Self
Self
Self
Self
Self
Self
Self
Self
2013-02-02
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County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Jim Bridwell was one of the best climbers in the world in the 70s, 80s. The documentary chronicles Bridwell's career from those early days to his final ascents in 2001. The film traces Jim Bridwell's journey through numerous interviews with other legendary free climbing personalities such as Leo Houlding and Ron Kauk. See him climb some of Yosemite's historic routes with today's young climbers paying homage to this true legend of free climbing. In an unpublished document from 1981, he is seen in one of his famous Zodiac ascents in El Capitan with and Fred East.
A feature that not only celebrates the 1986 classic "Flight of the Navigator", but also looks at the life of its child star, Joey Cramer, and his roller-coaster life since that breakthrough role.
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
"Both Ends Burning" is a film that captures MxPx at a crossroads in their seasoned career. Directed by Bryan Buchelt, this documentary not only follows the band's struggles in the face of the new touring climate, it also looks at the legacy and impact that Mike, Tom, and Yuri have had on the music industry, fellow bands, and their fans. This is one of the first true looks into the life of the notoriously private working class band on the road and at home.
The Art of Noise Live represented by the band: Anne Dudley - keyboards • J.J. Jeczalik - Fairlight Dave Bronze - bass • Simon Morton - percussion • Paul Robinson - drums
By the end of the seventies, disco music, considered too mainstream, was dead. But DJs and dance floors still needed new records and faster rhythms. Built on synthesizer sounds, the hi-nrg (high energy) style swept the gay clubs before hitting the charts during the eighties.
Spain, 1997. The story of twelve days in July during which Basque society left indifference and fear behind and faced the threat of the terrorist group ETA.
A documentary about the life and career of UK singer-songwriter and Adverts frontman, TV Smith.
Punk bands in Korea get invited to biggest hardcore punk festival in Tokyo. This movie shows how one of the loudest and most active punk bands in Asia live and deliver message very closely and pleasantly.
Almost a decade since larger-than-life glam-rock enigma Brian Slade disappeared from public eye, an investigative journalist is on assignment to uncover the truth behind his former idol.
An archival biography film about the early career of Deborah Harry told entirely through press interviews where she endures superficial, tedious, and demeaning questions from journalists.
On August 8, 1988, the world’s first and largest Satanic rally took place. Ripped from a video featuring Satanist talking about creating a New World Order and killing off the masses. The 8-8-88 ritual was conducted right at the heart of the Satanic Panic. The goal, further exploit and feed upon the energies produced by the fears of the ignorant general public and media. It was shown to a sold-out crowd of degenerates promising them, “A Bitter Message of Hopeless Grief,” “A Nightmare of TERROR!” and “An Evening of Apocalyptic Delight!”
On tour promoting their 2002 studio album ‘A Rush of Blood to the Head’, English pop rock band Coldplay performs a live show at the Hordern Pavilion in Sydney, Australia in July 2003.
At 14, best friends Robb Reiner and Lips made a pact to rock together forever. Their band, Anvil, hailed as the "demi-gods of Canadian metal" influenced a musical generation that includes Metallica, Slayer, and Anthrax. Following a calamitous European tour, Lips and Robb, now in their fifties, set off to record their 13th album in one last attempt to fulfill their boyhood dreams.
Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.
Follow Bruce Springsteen during the making of his 18th studio album, 'High Hopes,' in this special. Rare behind-the-scenes footage and rehearsal segments are interspersed with exclusive E Street Band tour footage and revealing interviews with Springsteen and album collaborator Tom Morello, guitarist for Rage Against the Machine and Audioslave.
In January 1985, Midnight Oil performed Oils on the Water, a concert on Goat Island in Port Jackson to celebrate Triple J's tenth birthday, before a select audience of fans who had won tickets in a radio competition. The concert was filmed, simulcast on ABC-TV and Triple J, and released on video, which was remastered for their 2004 Best of Both Worlds DVD. Oils on the Water: A classic Midnight Oil performance was recorded on Goat Island in Sydney Harbour on 13 January 1985. Never before or since has the band performed in such a setting; every time Peter Garrett turned up stage he was caught in the light of the setting sun, reflected by the city and the Sydney Harbour Bridge.
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.