Through the diary entries of the film's main protagonist K., we learn about her return from post-revolutionary Russia to her home in Greater Syria, in which, after the collapse of the Ottoman Empire, individual communities are trying to find a way to autonomy. Thanks to the juxtaposition with the Russian past, presented through shots from Soviet film classics such as Esfir Shub's Spain or Kinoglaz by Dziga Vertov, and the Syrian present, portrayed through various mobile phone footage, the director draws parallels between two incompatible realities and creates a multimedia essay on neo-colonialism and independence.
The events in Naples of a few ‘figli della Madonna’ (Madonna’s sons), young people born between 1945 and 1946 from the relationship between the local women and Afro-American soldiers.
As a child, Lenore was tormented by nightmares and obsessed with the dark poems and stories of Edgar Allan Poe. As the lead singer in a Los Angeles band, the adult Lenore (Jillian Swanson) finds herself, friends and colleagues haunted by a murderer from beyond the grave. Only in her dreams -- in which she's visited by Poe's ghost -- will Lenore find the key to defeat her supernatural stalker and finally escape the spirits battling for her soul.
Investigating judge at the 3rd Criminal Chamber of Marseille, Françoise Larchey is the wife of Jean-Pierre Larchey, a famous architect of the Coast. The couple has a son, Valentin, seventeen years old... The death of Edith Mesniel, a local political figure, puts the town in turmoil. But when Emilie, Edith's only daughter and Valentin's girlfriend, confides to Françoise that her mother's death was not accidental, Madame le Juge decides to look into the case. By attacking this case, Françoise disturbs many people. She receives death threats, her son and Emilie are also threatened but she refuses to give up. And she discovers little by little that the mafia infiltrated in all the country.
In today's urban Indian lifestyle where more relationships seem idealistic and flawless, an archaeologist encounters his look alike and the disturbing past of the look alike's aging mother in rural Maharashtra. But was his father responsible for the plight of this old woman. The film is an emotional story of a romance failed by a cruel twist of fate, a confrontation of shattered family values and rebuilding of human bonds.
After a Robbery at a jewelry story, a group of robbers takes refuge with a host in a shabby apartment building in the suburbs. But they don't know that in the basement hides an obscure alien creature with telepathic powers.
A look at the fashion icon that was Karl Lagerfeld, one of the most flamboyant and recognisable figures in fashion - and one of the most mysterious. His influence was immeasurable, from the Chanel catwalk to the high street - but how many people ever really knew the real Karl Lagerfeld? Weaving investigations in the present with Lagerfeld’s biography – illustrated by illuminating and much unseen archive footage – this film shows his profound and lasting effect on those around him, including his beloved cat Choupette.
A couple having marital problems goes on holiday around Corsica. At their vacation home they're haunted by disturbing ghostly visions of a young girl.
In northeast Italy is the Tagliamento River, tucked away almost like a secret spot on the border between Veneto and Friuli-Venezia Giulia. This documentary is a poem to that river and the people of the region, spirited, storied, and naturally beautiful.
Five outcasts, lead by a rebellious transgender male, escape a private treatment program, go on a life-changing road-trip, and discover they have a lot more in common than they ever imagined.
The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.