Though the release date says 1956, this film consists mostly of footage from a 1931 documentary called "Gow the Killer." It was the first sound film to deal with cannibalism, as it documented the social life and customs of primitive tribes that in fact did engage in cannibalism.
Though the release date says 1956, this film consists mostly of footage from a 1931 documentary called "Gow the Killer." It was the first sound film to deal with cannibalism, as it documented the social life and customs of primitive tribes that in fact did engage in cannibalism.
1956-02-01
0
He destroyed his victims but saved their heads!
For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment, just like animals in zoos; a shameful, outrageous and savage treatment of people who were considered subhuman.
Radical feminist Andrea Dworkin's expose on the pornography industry.
WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!
The film documents the night life scenes of both Hong Kong and Macau, from nightclubs, sauna baths to young ladies making category III VCDs.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
What starts out as a voyage to the West in pursuit of the American Dream quickly turns deadly for the Donner party after a series of bad decisions and severe weather. Trapped in the Sierra Nevada Mountains, this group of nearly 80 settlers fell prey to sub-zero temperatures, torrential rainfalls, extreme heat, and ten-foot snow drifts. Punishing storms trapped the party with nearly no food or shelter for 5 months in the Sierra Nevada mountains. Many died, some succumbed to cannibalism to survive, and others delved deeply into their faith while waiting to be rescued. “The Donner Party” explores this exciting journey through a hybrid of first-person narration, remarkable reenactments, expert interviews, CGI, and archival materials.
The question of "who hunts virgins" and more will be stripped down and explored in the sexiest trailers hosted by Playboy's Nikki Leigh.
In this "fake documentary", a doctor returns to Brazil after his studies in Paris. Setting out to practice Medicine, he becomes an indigenous messiah and, in time, a cannibal.
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
Mondo Topless is a 1966 pseudo documentary directed by Russ Meyer, featuring Babette Bardot and Lorna Maitland among others.
St. Pauli, prostitution by advertisement, lesbianism, whipping, satanic rituals – all that makes a young farmgirl movieng to the big city where sexual adventures await her.
Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.
A documentary short on the history of Mondo movies by British author David Flint.
Exploitation documentary, not to be confused with the Something Weird compilation of the same name, which amongst others contains a copy of this film.
A pseudo-documentary, “Samarang” tells the story of lowly Ahmang (Captain A.V. Cockle) and his socially superior love, Sai-Yu (Theresa Seth). Both live in the village of Samarang in the Indian Ocean. Because Sai-Yu is the daughter of a chief and Ahmang is but a poor fisherman, he needs to increase his wealth before asking for her hand. Thus he accepts the perilous offer of the wily Chang-Fu, who seeks pearl divers. Ahmang must brave the treacherous waters of the Forbidden Lagoon of Sakai, home to bloodthirsty cannibals, killer sharks, and a monstrous grasping octopus. Sai-Yu and Ahmang’s younger brother Ko-Hai come along for kicks, too. Ahmang finds his pearl, but he and Sai-Yu are stranded on the island, where they befriend a local orangutan. When they return to the boat, a shark kills Ko-Hai, and Ahmang must get revenge.
A new age Mondo film that explores the realm of urban decay and various oddities of the modern world, ranging from underground club scenes to sex change operations.
This documentary explores an unknown civilization of the Brazilian Amazon, who risk their lives to protect their forest. In order to save the exploitation of the environment by big corporations, they have to create legal institutions.