Though the release date says 1956, this film consists mostly of footage from a 1931 documentary called "Gow the Killer." It was the first sound film to deal with cannibalism, as it documented the social life and customs of primitive tribes that in fact did engage in cannibalism.
Self
Though the release date says 1956, this film consists mostly of footage from a 1931 documentary called "Gow the Killer." It was the first sound film to deal with cannibalism, as it documented the social life and customs of primitive tribes that in fact did engage in cannibalism.
1956-02-01
0
He destroyed his victims but saved their heads!
In this "fake documentary", a doctor returns to Brazil after his studies in Paris. Setting out to practice Medicine, he becomes an indigenous messiah and, in time, a cannibal.
A disturbing documentary about true murders and real death.
Notti Calde d'Oriente (released in English-speaking countries "Orient by Night"), the 1962 Roberto Bianchi Montero Italian mondo strip tease sexploitation documentary featuring Takeucmi Keigo and His Imperial Japanese Dancers, Bommie the International Dancer of New Orleans, Chiquita and her Jamaican Strip-Tease, The Two Jolly Sisters, and Dodo D'Amburgo the Queen of the Strip-Tease. Note that this was one of the approximately 100 "sexy nocturne" mondo style documentaries that were produced between 1959 and 1970, mainly in Italy. They are documentaries that include segments of strippers, which allowed them to include nudity that had formerly only been seen in nudist movies. The strippers are shown performing their acts, and there was an attempt to film them artistically.
Completely topless. Completely uninhibited. The craze that began in San Francisco is now exploding across the USA and Europe.
A compilation of accidents, disasters, death, mayhem, and human feats caught on tape.
In recent years, stories of older British women hooking up with younger Gambian men have made news headlines, from one-night stands to whirlwind weddings. But what's the truth behind the stories? Seyi Rhodes investigates.
A pseudo-documentary, “Samarang” tells the story of lowly Ahmang (Captain A.V. Cockle) and his socially superior love, Sai-Yu (Theresa Seth). Both live in the village of Samarang in the Indian Ocean. Because Sai-Yu is the daughter of a chief and Ahmang is but a poor fisherman, he needs to increase his wealth before asking for her hand. Thus he accepts the perilous offer of the wily Chang-Fu, who seeks pearl divers. Ahmang must brave the treacherous waters of the Forbidden Lagoon of Sakai, home to bloodthirsty cannibals, killer sharks, and a monstrous grasping octopus. Sai-Yu and Ahmang’s younger brother Ko-Hai come along for kicks, too. Ahmang finds his pearl, but he and Sai-Yu are stranded on the island, where they befriend a local orangutan. When they return to the boat, a shark kills Ko-Hai, and Ahmang must get revenge.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
Occupation Inc. exposes European businessmen and politicians involved in the economic exploitation of Western Sahara, the last colony in Africa and one of the most militarized, violent, and censored territories in the world.
The question of "who hunts virgins" and more will be stripped down and explored in the sexiest trailers hosted by Playboy's Nikki Leigh.
WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!
In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.
To mark the 30th anniversary of L'Étrange Festival, Gaumont is opening up its archives to offer the best of its most secret, bizarre and crazy images, digitized for the first time. A unique program featuring black magic, surrealistic happenings, world records, the evolution of feminism, wild bets, vanished places, forgotten inventions and other delights.
It is a documentary, which submits to the public the most dramatic, subhuman situations in which men find themselves living in all corners of the world. From India to Brazil, from the African nations of the Sahel to Bolivia, the camera ruthlessly shows the images of a humanity marginalized in a thousand ways by the so-called"civil consortium".
Cult director Sergio Martino, during the most glorious mondo years, delivered Naked and Violent, a documentary which unveils the brutality of the USA. Hidden behind a mask of perfection and justice, Naked and Violent traces the problems of American society in the 70s: from racial persecutions to the depraved sexual habits of the middle class, from the drug market to illegal gambling.
A new age Mondo film that explores the realm of urban decay and various oddities of the modern world, ranging from underground club scenes to sex change operations.
Interview-Documentary with special effects artist Gino De Rossi on the making of "Cannibal Ferox".
The video is accompanied by a richly detailed article that adds more depth to the documentary. If there’s any question about why Hollywood is dead set against the unionization of vfx artists, the following graphic from the article will answer the question: vfx artists comprise the biggest portion of the crew on most Hollywood blockbusters.
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.