"of reciprocal isolation and foreignness"
2016-10-08
0
Seattle filmmaker Oliver Tuthill Jr. directs this deadpan mockumentary that imparts the legend of Willatuk, a fictitious sea serpent that American Indians first spotted swimming in the waters off Puget Sound in 1736. Narrator Graham Greene explores the history of the mysterious creature that's considered sacred by a Pacific Northwest Indian tribe, which vows to protect it from the competing interests of local hunters.
This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.
Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "hockey hair". Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man.
The goddess Diana and her two attendants traverse the rugged terrain of Idaho’s Sawtooth Mountains in pursuit of the elusive wolf. An Engraver (Matthew Barney) furtively documents their actions in copper engravings and provokes a series of confrontations. The characters communicate through dance, letting movement replace language as they pursue each other and their prey.
In the spring of 2010, a church lock in at First Baptist Church was organized by Pastor Chris. In the first hour of the lock in, one of the students, Justin, had an unusual “incident” and was “inconsolable.” It was reported that he calmed down and kept to himself for the remainder of the event. Two days after the lock in, Justin reportedly broke down to his parents that he experienced something “evil” at the lock in. He also claimed he captured everything on tape. After watching the footage, the parents met with church leaders to discuss criminal charges they were considering filing against the church for child endangerment, neglect and torture.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
Whilst making a documentary, filmmaker Holly meets the highly enigmatic and beautiful Vicki who claims she is a real-life vampire.
After the end of civilization, an aged man undergoes a mysterious journey through space and time that takes him through memories, visions, and historical events, ultimately transcending the limitations of the senses and into a new cosmic rebirth.
Cults are real...this 'mockumentary' isn't. Godfather of Gore movies Herschell Gordon Lewis plays a detective who tells the story of the Ecomm Cult, operated by the polygamist Doctor Smoke.
The video debut of experimental musicians and culture jamming artists Emergency Broadcast Network.
An experimental music ensemble is recording an album. They want a very specific sound: the sound of thick air. The sound engineer struggles to understand and to find that sound. A tale of sleepless nights and loud music, a noise-injected collage composed of diaristic footage, a found narrative (memories of a popular 60s band), original music and field recordings.
A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.
"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.
An investigation on the rarest and most controversial French movie in the history of early cinema: a fascinating, lost and dangerous short film which causes violent reactions to those who watch it.
Unfulfilled housewife Allison (Darian Caine) secretly yearns for adventure. When a mysterious antique movie camera appears in her living room, it heralds the beginning of a sexual odyssey beyond her wildest dreams - a series of passionate and insatiable encounters - between Allison, her friends and colleagues, and a dangerously seductive woman from the past.
A video compilation of Vaporwave songs in a limited edition of 50 copies, on upcycled VHS tapes.
"TRIDENT" is an intense, hyper-modern thriller that captivates audiences with its intense narrative, blending elements of science fiction and fantasy. In the labyrinth path of the dysfunctional world, an AI developer, along with his creation, embarks on a journey to find his missing wife, an astrobiologist who went in search of a cure for their dying son.
Dazzling and raucous, Ryan Trecartin's first feature-length video takes cues from chat rooms, social networking web sites, YouTube, John Waters, and Pee-wee’s Playhouse, and then turns them upside down and inside out to create an entirely singular video genre. In I-BE AREA, Trecartin intertwines the stories of an incredible ensemble cast to follow a day in the life of I-BE II, the rebellious clone of I-BE.
Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.