Extreme Life & Death: The Blair Witches of Shockumentaries, Part Three(2000)
A compilation of various accidents, mayhem, death, gore, and human feats caught on tape.
Movie: Extreme Life & Death: The Blair Witches of Shockumentaries, Part Three
Extreme Life & Death: The Blair Witches of Shockumentaries, Part Three
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A compilation of various accidents, mayhem, death, gore, and human feats caught on tape.
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2000-08-19
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Extreme Life & Death: The Blair Witches of Shockumentaries, Part One(en)
A compilation of various accidents, disasters, executions, and other acts of mayhem and human feats caught on film.
Extreme Life & Death: The Blair Witches of Shockumentaries, Part Two(en)
A compilation of accidents, disasters, death, mayhem, and human feats caught on tape.

The Perfect Circle(it)
Earth to earth, water to water. The body weight of a newborn child is up to 85 percent water, but in adulthood, the ratio can be cut into half. In a way, people dry up as they grow older. In Claudia Tosi’s documentary, people drink water, watch the rain and wait for their death. The Perfect Circle depicts a man and a woman, Ivano and Meris, who spend their final days at a hospice in the hills of Reggio Emilia, Northern Italy. Their illnesses are in the terminal stage and they know that death is only a matter of time. But the ever-nearing end may fleetingly be forgotten, like when they close their eyes and get lost in the music – until the bodies being carried out next door once again remind them of the inevitable. Death also becomes a part of life for the patients’ loved ones, who want to spend the last available moments with the soon to be departed.
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Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.