Sambal Belacan in San Francisco(1997)

Europe by Bidon(fr)

Biodun is Nigerian. In this animated documentary, he tells the story of his journey on foot from Lagos to Paris, how he survives with a container (un bidon) and thanks to his courage. With his amazing patter, he transforms the events into extraordinary adventures.

Santuario(en)

In Greensboro, NC, a small church community offers sanctuary to Juana Ortega, a Guatemalan grandmother threatened with deportation after 25 years of living and working in the United States.

Terra Firma(ar)

In a small commercial harbour in the south of France, two Moroccan sailors are watching over ferries that were abandoned by ship-owners. Young Syrians make a stopover to load their cattle, African traders prepare a convoy of second-hand vehicles. Men, machines, and animals transit through this space open onto the sea.

New Home in the West(en)

This short film traces the journey of the first Ukrainian settlers in Canada. Seeking freedom and opportunity, they came here and became instrumental in helping to open the Canadian West. Though they had little in the way of money or machinery, they had courage and faith in the future and were willing to put in the hard work. Every member of the family helped in the struggle, and in time, their efforts paid off.

I speak français(fr)

Five Years North(en)

Five Years North is the coming-of-age story of Luis, an undocumented Guatemalan boy who just arrived alone in New York City. He struggles to work, study, and evade Judy - the Cuban-American ICE officer patrolling his neighborhood.

The Dialogue(en)

The journey of eight diverse youth in China confronting cultural differences. Crossing Borders - Widening Horizons - Building Bridges between Cultures

Balakrishna(en)

When an extraordinary new resident – Balakrishna, an Indian elephant – arrived in the town of East River, Nova Scotia, in 1967, no one was more in awe of the creature than young Winton Cook, who became inseparable from his mammoth new friend. Using painterly animation, photographs and home-movie treasures, Balakrishna transmits the wistfulness of childhood memories, while evoking themes of friendship and loss, and issues of immigration and elephant conservation.

Kindergarten(en)

A childhood story is narrated while home movie footage is displayed. The narrator recounts her assimilation experience: moving to America, learning English, giving up your culture and a part of yourself.

Colossus(en)

Told through the eyes of 15-year-old Jamil Sunsin, Colossus is a modern-day immigrant tale of one family's desperate struggle after deportation leads to family separation, and the elusive search for the American dream.

Ilse(en)

When Ilse Cruz was a toddler, she and her mom immigrated from Mexico to Chicago in search of better opportunities. Now a passionate dancer and ambitious high school student, Ilse hopes to go to college and one day visit the family she left behind. However, her undocumented status pushes these dreams further out of reach. Halfway through her senior year, Ilse learns her DACA permit qualifies her for a special document that allows her to return to Mexico. Through a life-changing trip, Ilse reconnects with her family and Mexican roots – and her legal re-entry to the U.S. fast-tracks her application process for permanent residency. Six months after she graduates from high school, Ilse obtains her green card – mere weeks before Donald Trump takes office. While Ilse’s mother rejoices in these unexpected events for her daughter, her own fate grows ever more uncertain.

Ricochet(en)

When a young woman is shot by an undocumented immigrant on Pier 14 in San Francisco, the incident ignites a political and media furor that culminates in Donald Trump’s election as President of the United States. In the eye of this storm, two public defenders fight to reveal the truth.

Look Away(fr)

Europe, the rule of law and host countries? Look elsewhere denounces what is happening in many European cities by taking the example of Calais. From the expulsion from the "jungle" in October 2016 to the situation there a year later, Arthur shared moments of life with men and women of Sudanese, Afghan, Ethiopian, Eritrean and local descent of Calais. By highlighting the gap between the field and the official speeches, this film shows us the strategy put in place to dissuade the exiles from staying. With original filming methods and his civic gaze, the director has managed to film the state harassment, the media staging, but also the strength and humor of the exiles.

Mosques - Behind the Veil(da)

With the help of hidden camera, Danish TV 2 documents how a known Danish imam teaches Muslim women about Islam's violent rules of adultery.

Aan ons den arbeid(en)

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Visions of Europe(en)

Twenty-five films from twenty-five European countries by twenty-five European directors.

Povo da Floresta(pt)

100 Per Cent White(en)

A decade after taking a series of photographs of skinhead members of a far-right group for his book Public Enemies, Leo Regan returns to three members of the gang to see what has happened to them in the intervening years.

Becoming American(en)

Hang Sou and his family, preliterate tribal farmers, await resettlement in a refugee camp in Thailand after fleeing their war-consumed native Laos. "Becoming American" records their odyssey as they travel to and resettle in the United States. As they face nine months of intense culture shock, prejudice, and gradual adaptation to their new home in Seattle, the family provides a rare insight into refugee resettlement and cultural diversity issues.

An Untitled Film by George Alshevskij-Jones(en)

“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.