

Claes is a pensioner whose greatest wish is to finally make it to the nearby cinema. What if it rains? What if his sweater doesn’t match the shirt he is wearing? It's probably better to stay in the safety of his own home and switch on the television. In the total isolation of his solitary life, and out of an entirely unfounded fear of stepping outside his flat, Claes has turned his tidy home into a prison. This is a film that demonstrates what loneliness can do to a person.
Himself
0.0A pandemic, a time of hard lockdown, when contact with other people is severely limited. The most common means of communication are online conversations, which the director uses to talk to people who, like him, are stuck alone in their apartments.
9.0Herbert Fingarette once argued that there was no reason to fear death. At 97, his own mortality began to haunt him, and he had to rethink everything.
10.0Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsule-hotels tell their own intimate, dreamlike stories, interspersed with journeys through the archipelago's landscapes. Soon, these personal stories resonate with a collective history: that of Gunkanjima, the abandoned ghost island of Nagasaki, and then that of Japan as a whole.
0.0Samirah, a grandmother who lived three parts of her life, starting with her daughter who married and then converted, the death of her husband and ending with loneliness.
0.0After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.
8.0TWO OR THREE THINGS I KNOW ABOUT EDWARD HOPPER is an immersive experience in 3D, that takes its viewers on a journey into the world of Hopper, sharpening their senses for some aspects of his unique work.
0.0Everyone in town knows Simón's story, because like a rumor or an urban legend, it has been spreading among its inhabitants, the few who believe him and those who question everything about his story... But Simón will clear up doubts, recounting what happened during those supernatural events...
6.0A house. A shelter. A man the last one left in the homeland. A woman returns to her community every year. The daughters and husband who have lost all traditions. A rapper who raps in the old language. In 1990 Susanna marries Udo. Their wedding is the last one celebrated between two Saxons in their village. After that the couple emigrated like half a million of Transylvanian Saxons. After 30 years in Germany the relationship between Susi and Udo has gone stale and they haven't taught their native language to their daughters that feel just German. Georg on the other hand is proud of his identity. He hopes with his rap to spread the young generations about the heritage to make them proud of being a Saxon. This is the choral story of a family who is learning to change in order not to disappear.
5.9An urgent, timely and compelling portrait of Hollywood icon Greta Garbo, whose fame, isolation and loneliness still captures us.
7.8When a daughter becomes concerned about her mother's well-being in a retirement home, private investigator Romulo hires Sergio, an 83-year-old man who becomes a new resident—and a mole inside the home, who struggles to balance his assignment with becoming increasingly involved in the lives of several residents.
0.0A short documentary exploring the loneliness that comes with being single as a millennial. Set over the course of the thirtieth year of filmmaker Cathy Woods' life. This intimate and raw film delves into what it is like to be thirty and single in a time when situationships are the norm, and the societal pressure to be in a relationship is evident.
0.0After the recent loss of his wife Angèle, grandpa René tries to stay positive, finding comfort in simple joys like his cacti and cat Musti—but the weight of impermanence lingers.
For the past 40 years, Bruce Beach has been preparing for a nuclear disaster. A bunker of 42 school buses is buried on his property, designed to save humanity. Curious onlookers and interested preppers regularly visit the site named Ark Two, but it's clear that the creator of this decaying shelter is the only one truly convinced of its practicality in the event of an apocalypse. Now that Bruce is in his 80s, he and his wife Jean need to spend more time taking care of their immediate needs than worrying about the future. What could easily be dismissed as evangelical paranoia becomes a tragic yet uplifting story about a risk-taking inventor who has lived without regrets. Sometimes outside-the-box thinkers become millionaires and are recognized for their genius ability to guide us into the future, while others are pushed to the margins. There’s a lot to be learned from both
5.2A engaging and exotic man–nature documentary that is sure to capture audiences in many countries. Beautifully filmed by Peter Gerdehag and sensitively edited by Tell Johansson. He lives for horses, he lives with horses, he works with horses and he just about dies when he is forced to leave his horses because of a storm that turns his life upside down.
0.0Five seniors, the eldest is 91 years old, train together in a gym in Rotterdam to keep fit. But the body falters and their environment is getting smaller and smaller. By doing sports, the seniors support each other: origin and social status disappear. The gym fraternizes and gives the elderly unprecedented pleasure. Despite the fanatical sports, the decline is unstoppable. This documentary also shows the seniors alone at home and the confrontational fight against the body that is becoming stiffer, with the realization that that battle is always lost in the long run.
6.0A documentary portrait of elderly women living in a Kraków nursing home, observing daily rituals, illness, and waiting, shaped by recurring symbolic images of time and decline.
0.0At 88 years old, Ofelia reflects on her life under the attentive gaze of her grandchildren. Family, love, disputes, adventures, and tragedies. A story brimming with characters that, as a result of the passing of time, leaves Ofelia as the sole witness to recount it
