Nearly everybody has been to the circus to laugh about clowns, be afraid of the lions and to eat sugar cane. However, can anyone imagine that circus artists reside right there in the circus building - above the arena in the second floor hotel rooms - where they also prepare meals, do their laundry and try out their magic tricks? For over 125 years, despite the discomfort of non-renovated premises and ubiquitous animal odor, local and foreign circus artists follow their routine to create the circus miracle. Sugarcane, Coati and Monowheel is a film about those who dwell in Riga Circus and about what happens outside the arena before and after meeting audience under the circus dome.
The Pickle Family Circus was founded by Lorenzo Pisoni's parents in 1974. The film documents the spirit, the lunacy, the daring, the danger and the dynamics of growing up in a circus family.
This film probes the activities of the bezvests.lv NGO that looks for missing persons and instructs others on how to find them. Since they started in 2009, they’ve helped find more than 90 people who had gone missing. It follows volunteers during training and on a search mission – theirs is a nerve-wracking task as in many cases they only locate the expired body of the missing person.
The film follows a thirty-year-old man’s efforts to introduce radical changes in his own life: to start visiting a therapist and preparing for the demolition of his bragging childhood home. Story chronicles the troubled relationship between Mārtiņš and his mother, just as he is about to tear down his childhood home.
The documentary explores issues of beauty and acceptance in a culture increasingly saturated with idealised and unattainable ideals of femininity. It is a story about the world of young girls in today's Latvia, based on conversations about girls' attitudes towards the world and their place in it.
Amidst the approaching colorful circus performance, we looked underneath the big top to meet circus performers about their lives. The performers interviewed all worked for the established Cirque Italia's Water and Paranormal shows. Our main stars: Roxanne Midi, Margarita Denysova, and Alexander Acero took the audience away with their amazing stories about working in an athletic/entertainment career.
The three speakers represent two of the dialects, with the most common one - the middle dialect spoken in Riga and central parts of Latvia - not featured in the film. In intimate surroundings, a farmer, a schoolteacher, and a herder of ostriches talk about perceived differences between Latvian speakers, and about language policy and their lives.
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
Aunt Neirud was always present at family gatherings. Neirud was big, strong, and worked in the circus. Who was this woman so close to the family and about whom we know so little?
The Moșilor Fair is an exercise by a student director who used his film before he had managed to finalize the originally planned movie. The result is a fascinating experimental montage, without music or sound of any kind, showing details of a legendary fair in the capital.
Six theater and hip hop teachers take on a five month challenge to show the Latvian public that young men behind bars are more than just that. While seeming impatient, full of disbelief and even rude at first, it turns out to be a superficial impression given off by their masks that must be kept on at all time as an underage colony is a difficult place to be. It has its own rules and it’s not easy being creative there. Teachers help inmates reveal the talents within them that help transcending the monotony of the prison walls.
This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.
A documentary that chronicles twin brothers searching for their absent father in faraway Russia. Having very few leads, the twin brothers – different in character and interests – are also looking for the ties that have never bound them as closely as they would have liked.
'Vadātājs' is an ancient Latvian mythological creature that leads people to Nowhere. As Latvia has been declared the most superstitious country in the EU, it is important to understand – what do we believe in? Three young filmmakers – a director, cinematographer and sound girl – question if Latvia is a lost country and if a Vadātājs has achieved enormous power by leading Latvian society into confusion. A search for a contemporary Vadātājs*, and the understanding of the origins of confusion within people in the 21st century.
After receiving an edict from the municipal authorities about the closing of their school, the students at Mežvidi primary school continue to attend lessons and exercise creativity and fun, but it’s all clouded in a sense of fatality. They aren’t many students, and because of that the school resembles a large family rather than an institution. Near the Russian border, deep in the Latgale region, this place will become a nowhere-land once the youth depart. In an intimate message about a national problem, the story focuses on three sisters for whom life is about to drastically change. Through their daily lives and small adventures we try to understand the real meaning of the contention that “the countryside is dying”. And we see hope.
An ordinary old folks’ home on the Latvian border – one of many, where our parents, grand-parents and other relatives spend their old age. Theirs is the generation whose prime years co-existed with the Soviet Union, and who were promised: work, give all you can, and we’ll take care when you’re old. The system changed and the reality is different. How to live in this reality, accept the current rules, or live in the past and have regrets. We will touch upon their world, and the dreams and hopes of Vilnis, Imants, Alberts and Elizabete.
Viktors is an entrepreneur with a unique offer – he has built a bar, bakery, spa, hotel and an auto-shop in a former “sovkhoz” cafeteria in the village of Lone. Viktors understands life, and that his words carry weight – almost 500 village inhabitants are now employed. Lone is a lively place both day and night, full of youths and many other businesses. Viktors is very proud.
Drawing upon a vast and richly visual archive and featuring a host of performers, historians and aficionados, this four-hour mini-series follows the rise and fall of the gigantic, traveling tented railroad circus and brings to life an era when Circus Day would shut down a town and its stars were among the most famous people in the country.
Māris Strazds (also known as "Mr Black Stork") is a man who's been studying black storks and their behaviour for forty years. His love for and relationship with these beautiful birds is longer than the relationship with his wife. Having spent more than half of his life following black storks, Māris is aware that due to deforestation the number of these birds in Latvia is rapidly approaching zero.