A story inspired by real events that took place in the port of Valparaiso. Four poor children have been abandoned because their father, who is out of work, steals cattle to feed them and the police have arrested him. The story takes up the children's point of view and is structured in four episodes that describe their inevitable descent into the world of marginality and crime. Faced with life in a brutal way, from their problematic social situation, they head towards a marginality that is difficult to avoid.
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
A young boy is sent to live with relatives when his parents break up. He befriends a dying boy who has an eerie connection with nature.
This is the story of a teenager at the turn of the century in the conservative higher classes of Chile and the initiation rites in his society.
During Argentina's military dictatorship, a blind man desperately tries to reconnect with his teenage son, a disturbing young man who channels his inner torment through rats.
Without any sounds, dialogues and with unknown actors, the images are the focus of this film. Images that want to awake, to question determinant moments, state of a system's languages, the morality of deaths, the immobility, the silence, among other subjects. Shot at the height of the Brazilian military dictatorship, it is an affront to the most diverse types of repression in that period.
A man released from prison falls in love with the blind wife of a cellmate, whom he promised, when inside, to visit. He poses as the real husband, planning to kill him, but finds the wife is not so innocent as he thought.
A woman who was a traumatized victim of family violence and economic hardship was forced to join three friends in robbing an antique house.
This telefilm is based on "Chorer Master Computer Engineer" by Rahitul Islam. A fresh engineer graduate from Tangail decides to leave his girlfriend, career and metropolitan life behind to teach students and farmers in his home village.
Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.
In his film studio, Patrick BOKANOWSKI talks about his research (audiovisual and animation techniques) for his new project ("L'Ange" which will be released in 1982). Filming scenes, and excerpts from his short film "Lunch in the morning," punctuate the interview. On a film set, Patrick BOKANOWSKI describes some scenes of his project, notably "the attack of the castle of the egg"; it evokes the influence of the painter Henri DIMIER, of which he was the apprentice, his research on photographic printing, optical systems of shooting, and objectives. - He comments on a sketch of preparation explaining the image sought, and the means implemented. - Images of the shooting of scenes of characters in the darkness and light beams, accompanied by music, punctuate the interview.
This documentary is about the Afghan cameleer who came to Australia more than a century ago, and travelled across some of the harshest parts of the country. The film explores the historic relationship between the desert and Afghani immigrants in Aboriginal Australia by looking at the role they played in the development of the country and how they helped to set up the railway lines, overland Telegraph line and provided supplies to remote mission stations and farms. By the mid–1800s, exploration in Australia was at its peak with expeditions setting out almost monthly. The race to map the continent, locate natural resources or find new places to settle moved away from the coast and further into the inhospitable heart of Australia. It was soon obvious that the traditional horses and wagons used for such expeditions were not suitable in this strange and foreign land.
Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.
Dito Montiel, a successful author, receives a call from his long-suffering mother, asking him to return home and visit his ailing father. Dito recalls his childhood growing up in a violent neighborhood in Queens, N.Y., with friends Antonio, Giuseppe, Nerf and Mike.
August 1914. While the German army is gaining ground in the North of France, four boys aged 10 to 15, LUcien, LUcas, LUigi and LUdwig are left behind during the evacuation of their orphanage. Without the protection of Abbé Turpin and the schoolteacher Leutellier, the Lulus are now stranded on their own behind the enemy front line. Soon joined by LUce, a pretty young girl separated from her parents, they decide to reach the neutral country of Switzerland by all means possible... they embark on an adventure for which nothing and no one has prepared them!
A widowed mother and her son change when a mysterious stranger enters their lives.
Freed after a lengthy term in a juvenile detention center, convicted child killer Jack Burridge finds work as a deliveryman and begins dating co-worker Michelle. While out on the road one day, Jack notices a distressed child, and, after reuniting the girl with her family, becomes a local celebrity. But when a local newspaper unearths his past, Jack must cope with the anger of citizens who fear for the safety of their children.
A young boy discovers a stray balloon, which seems to have a mind of its own, on the streets of Paris. The two become inseparable, yet the world’s harsh realities finally interfere.
Four boyhood pals perform a heroic act and are changed by the powers they gain in return. Years later, on a hunting trip in the Maine woods, they're overtaken by a vicious blizzard that harbors an ominous presence. Challenged to stop an alien force, the friends must first prevent the slaughter of innocent civilians by a military vigilante ... and then overcome a threat to the bond that unites the four of them.
Salvatore, known as "bread loaf", escapes from Caltanissetta's brewery to find his mother he never met. Before arriving in Venice, he stays in a small sea village where he meets people of various kinds.
Tom, now in his 40s, begins to write the memoirs of his 1960s childhood, as the little boy whose mother Rose was a glamorous Shanghai nightclub singer. When Rose meets Aussie sailor Bill, they are quickly married, and she packs up Tom and his older sister May to head for Melbourne. The marriage just as quickly breaks up and Rose moves with the kids to Sydney. After a succession of male friends and little success, in 1971 Rose moves back to Melbourne, in an uncomfortable arrangement living again with Bill – and his mother. With Bill called away to sea, Rose takes up with young Chinese cook Joe, but despair and conflicts over May's relationship with Joe tear the family further apart. Little Tom is deeply hurt, but May's ongoing conflict with her mother takes a respite when Rose tells her daughter about her traumatic teenage years.
After her mother's death, six-year-old Frida is sent to her uncle's family to live with them in the countryside. But Frida finds it hard to forget her mother and adapt to her new life.
One day, five kindergarten children suddenly disappear from a kindergarten in Tokyo, sending their teachers and parents into a panic. The five of them are connecting on trains and headed to an unfamiliar place for some purpose. Before their journey, they had made a promise to each other “not to cry no matter what happens”
Telling the true story of Marvin Bijou, a young boy from a working-class family in a small village, who suffers constant bullying at school and home for being ‘different’ – too sensitive and too feminine. A chance encounter with a drama teacher opens the doors to a world that offers him the chance to escape his situation.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
It tells the story of a family with four children consisting of 1 boy and 3 girls. The four children are very dependent on their parents, especially their mother. Until one day, these four siblings had to accept the fate of their mother's passing.
At arts summer camp, Basia, a reserved 13-year old girl, struggles to connect with other kids. She feels seen for the first time when an equally reserved 19-year-old camp counselor takes her under his wing. When a late night encounter with him leads Basia to lie to impress her roommate, she must reckon with the consequences of her exploration.
Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.
Amy, the young, friendless daughter of Oliver and Alice Reed, befriends her father's late first wife and an aging, reclusive actress.
A man searching for his childhood best friend — a Polish violin prodigy orphaned in the Holocaust — who vanished decades before on the night of his first public performance.
Bullied at school and ignored and abused at home by his indifferent mother and older brother, Billy Casper, a 15-year-old working-class Yorkshire boy, tames and trains his pet kestrel falcon whom he names Kes. Helped and encouraged by his English teacher and his fellow students, Billy finally finds a positive purpose to his unhappy existence.