Hungarian tales around the end of the regime(s).
Hungarian tales around the end of the regime(s).
2012-01-19
0
Ziba and three of her prison cohorts, recently released from a Tehran prison, settle in an out of town doctor's house posing as house sitters and embark on a get rich quick scheme. They plan to mug the lecherous men who give a ride to ladies waiting at street sides for a pickup, which was- and is, to some extent, now- how some prostitutes found work back in the time in Iran. The film portrays the characters as well as the social origins of these men, and as it progresses, explores the backgrounds of these women.
SPACED OUT written, edited and directed by Priyakanta Laishram is a movie dedicated to all the people who are on the road to recovery from drug addiction. The film is a realistic depiction of addiction and how there is no magic cure. The vicious cycle of progress and defeat tumbles the family of Panthoi (played by Priyakanta Laishram) through many years in this film chronicle. It also depicts the relationship of a drug addict with his loved ones that's pushed to the limits by a seemingly no-win situation. A meditation on memory and the difficulty of reconciling the happiness of the past with a present that's become too sad to bear. The film won 5 awards and 15 nominations including Best Actor In A Leading Role for Priyakanta, Best Narration, Best Screenplay etc. at various international and national film festivals.
A member of an elite paramilitary counter-terrorism unit becomes traumatized after witnessing the suicide bombing of a young girl and is forced to undergo retraining. However, unbeknownst to him, he becomes a key player in a dispute between rival police divisions, as he finds himself increasingly involved with the sister of the girl he saw die.
In this Oscar-winning short film, grieving parents journey through an emotional void as they mourn the loss of a child after a tragic school shooting.
Three different love-related stories -all starring María Vaner as different "Anas". In "The Earth," Ana is a young and idealistic woman on the verge of adulthood when her first relationship with a clerk shatters her dreams of a romantic life. In "The Air," Ana is a rebellious, easy-living type among some beach bums whose sexual leanings tend to tip the scale at active promiscuity. In "The Cloud," Ana only exists in the imagination of an introverted man, who dreams of his ideal woman.
Min-sang, a meticulous planner and tidy single man, is frustrated daily by his tenant, Jin-young, a veterinarian who turns his newly mortgaged building into a mess. During another quarrelsome day with Jin-young, Min-sang encounters an elderly lady at the animal hospital, who turns out to be the world-renowned architect Min-seo. Desperate for Min-seo's approval for an ongoing project, Min-sang starts to persuade Jin-young and her cared-for puppy to impress Min-seo. Meanwhile, Hyun, the leader of a small band, is left bewildered while looking after his absent girlfriend's dog, especially when her ex-boyfriend Daniel shows up unexpectedly, demanding to see the dog, claiming he used to raise it together and insisting on visiting the dog once a month...
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
A young islamic woman who wants to expose the truth about the government's injustice in a patriarchal society.
Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.
The yakuza have their best days behind them and are only a shadow of themselves. The old rituals seem out of date and their tattoos make them outcasts of society. The inexperienced student Ryō stumbles into their ranks by chance, and before he knows it, he becomes entangled in dark machinations. He quickly succumbs to the fascination of omnipotence fantasies and hedonistic decadence and sinks deeper and deeper into a parallel world of prostitution, blackmail and violence. However, there is one thing that Ryō has not considered in his naivety: once yakuza, always yakuza!
The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.
An unexpected guest interrupts a couple's last day together, transforming their peaceful farewell.
Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.
The funny things that happen through the walking by the neighborhood night shift of a kind policeman.
Huda, a fish thief in fish auction, decided to leave his home since his mother passed away in addition to abusive behavior of his alcoholic father. Harsh life in the auction site made Huda want to achieve his dream to catch the golden fish in sea. Sri, a fish collector, is close with Huda and considers the ‘golden fish’ as a myth. However, Huda is becoming more confident that if he were to catch the golden fish, his life would be happier. In the end, Huda must choose whether to survive in the fish auction site with little hope or go to find the golden fish in desperation.