Neil
Alyona
Murderer
An awkward man is getting rejected by a girl during a date. The night brings horror to both.
2013-06-02
0
A young man finds love on the streets of Paris, thanks to an Umbrella
A husband's attempt to keep his sleepwalking wife from injuring herself descends into chaos as he discovers she may be in the grips of mind control.
A young woman’s fiercest self takes over to fight for her life when she’s attacked in this taut thriller from up-and-coming filmmaker Catherine Fordham. After waking up and noticing bruises on her body, the woman flashes back to last night’s perilous journey home. But as full memory of the attack she experienced comes back to her, we soon realize our heroine turned the tables in a surprisingly scary way. Fordham’s effective twist on the rape-revenge thriller marks her as a forward-thinking horror maker with a unique perspective in a historically misogynistic genre.
Remember those origami fortune tellers you made as kids? They're not what you think.
In the late hours of Halloween, a mother and her young daughter are haunted by a terrifying clown that lives in their tv.
The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.
Nerves are on edge as Mohammed and Nouf sneak out to a restaurant for a date, an act prohibited in Saudi Arabia.
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
The Seven Deadly Sins - Are they true to being called sins or are they simply human impulses? To what is a sin and what is not? Such is a question worth pondering. In the end - do as you wilt.
Deep into the night, a lone office worker must contend with an ominous presence.
A diverse group of people are invited to a castle to play a card game with stakes so high that they’re willing to bet their lives on it. Each person has their own reasons for playing the bizarre game, and one of them has even returned to play a second time.
Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?
A young woman, Lucy, receives a message of a girl friend of hers, whom invites her for a Webchat. After a while, her friend begins to get undressed on her Webcam. Intrigued, Lucy looks and is caught at the game, in an erotic and quite disturbing atmosphere.
A young woman comes home late night on public transportation and puts herself in a precarious position where she comes across an urban legend that may be true.