During quarantine, through a screen, through the network, different speeds, different houses, eyes and hands reflect the life, work and creations of the actress and director Deborah Finocchiaro. Therefore, in isolation, new narratives and encounters.
During quarantine, through a screen, through the network, different speeds, different houses, eyes and hands reflect the life, work and creations of the actress and director Deborah Finocchiaro. Therefore, in isolation, new narratives and encounters.
2020-09-19
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Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
An undaunted look into the cam business from performers and clients to website and studio owners.
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
On June 14, 1977, the eve of the first democratic elections after Franco's regime, Llorenç Soler and his crew go out into the street and ask passers-by which party they are going to vote for.
Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.
A journey into the interior of garbage, contemplated as a phenomenon of the human spirit, and not only as a product of human action. This essay-documentary, inspired by modern chaos theory, transits between the reality of statements and the surrealism of poetic images, seeking to integrate the conscious and unconscious life of the human mind. Apparently simple phenomena hide very complex behaviors. Maybe garbage is all that we don't want to see
Guy Debord's analysis of a consumer society.
At the beginning of the year 2020, a relentless plague sweeps the planet and, as a consequence, a global lockdown is gradually decreed: how did people from very different latitudes, living necessarily very different situations, experience this shared solitude? How did people adapt to the restriction by decree of their personal freedoms and the transformation of many bustling metropolises into ghost cities?
A documentary following the civil rights movement and how the media, in particular the burgeoning TV, was used to fight for equality in the 1960s. From Selma to Charlottesville, we also see how modern activists use today's technology to continue fighting injustice today.
Interspersing daily life during the occupation with the fight for rights, the documentary follows the Warao indigenous people and portrays their experiences during a resumption in Betim.
The story of young Afghan girls learning to read, write and skateboard in Kabul.
THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.
A Manobo tribe flees from fear only to find themselves in another dreadful situation: a lockdown due to the pandemic.