transform the screen into a space of new meanings and the scene of a battle against the banalization of the mind. A battle that may have already been lost, but that does not mean that we can afford to lose the sharpness of the senses and the sharp sense of humor that the author demonstrates by repurposing outdated media technology in order to lucidly mock her and our reconciliation with the given state of affairs.
Alan Baker, troubled by his recent divorce, creates a machine to help him deal with his lack of sleep.
A short educational documentary on early electronic composition and synthesizers.
A young filmmaker explores how being stuck indoors doesn't have to be the death sentence that we sometimes make it out to be.
The myth of a goddess who rebels against traditional romance and falls in love with herself.