ZONA/(2020)

In Your Language(ml)

A group of students aged between 18 to 25 shares their opinion on the first thing they want to change in their country if they get the power to do so.

Negritudes Brasileiras(pt)

The visual documentary "Negritudes Brasileiras" was a way found by Nataly Neri to continue the Brazilian racial debate, locating it in the present time with the rise of new concepts such as representativeness and the increasing popularisation of the internet. The documentary was sponsored by the Youtube project Creators For Change, which provides a framework for creators to produce content engaged in the platform to combat hate speech, racism, xenophobia, etc.

Dare to Dream: Anarchism in England in History and in Action(en)

Dare to Dream was directed by Marianne Jenkins, a film student from Goldsmiths' College, University of London, in 1990. It looks at the history of anarchism in the UK and beyond, as well as the state of the movement in the tumultuous year the poll tax uprising finally led to the resignation of Thatcher. Among the anarchist heavyweights interviewed are Albert Meltzer, Vernon Richards, Vi Subversa, Philip Sansom, Clifford Harper and Nicholas Walter, as well as a host of lesser known but equally committed dissidents. The film also features the miners strike and class struggle, squatting and social centres such as Bradford's 1in12 club, animal rights and feminism.

Solid Ground(fr)

The unique journey of three reserved and endearing teens as they test their limits, discover the meaning of strong connections and live and learn in synch with the natural rhythms of the land and its animals.

Pôle Emploi, Ne quittez pas !(fr)

This is the story of a team of 40 agents facing 4,000 job seekers at a job centre in the Parisian suburbs. Samia, Corinne, Thierry, Zuleika must support and monitor, bring in the numbers, obey policy guidelines and communication injunctions, and find job offers while none is to be found. Will their strong sense of humor save them from the Kafkaian world they work in?

Numéro zéro(fr)

A family portrait in which the director profiles his grandmother, Odette Robert. Eustache includes in the film the conditions of its production — he is seated at the table with her, pours her some whiskey, speaks with the camera operator, manipulates the clapboard at the head and tail of the reels, and even takes a phone call. Robert, who was seventy-one, speaks rapidly and tells the story of her life, starting from her early childhood in villages in the Bordeaux region of France. A shorter version of the film ("Odette Robert") was edited in 1980 to be broadcast on television on TF1. The complete film only gained exposure in 2002, when it was salvaged by Boris Eustache, Thierry Lounas, João Bénard da Costa, Jean-Marie Straub, and Pedro Costa.

A Place of Our Own(it)

Legacy(fr)

Ten years after the film Home (2009), Yann Arthus-Bertrand looks back, with Legacy, on his life and fifty years of commitment. It's his most personal film. The photographer and director tells the story of nature and man. He also reveals a suffering planet and the ecological damage caused by man. He finally invites us to reconcile with nature and proposes several solutions

Synonymous With(en)

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

Wedding Night(he)

A journey into the wedding night, where an ultra-Orthodox Jewish couple gets to know each other for the first time.

Retirement Home(pt)

A group of elders spends their weekdays in a retirement home in Sandim, in the north of Portugal, where they talk, do arts and crafts, practice yoga and pray. We follow them between October 2012 and March 2013, when an economic crisis overshadowed Portuguese society and unemployment rates reached record levels. Meanwhile, arrangements are made for the Carnival ball. Will they bring the first place home this time?

Wasteland(en)

A musical charting the birth and decline of friendships following the immediate end of high school.

Después de… Primera parte: no se os puede dejar solos(es)

A history of the Spanish Transition told in first person by the main protagonists: on the one hand, the politicians, idealistic or merely opportunistic, who brought it to a successful conclusion in the tribunes and offices; on the other hand, the citizens who, in the streets, supported it sincerely or fought it with ferocity.

Después de… Segunda parte: atado y bien atado(es)

A history of the Spanish Transition told in first person by the main protagonists: on the one hand, the politicians, idealistic or merely opportunistic, who brought it to a successful conclusion in the tribunes and offices; on the other hand, the citizens who, in the streets, supported it sincerely or fought it with ferocity.

Les Champs de la colère(fr)

Consommateurs, vous avez le pouvoir !(fr)

Silent Veil(en)

In Pakistan, veils hide one of the country's most terrible secrets. Driven by revenge, jealousy or sexual non-co-operation some men subject their wives to horrific attacks with acid that is freely available in the street. Completely disfigured, the victims are often ostracized by their families and become prisoners in their own home. This chilling documentary is a terrifying insight into the shattered lives of these women.

Nous paysans(fr)

In barely a century, French peasants have seen their world profoundly turned upside down. While they once made up the vast majority of the country, today they are only a tiny minority and are faced with an immense challenge: to continue to feed France. From the figure of the simple tenant farmer described by Emile Guillaumin at the beginning of the 20th century to the heavy toll paid by peasants during the Great War, from the beginnings of mechanization in the inter-war period to the ambivalent figure of the peasant under the Occupation, From the unbridled race to industrialization in post-war France to the realization that it is now necessary to rethink the agricultural model and invent the agriculture of tomorrow, the film looks back at the long march of French peasants.

BLIND_CITY(pt)

Images complement what is always lacking in words. The poems complement what is always present in the city. Freely inspired by the poetry Cidade City Cité, by Augusto de Campos.

We still kick each other under the table(en)

What it is like to have a younger sibling