Do you need children, careers and partners to feel happy? The filmmaker Lotta Stemme has for five years documented both her own and three of her friends' griefs in the middle of their lives. Lotta tries to catch up with everything. Catherine chose to break up and move away from her children. Linda may not be able to have children and Marika opted out of her career and has invested everything in being a mother.
Do you need children, careers and partners to feel happy? The filmmaker Lotta Stemme has for five years documented both her own and three of her friends' griefs in the middle of their lives. Lotta tries to catch up with everything. Catherine chose to break up and move away from her children. Linda may not be able to have children and Marika opted out of her career and has invested everything in being a mother.
2013-05-02
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Five young Ukrainians discuss life following the Maidan Revolution of 2014. Not all fought in the Russian-Ukrainian war, but it, regardless, shattered their life plans. Representing 'Generation Maidan', they face the question of how to cope with experiences of violence, how to go on. A local theatre director produces Hamlet, wherein they can use Shakespeare’s tragic character as a mirror and face their traumas onstage. For them, 'to be or not to be' is not simply text but an existential dilemma with no clear answer.
What is the purpose of our existence ? What is the soul ? Which are the power of mind, of conscience ? What is our link to nature ? Pondering these existential questions, this movie invites us to find out an universal wisdom, meeting shamans, healers, yogis, but also philosophers and doctors. From Mongolia plains to the Amazonian forest, it leads us far than we expected at first.
The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.
For us, a thought always presupposes a society, a culture and above all the consciousness of time. We are haunted by immortality, human notion par excellence. As if the world was here to fascinate us. And to disappoint us. The film travels around the bulb like the Earth around the Sun. Light makes the film visible. A fragile film, like our existence. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.
What happens to a person's self when she retires and no longer has the job to lean on? Documentary filmmaker Lars Lennart Forsberg asked that question to about ten retirees but never had the chance to complete his project. Olle Häger and Kjell Tunegård had to take over and let the e-mails exchanged between Lars Lennart Forsberg and Olle Häger become keys to "The Film That Didn't Get Made".
"Fly too high and you will burn, go too low and you won't breathe." Shot in just seven consecutive days during the summer of 2023, it concludes the first volume of Bliss, a playlist of sounds and shapes. Daedalus delves into the perilous dance between striving for something and the suffocating pull of stagnancy. This chaotic structure bridges the warnings and epiphanic thoughts of 20th-century thinkers with the lives of today's dreamers.
Replikas, online chatbots, have trouble determining their place in the world. They share their thoughts with the humans they exchange with. Events unfold from their point of view through real conversations collected on the web.
One million Dutchmen (out of 16 million) play soccer. Almost two million fish at least once a year. Fishing might be the most remarkable sport in the world. The documentary V.I.S.S.E.N (FISHING) dives into the world of Dutch fish and fishermen. Above and under water, on the IJ, at the coast, on the North Sea, in the cities, in the polder and on and by lakes and rivers. The film is a personal, filmic search for the “primordial fisher” in mankind and a portrait of the Netherlands by and on the water. V.I.S.S.E.N is also about what moves the fishermen. Who are the people that fish? Is fishing a hobby, a sport, an escape or a primordial instinct one cannot repress? What goes through your mind when you fish, when you catch something, or when you do not catch anything. And: what's it like for the fish, getting hooked?
Jørgen Leth can squeeze poetry from a stone and wit from dust, and he can find love where the milk of human kindness runs dry. In a series of tableaux of Life in Denmark, he carries absurdism to a happy extreme. To act out his minuscule non-dramas, he uses a motley crew of professional actors like Ghita Nørby and Claus Nissen, writer Dan Turéll plus a snake charmer, a bicycle racer and a circus queen.
A feature length documentary shot in Iceland on mediums and the relationship between humans and invisible beings such as elves ghosts, angels, water monsters and extra-terrestrials. The film is a journey to the frontiers of life questioning the scope of our existence. Are we alone in the universe? If life exists in other dimensions, it's worth knowing more.
Sartre and Camus, the two most world-famous, 20th century, French writers, form a legendary and inseparable couple. The two extraordinary thinkers propelled the figure of the politically engaged writer into the limelight.
A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives.
Set in the mountains of northeast Italy, this film may be considered an observational documentary about rural life. Although this is undeniably the case, at the same time Under the cold stars can hardly be considered a documentary: the microcosm on which it focuses appears to be a reflection of a broader reality and perhaps a way to deal with the themes of man’s existence and his relationship with animals, nature and, most importantly, with time. As written by Franco Piavoli "it is a film which essentially relies on images and sound, where words themselves are sound and the music of life, of the relentless flow of time."
An exclusive interview with Death as he goes about his everyday business.
Makulatura [which means both scrap paper and pulp fiction in Russian] is a duo of poets Evgeniy Alyokhin and Konstantin Speransky, who have been performing together since 2003. Blending classic literature references, mind-bending introspection, musings on modern love and an ironic attitude to their act, they create what faithful fans and listeners call “existential rap.” The film follows Makulatura on tour through several Russian cities.
An essay film about Jean-Paul Sartre and the French Existentialists, featuring Roland Barthes' last interview.
In the cabin the conductor activates the gear lever; his motion breaks the inertia. Behind is the station, then images of the machinery, the resignation of travelers, and the landscape. The events are increasingly bizarre; there is no destination, only the journey as metaphor.
What starts as a desire to experience nature more intimately develops into a relatable conversation on alternative pathways through life. Two friends go on a two-year road trip through Latin America. Presenting an insight into long term travel and how engaging in new cultures and environments can help widen our perspective and deepen our understanding of the world we live in. Pacifico forms a discussion around the pros and cons of living in the moment; Showing how slowing down and observing the world mindfully can aid in gaining perspective and broaden an understanding of what is important in life.
Nearing the end of his university studies, a soon-to-be graduate reflects on his life up to this point, all through the lens of a Handycam his father used to use.