Murder at Makeout Point(2015)

Frank Film(en)

A compilation of images co-creator Frank Mouris had collected from magazines interwoven with two narrations, one giving a mostly linear autobiography and the other stating words having to do with the images, the story the first voice is relating, or neither. Preserved by the Academy Film Archive.

Man(en)

A worn-out, aging shearer who once rained king of the high country, gets on the gear to keep up his numbers. But when the drugs take over he must learn what it really means to be a man, before he loses so much more than his country pride -- MAN.

MAN(en)

Animation created in Flash and After Effects looking at mans relationship with the natural world.

Killer of Men(en)

A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.

way(en)

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

Area of Conflict(en)

Human traffickers wipe out a young girl's family and village. She then seeks revenge on those responsible, eventually becoming first the hunted then turning into the hunters with the mercenary hired to eliminate her.

Three Cornered Hat(it)

A comedy about a governor who wants a miller's wife and tries to fix a night with her by putting the miller in jail.

Highway Battle R×R(ja)

After suffering a crushing defeat against the new CBA-R35, Koji takes his GT-R32 and trains hard in hopes of taking back his racing crown.

Eravamo bambini(it)

In a police station in a small village, a sergeant interrogates a young and frightened postman, known as "Cacasotto". He, normally known for being calm and good-hearted, was arrested for having threatened a policeman on patrol with a knife. Eventually, Cacasotto begins to speak with the cop. And he tells what happened twenty years earlier to him and to his five best friends: Gianluca, Walter, Peppino, Margherita and his little brother, Andrea.

Man(en)

Exploring the relationship between man and technology, this day-in-the-life story concentrates on a computer programmer, inundated by technology, living a secluded lifestyle in Laurel Canyon with his two dogs. He struggles to maintain any real connection with friends, colleague or family, outside of communicating with them over the phone or computer.

Kill yourself on halloween(pt)

A movie about the blue ghost and missing people on halloween

Fred Testot: Presque Seul(fr)

To Repel Ghosts(en)

Jean-Michel Basquiat’s voyage of spiritual atonement to the Ivory Coast shortly before his death is the inspiration for Ivoirian Philippe Lacôte’s To Repel Ghosts, a captivating re-enactment of the artist’s experience.

That Splendid November(it)

In the most traditional Sicilian, a 18 year old is in full arousal. His relationship with breathtaking mature woman will create a great controversy in the retrograde Sicilian society.

Applause(el)

Alfa (Attik) runs an itinerant theatrical troupe and can see that a young woman, Nora (Zinet Lakaz), is very talented. Indeed, Nora turns into a great actress. However, when she does not reciprocate his love, he turns her away. After this, Alfa falls on hard times, while Nora achieves great popular success.

Miss Mend(ru)

Three reporters and an office girl are trying to stop a bacteriological strike by some powerful western business leaders against the USSR.

Tracey Emin C.V. Cunt Vernacular(en)

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate