Relatos del fantástico(2019)

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Jimi Hendrix: Hear My Train a Comin'(en)

An account of the short life of genius musician Jimi Hendrix (1942-70), probably the most talented and influential guitarist of the twentieth century: his humble beginnings in Seattle, his time in New York, his rise to fame in swinging London… Live fast, love hard, die young.

Nostalghia - Sui luoghi di Tarkovskij 40 anni dopo(it)

Shadows(de)

Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.

A Thousand Words(en)

A Thousand Words explores a daughter's relationship with her stroke-stricken father through still pictures and 8mm footage he shot while serving in Vietnam.

Mi adorado Monster(en)

With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.

We Should Have Coffee Sometime(en)

We Should Have Coffee Sometime is a four-minute animated documentary exploring a loss of faith. The film begins with a meditation on the end of a relationship. About one minute later it is revealed that the relationship is not between friends or romantic partners but between co-director Maile Martinez and God. To complement and clarify the narration, the project employs a variety of animation styles.

Sea in the Blood(en)

Home movies and family photographs mixed with drawings and texts tell the story of a family that has lived with disease.

Endeavour(en)

Johann Lurf‘s film Endeavour slides between documentary, avant-garde film, and science-fiction. This highly singular combination of materials and techniques gives the viewer of Endeavour a feeling of flight, as the film continually evades the gravity of genres and definitive definitions. Lurf uses NASA footage from a day and a night launch of the space-shuttle that follows the booster rockets from take-off to splashdown.

The Magic Sun(en)

Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)

Everywhere at Once(en)

A symphony of found footage scenes, each shot loosely connected to the one before.

Free Child(en)

From leaving Egypt 10 years ago, to almost dying a month ago in a car accident. This film is about the journey in between and the massive role the internet played in the life of prominent Youtuber and Yes Theory co-founder Ammar Kandil.

The First Interview(en)

In the world's first media interview, shot in Paris in August 1886, the great photographer Nadar interviews the famous scientist and sceptic Chevreul on his 100th birthday. In their own words - originally recorded in shorthand - they discuss photography, colour theory, Moliere, the scientific method, the crazy ideas of balloonists, and - of course - how to live for 100 years. These two legends of the 19th century have a lively and interesting conversation. One was born before the French revolution; the other was destined to see the marvels of the aeroplane and the movies.

Nannies(pt)

Nannies combines autobiographical elements with a reflection on the presence of nannies in Brazil. With a subjective narration, the film incorporates photographs, domestic footage and newspaper adds from the 20th century, as well as contemporary images of nannies and children, building a personal narrative about the presence of nannies in the daily lives of many Brazilian families. A situation where the affection is genuine, but does not dissolve violence and racism.

Run Wrake's Guide to Animation(en)

Run Wrake is an English filmmaker, animation director, and music video director. He studied graphic design at Chelsea College of Arts before completing a master's degree in animation at the Royal College of Art in London. In this interview for the BBC's Channel 4, he describes some of his films, their inception, and their production. He also comments on technological and cultural developments that have changed how animated films are produced and perceived.

The First Motion of the Immovable(fr)

It all begins with a childhood memory: that day when the father of the future filmmaker Sebastiano d'Ayala Valva forces him to listen to certain music that initially terrifies him; a distant echo from the past that leads him to follow the trail of his mysterious ancestor, the Italian composer Giacinto Scelsi (1905-1988), who claimed that his music was directly inspired by the gods.

Night and Fog(fr)

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Lennon or McCartney(en)

550 artists were interviewed over ten years. At some point during those interviews, they were asked a question and told to answer with one word only. Some stuck to one, some said more, some answered quickly, some thought it through, and some didn't answer at all. That question… Lennon or McCartney?

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A Personal Journey Through Cinema History with Thomas Pollock(en)

Covering over 100 years of cinema, this is a journey of discovering and exploring the magic of cinema from a personal perspective. Looking at the changes and developments of cinema Thomas explains how film has deeply affected his life as a person and a filmmaker.