Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.
Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.
2008-12-01
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Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.
The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.
The story of Skip, a young ex-convict who takes a position as a night janitor at an old-west theme park. His supervisor Archie, teaches him the ropes, but more importantly attempts to convey critical philosophical messages through a series of four stories: a down and out boxer is given the opportunity to become a real golden gloves killer; an assassin kidnaps three people in order to find out who hired him for his latest hit; a new recruit is initiated into a lodge of fez-wearing businessmen where hazing can take a malevolent turn; and a member of a suicide club introduces real fear into a man about to jump to his death.
Four couples deal with love and lust, commitment and infidelity, and the pressures of relationship expectations. Filmed in Melbourne, Berlin, Malta, and New York, In Corpore tackles the consequences faced when one chooses to either suppress or give into the inner desires of body and soul.
Desperate, broken men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor's decision to help them has extraordinary and unexpected consequences.
Every episode has one dialogue with two characters in one place. The six dialogues are for beginners who should still learn from the realities of how we rule out people around us not only reasonably but smoothly.
Horror anthology consisting of three episodes directed by Jörg Buttgereit, Andreas Marschall and Michal Kosakowski.
A man tries to avenge the death of his sister, a gambling addict. Another man, an ex-convict who whistles when he commits a crime, is reunited with his blind mother.
Four stories about women's issues, loosely connected, and all with an erotic element.
Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.
Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.
In this Korean omnibus film, three stories and relationships between the North and South are explored - stories about a hopeless romance, an unknown future and an expected and coincidental comfort.
Along her journey to relieve herself of anxiety, Alexia, a mid-twenty year old woman, is encouraged by Dr. Ecorn to revisit a past childhood event. She struggles to decipher the insidious meaning behind the memory. Gradually, EMDR, a technique favoured by Dr. Ecorn, reveals the true nature of her trauma. Whilst experiencing the discomforts of the therapy, Alexia begins the grueling process to healing herself.
In a darkened classroom, the white cracked walls serve as a movie screen. We are in a remote mountain village in Georgia. The light from the projector breaks the darkness: the children's first cinematic experience is about to begin. Among the kids are Iman and Eva, two Muslim girls, for whom the experience becomes a turning point and inspires them to pick up a camera and start filming their daily lives. The girls are growing up in a valley infested by radicalism, where most people live in constant fear that their relatives will sacrifice their lives in the name of God.