Jane is diagnosed with Alzheimer’s and she tries her best to cope. She starts by recording the most important moments in her life, hoping she will always remember the things that should not be forgotten. She chooses to stay home and her daughter, Natalie, employs a full time caregiver to take care of her while she goes off to work. Days pass, and Alzheimer’s progresses. Jane’s condition deteriorates. She starts to forget some words, and then completely forgets the journal and making entries. She starts to forget her only daughter. Natalie desperately tries to hold on to the memories as they fade from Jane’s mind. What was once a shared memory now only belongs to Natalie.
An investigator tries to solve a murder, her constant interviews with the main suspect cause the investigation to take many twists and turns as what is said is not always what is meant.
14-year old Em likes to hang around in her old play house. One day a boy, Jakob, sets fire to it, and Em catches a brief glimpse of him before he disappears. They meet again a few days later. For the first time in her life, Em falls in love.
While her parents are absent, Isabell has invited a few of her closest, best-behaving friends to celebrate New Year's Eve in her house. However, the good spirit turns sour when some older guys crash the party. The alcohol they bring put the teens in a frenzied state where friends become enemies, couples cheat on each other and medical student Peter is almost killed in a party they won't easily forget.
Arsenic-laced water has poisoned a 15 year old boy from a small, rural village in Cambodia.
An experimental romantic comedy about a 30-year-old loser's worst day ever.
Reworked and colored images of people playing at the seashore.
Two mysterious men dressed in black and with cigarettes dangling from their mouths drop a large, presumably heavy (since it takes two to carry it) package off on a doorstep and walk away. When the home’s owner returns he drags the package inside, then goes about doing a few more activities before deciding to finally open it. Upon removing the paper, he notices it’s a large steel barrel. Using a blowtorch, he gets the lid off and sees it’s full of oily water… but rising out of the water is a nude, voluptuous, smiling woman, who immediately starts to entice the man by massaging her breasts. Naturally, being in a barrel for who knows how long, she needs to get cleaned off and hops into a bubble bath. While she’s lounging in the tub, the man gets into bed, lights a cigarette and starts to remove him clothes in anticipation. We get to see fantasies from both the man and “the fairy.” —The Bloody Pit of Horror
After years behind bars, three young men begin to rediscover lives of aggression and excess in their raucous Roma community. Among them is Alex, a captivating figure with a disturbingly blasé attitude toward violence, women, and guilt. In this absorbing documentary, offering a rare peek into contemporary Roma culture, Alex and his fellow ex-cons reconcile the outside world with the gray-shaded areas of morality with which they all struggle.
Excerpts from a collection of 9.5mm films dating from 1900 to 1928—including theatrical films, anthropological documentaries, and home movies—that reveal much about life during the silent-film era. —MoMa
This haunting and beautifully formed documentary is a meditation on the life of Egyptian screen legend Soad Hosni, who starred in eighty-two feature films between 1959 and 1991. Hosni’s mysterious death in London in 2001 sent shockwaves through the Arab world, and this is the first film which look into her life and work. Using filmic montage, director and video artist Rania Stephan reveals the diverse modes of female representation embodied in Hosni's charismatic roles, and creates an ebullient picture of the iconic actress who captivated the modern Arab imagination.
A subjective view of an UFO. Shot frame-by-frame along the Tama River.
Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Five women musicians are brought together by their love for singer Dolly Parton. They all have dreams for their futures, but they are also burdened by their painful pasts. During a series of tribute concerts a warm friendship develops which leads to in-depth descriptions of the women's life stories.
Adam and Eve are cast out of Eden. They discover that flowers can bring both joy and solace.
A gin bottle is personified with a spirit. As the gin bottle changes hands the spirit of the bottle tempts the various possessors to take a drink. A pro-prohibition movie, the story exemplifies the tragedies of drinking.