1982-06-09
7.3
In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.
"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).
The children are invited by a Brazilian music star to one of his shows. But the trip turns into a nightmare when the villains Gonzales and Gonzalito, recently released from prison, decide to kidnap Maria Joaquina.
in 1988, 12 year old boy genius Henry Jameson sends his best friend, George, into the future to discover the resolution of a cliffhanger episode of the hit detective show 'Columbo.' But he loses him somewhere in time. 20 years later, Henry has become a degenerate alcoholic when 12 yr old George appears on his doorstep. Henry is forced to overcome the loser he has become to find a way to send George back to the 80s. Hilarity ensues!
A man and a mouse move to a village by the sea where everyone has a pet. Their first morning in town, the man puts the mouse in his shirt-front pocket and sets out on a walk. People with parrots on their heads or leading a cow, a camel, or a whale all shun him once they see the mouse. So, the man returns home, puts the mouse in a box, closes the lid, and builds himself a new animal companion. He takes it for a walk. Is the mouse forgotten?
In Berlin, Lieutenant Yartsev's infantry and Tzvetaev's battery fight their way in the U-Bahn. Captain Neustroev's company is selected to hoist the Victory Banner atop the Reichstag.
A high-born woman named Okuni travels around the country with Gohei, a samurai retainer who is in service to her. They are in search of Tomonojo, who has killed the man who was Okuni’s husband and Gohei’s master, and they cannot return to their lord’s home until they have fulfilled their duty of hunting down and killing Tomonojo.
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
Selma is a young eighteen-year-old girl and her fiance, Ali, is a workshop foreman. One day, Ali is arrested for hitting a man in a nearby cafe. This indident causes her downfall and the tragic events that occur.
The gang decides to go camping with a little bear hunting on the side. A pair of poachers decides to try and scare them off with a gorilla suit but the gang decides to try and capture the gorilla instead.
A girl wakes up after a night spent with a man in an elegant room of a palace on the outskirts of the city. The girl gets into her car, drives off, goes through villages, fields, into the forest. On the road, there is a log blocking her way. The girl pulls the log onto the side of the road. A truck approaches from behind and starts aggressively pursuing her.
This film takes a dive into a photographic archive that portrays the 1968 student movement in Mexico. By reviewing over 1300 photographs of students, soldiers and citizens, and the development of a movement inside the Mexican capital, marked by the massive uprisings and the government's repression, the film questions the relationship between memory, power and representation.
H C London Presents Business English Weekends is a story about teacher and student
Don Plascencio has a collection of men he uses like radio stations: in a routine aural examination each man plays a different musical piece instead of the usual heartbeat.
In January, 1997, a team of five nurses, four anesthesiologists, and three plastic surgeons arrive in Vietnam from the United States for two weeks' of volunteer work. They operate on 110 children who have various birth defects and injuries. They also talk to the film crew about why they've made this trip and what it means to them. We watch them work, and we see the children, their families, and their surroundings in the Mekong Delta. Over the closing credits, Dionne Warwick sings Bacharach and David's "What the World Needs Now Is Love".
A year in the life of the Palm Springs Follies, featuring beautiful, ageless performers from around the world in a show that is always Standing Room Only. The film intercuts colorful interviews with the participants and footage of auditions, rehearsals, and the actual performances.
This film illustrates the life of the film director, Shui-Bo Wang in The People's Republic of China. We learn of the life of the director in his own words and images from a child steeped in the values of Chinese communism exemplified by Chairman Mao, to a young man striving to live up to those ideals both as an artist and a soldier.
A cat named Lorenzo is dismayed to discover that his tail has developed a personality of its own.
A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
It’s the middle of the 17th Century and a brother and sister are hiding in the garden of an isolated cottage in rural New England. When they enter the house and investigate the kitchen, they gorge themselves on the tempting cakes covering the table. It seems to good to be true.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
The assistant of a creepy power couple inexplicably finds herself pregnant. Immaculata feels like an unexpected offshoot of Rosemary's Baby, between its half-open doors and a phobia of fluids.
On Halloween Night, a young woman is exposed to the true terrors of the 2016 killer clown sightings.
First to Like - First to Die. A short horror with a humorous touch.
A short prior to World War I film which captures festivities at a fair near a church in Bitola.
Early Balkan footage.
Federation Officer Shapiro crash-lands on a desert planet with no sign of water, life, or a way off. Her crew-mate Rand is no help, resigned to his fate on the hypnotic alien dunes. Locating the ship's emergency beacon is their only hope, but when a salvage crew answers their distress signal, it's already too late.
Filmmaker Helena de Llanos, who lives in the chaotic house, full of memories and treasures, where her grandfather, Fernando Fernán Gómez (1921-2007), legendary writer, actor and director; and his wife, the actress and writer Emma Cohen (1946-2016), shared their lives, analyzes the relationship that the living have with the dead through the places and objects they have left behind.
The Landlady is a short horror film in the tradition of the Amicus/Hammer films of the sixties and seventies. It stars screen legend Caroline Munro as the mysterious housekeeper who insists that tenants obey her "four simple rules."
Two twisted young film makers are shocked when a purchase of some new snuff hits a little too close to home.
A silent succession of black-and-white photographs of the city of Montreal.