"This installation piece explores the forewarning signs which occur before a defining event taking place. It develops through a mixture of documentary and scripted footages of my father, with texts related to my memory of him mixed into it. Since the Great East Japan Earthquake Disaster of 2011, I have felt that the people of Japan are now forced to live more consciously of the forewarning signs before an incident. This feels as if it’s universally bearing over general social issues as well as miniscule personal level incidents. I decided to feature my own father in this video piece filmed in the style of a fictional documentation. This is all bout Drinking, and weakness." -UMMMI.
"This installation piece explores the forewarning signs which occur before a defining event taking place. It develops through a mixture of documentary and scripted footages of my father, with texts related to my memory of him mixed into it. Since the Great East Japan Earthquake Disaster of 2011, I have felt that the people of Japan are now forced to live more consciously of the forewarning signs before an incident. This feels as if it’s universally bearing over general social issues as well as miniscule personal level incidents. I decided to feature my own father in this video piece filmed in the style of a fictional documentation. This is all bout Drinking, and weakness." -UMMMI.
2014-04-04
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From the south of France, a science fiction film about the end of the Leisure Class and that which came to replace it.
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.
In search of the archival, Carmen-Sibha Keiso re-imagines theatre and film through personal narrative in her conceptual debut: Love & Fascism In The 21st Century. "... if Rappaport was in an art school." - Ferran Pla
A silent collage of un-edited images taken from Google Earth, with pictures ranging from straightforward landscapes to more abstract, organic and cosmic imagery.
A short experimental film; "An hommage to silent movies".
Trapped in daily repetition, between the frenetic sound of a glass bottle factory and the guarding of a shed filled with naked mannequins, a young couple meets at evenings. They eat without looking at each other, not even speaking. The Adventure of the Married Couple (Based on a story written by Italo Calvino) is a poetic variation on the daily routine in black and white.
A man waits. He longs for and mourns for, his increasingly disconnected and disparate love for a person. Goodbye to Love is an epilogue of a romance, contemplative of a protagonist who meditates on the forking ways his liaisons have left him. Suspended in that final, desperate monochrome moment, Goodbye to Love geometrically traces the evaporating points of a love triangle in three spare, melancholic acts. An elegy to the demise of a feeling, and the longing that permeates
The second "visual album" (a collection of short films) by Beyoncé, this time around she takes a piercing look at racial issues and feminist concepts through a sexualized, satirical, and solemn tone.
Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and it leaves the good-girl role far behind, sometimes in striking poses, sometimes in martial dress.
A camera calligraphy of the coastal bush -- celebrating growth, summer light, rock and plant textures.
A languid, beautifully shot collection of landscapes, edited into a whimsical and touching film.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.
A serene winterscape glides, as in a dream, across the screen, from darkness to darkness...Vision shivers, hesitates ever so slightly to savor, to hold still, but inevitably everything passes. Far becomes near, near far. Shadows seed their counterparts in the depths of the viewer's heart.
Abstract visual poem celebrating the freedom of bodies moving through water. A filmmaker unconcerned with plot films the practice of an olympic swimming team and creates a visually stunning work.
In the late '90s Balazs's family is falling apart front of his brand new VHS camera he got for his 8th birthday.