After a long day on set, a sound recordist starts to hear more than just toxic conversation, leading her on a descent into horror. Room by room she searches for the source of an ominous sound she can’t escape from.
The Sound Recordist
It's Valentine's night. Erectile dysfunction spirals Oscar into a claustrophobic nocturnal odyssey through the depths of South London.
A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.
Crump directed the feature-length documentary film Black White + Gray: A Portrait of Sam Wagstaff + Robert Mapplethorpe, which premiered in North America at the 2007 Tribeca Film Festival and in Europe at Art Basel. It explores the influence curator Sam Wagstaff, photographer Robert Mapplethorpe and musician/poet Patti Smith had on the 1970s art scene in New York City.
"Religious Fighter" - In Romania, the idealistic Istanbul teacher, Aliye, communicate activities to a town in Anatolia supporting the idea of National Struggle in the region.
Year 2006: Bebek, Alen, and Tifa come together to pay tribute to their old band, one and only - Bijelo Dugme (White Button). They performed in Toronto, Atlanta, Chicago, and New York City, in front of thousands.
A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.
After years of killing for a man only known as "The Boss", Serena is burnt out. When she is hired for one final job, she teams up with an underground renegade group to stop her replacement from executing the assassination.
FROM ACCLAIMED INDIE SHORT FILMMAKERS, THE VARAVA BROTHERS, COMES THE WHIMSICAL AND HISTORICALLY ACCURATE TALE OF ONE TUMBLEWEED THAT DID NOT TUMBLE.
A chance meeting between an Assistant Scientist, Shekar, and an established stage dancer and singer, Anjana, results in love. While Shekar has a mother who lives separately, Anjana has been orphaned at an early age. Shekar's mom approves of Anjana, and both get married. Anjana stops her involvement in dancig and singing, and both spent the next several months on relative harmony. Then Anjana finds that Shekar is spending more and more time in the laboratory than with her, and she decides to take up dancing and singing, which does not auger well with Shekar. Arguments ensue, and both decide to live separately. When Shekar's mom comes to visit Shekar, both he and Anjana compromise to live together to fool his mother. Will they succeed in pulling wool over her eyes?
Winner of the Golden Rooster for Best Film in 1992
Daniel’s glory days as a singer are over and he has sunk into anomymity. He spends his days shut up in his apartement. Stuck there, he has become bitter and confused. Will he ever taste success again ? His obsesion borders on madness.
An Astronaut responding to a distress beacon in deep space slips into a wormhole and finds himself in the afterlife.
Carriage Trade was an evolving work-in-progress, and this 61-minute version is the definitive form in which Sonbert realized it, preserved intact from the camera original. With Carriage Trade, Sonbert began to challenge the theories espoused by the great Soviet filmmakers of the 1920’s; he particularly disliked the “knee-jerk’ reaction produced by Eisenstein’s montage. In both lectures and writings about his own style of editing, Sonbert described Carriage Trade as “a jig-saw puzzle of postcards to produce varied displaced effects.” This approach, according to Sonbert, ultimately affords the viewer multi-faceted readings of the connections between individual shots. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.